128:160:192:225: Difference between revisions
Jump to navigation
Jump to search
No edit summary |
mNo edit summary |
||
| Line 1: | Line 1: | ||
{{Infobox Chord|Name=Neapolitan,German sixth}} | {{Infobox Chord|Name=Neapolitan,German sixth}} | ||
'''128:160:192:225''' | '''128:160:192:225''', an inversion of the ''Neapolitan''[https://en.wikipedia.org/wiki/Neapolitan_chord] or ''German sixth''[https://en.wikipedia.org/wiki/Augmented_sixth_chord#German_sixth] chord, is found rooted at the ♭II ({{Frac|16|15}}) and ♭VI ({{Frac|8|5}}) of the [[duodene]]. | ||
Although [[225/128]] is often considered an augmented sixth rather than a minor seventh, in [[Meantone_family#Septimal_meantone|septimal meantone]] it is tuned identically to the [[7/4|harmonic seventh]], so the chord employing it may be considered a kind of [[dominant seventh chord]]. | Although [[225/128]] is often considered an augmented sixth rather than a minor seventh, in [[Meantone_family#Septimal_meantone|septimal meantone]] it is tuned identically to the [[7/4|harmonic seventh]], so the chord employing it may be considered a kind of [[dominant seventh chord]]. | ||
[[Category:Dominant seventh chords]] | [[Category:Dominant seventh chords]] | ||
Revision as of 18:47, 12 August 2024
| Chord information |
128:160:192:225, an inversion of the Neapolitan[1] or German sixth[2] chord, is found rooted at the ♭II (16⁄15) and ♭VI (8⁄5) of the duodene.
Although 225/128 is often considered an augmented sixth rather than a minor seventh, in septimal meantone it is tuned identically to the harmonic seventh, so the chord employing it may be considered a kind of dominant seventh chord.