User:CompactStar/Ed11/4: Difference between revisions
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Incidentally, one way to treat 11/4 as an equivalence in a temperament is the use of the 11:16:20 chord as the fundamental complete sonority in a very similar way to the 4:5:6 chord in [[meantone]]. Whereas in [[meantone]] a stack of four [[3/2]]'s is equated with [[5/1]], here a stack of four [[20/11]]'s is equated with [[16/11]], tempering out the comma 161051/160000 in the 4.5.11 subgroup. Doing this yields 5-, 7-, 12-, and 17-note [[mos scale]]s, coincidentally similar to [[Pythagorean tuning]]. | Incidentally, one way to treat 11/4 as an equivalence in a temperament is the use of the 11:16:20 chord as the fundamental complete sonority in a very similar way to the 4:5:6 chord in [[meantone]]. Whereas in [[meantone]] a stack of four [[3/2]]'s is equated with [[5/1]], here a stack of four [[20/11]]'s is equated with [[16/11]], tempering out the comma 161051/160000 in the 4.5.11 subgroup. Doing this yields 5-, 7-, 12-, and 17-note [[mos scale]]s, coincidentally similar to [[Pythagorean tuning]]. | ||
[[Category: | [[Category:Ed11/4| ]] <!-- main article --> | ||
[[Category:Edonoi]] | |||
[[Category:Lists of scales]] | |||