Dominant seventh flat five chord: Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
{{Wikipedia}} | {{Wikipedia}} | ||
{{ | |||
A '''dominant seventh flat five chord''' is a [[tetrad]] comprising a root, a [[major]] third, a [[interval quality|diminished]] fifth, and a [[minor]] seventh. | |||
== In temperaments == | |||
In meantone (including [[12edo]]), on which traditional tonal harmony is built, the interval of a diminished fifth [[tempering together|tempers together]] [[36/25]]~[[64/45]]~[[1024/729]], and the minor seventh tempers together [[9/5]]~[[16/9]], giving a chord with an [[intervallic odd limit]] of 125: | |||
* (Meantone) 1/1 ‒ [[5/4]] ‒ [[36/25]] ‒ [[9/5]] | |||
In [[marvel]] temperament, which [[tempering out|tempers out]] [[225/224]], a ~[[16/9]] minor seventh is equated with ~[[25/14]], which combines with a [[10/7]]~[[64/45]] diminished fifth to give a [[9-odd-limit]] [[essentially tempered chord]]: | |||
* (Marvel) 1/1 ‒ 5/4 ‒ 10/7 ‒ 16/9, with steps 5/4, [[8/7]], 5/4 | |||
Similarly, in [[starling]] temperament, which tempers out [[126/125]] a ~[[9/5]] minor seventh is equated with ~25/14, which combines with a 10/7~[[36/25]] diminished fifth to give a 9-odd-limit essentially tempered chord: | |||
* (Starling) 1/1 ‒ 5/4 ‒ 10/7 ‒ 9/5, with steps 5/4, 8/7, 5/4 | |||
[[Septimal meantone]], which is well-represented by the historically prevalent [[quarter-comma meantone]]), tempers together all of the above chords, so any of the those interpretations may be relevant for dominant seventh flat five chords found in common-practice music. | |||
== In just intonation == | |||
In the [[7-limit]]: | |||
* [[28:35:40:50]] corresponds to a just interpretation of the essentially-tempered chords of marvel and starling temperament. | |||
In the [[5-limit]]: | |||
* [[180:225:256:320]] is a found rooted on V ({{Frac|3|2}}) and II ({{Frac|9|8}}) in the [[duodene]]. | |||
* [[100:125:144:180]] is another interpretation of the chord from meantone temperament, found in genus 3<sup>2</sup>{{dot}}5<sup>3</sup>. | |||
== See also == | |||
* [[French sixth chord]], a chord that is enharmonically equivalent to a dominant seventh flat five chord in [[12edo]]. | |||
[[Category:Just intonation chords]] | [[Category:Just intonation chords]] | ||
[[Category:Dominant seventh flat five chords| ]] | [[Category:Dominant seventh flat five chords| ]] | ||