User:MissMagenta/EDKL: Difference between revisions
Jump to navigation
Jump to search
MissMagenta (talk | contribs) mNo edit summary |
MissMagenta (talk | contribs) No edit summary |
||
| Line 52: | Line 52: | ||
|- | |- | ||
|14edkl | |14edkl | ||
| | |[[17edo]] | ||
| | | | ||
|- | |- | ||
Revision as of 03:00, 11 August 2024
Equal divisions of the Komornik–Loreti Seventh, or the Kleventh which has a step size of ~1005.2719677332628 cents. The Kleventh is the Komornik–Loreti constant used as a musical interval. Using the Komornik–Loreti constant as a interval is was a completely arbitrary choice.
Correspondence of EDKL to EDO
| Tuning | Equivalent EDO | Comment |
|---|---|---|
| 2edkl | N/A | |
| 3edkl | ||
| 4edkl | ||
| 5edkl | 6edo | |
| 6edkl | 7edo | |
| 7edkl | ||
| 8edkl | ||
| 9edkl | ||
| 10edkl | 12edo | Has a good fifth (~0.1% off a just fifth) |
| 11edkl | 13edo | |
| 12edkl | 14edo | |
| 13edkl | 16edo | Has a phenomenal major third (~0.01% off a just major third) |
| 14edkl | 17edo | |
| 15edkl | 18edo | |
| 16edkl | ||
| 17edkl | 20edo | |
To see correspondences of EDKLs to other equal tunings go here.