In [[7-limit]] [[Just Intonation]], 7/5 is a narrow [[@http://en.wikipedia.org/wiki/Tritone|tritone]] measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of [[12edo]] and every even-numbered [[EDO]]. It represents the difference between [[7_4|7/4]] and [[5_4|5/4]].
In [[7-limit|7-limit]] [[Just_intonation|Just Intonation]], 7/5 is a narrow [http://en.wikipedia.org/wiki/Tritone tritone] measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of [[12edo|12edo]] and every even-numbered [[EDO|EDO]]. It represents the difference between [[7/4|7/4]] and [[5/4|5/4]].
7/5 is notable for its low [[harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10_7|10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular]] interval [[50_49|50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and [[10_7|10/7]], usually to the 600¢ half-octave.
7/5 is notable for its low [[Harmonic_Entropy|harmonic entropy]], and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is [[10/7|10/7]], which measures about 617.5¢, and these two septimal tritones differ by the [[superparticular|superparticular]] interval [[50/49|50/49]], about 35.0¢. Systems which temper out 50/49 will equate 7/5 and [[10/7|10/7]], usually to the 600¢ half-octave.
Another just tritone is the [[3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<span style="vertical-align: super;">3</span>, or three "whole tones". Yet another is [[45_32|45/32]], about 590.2¢, which appears in the [[5-limit]] (inversion is [[64_45|64/45]]). See also [[13_9|13/9]], [[18_13|18/13]], [[17_12|17/12]], [[24_17|24/17]], [[25_18|25/18]] and [[36_25|36/25]].
Another just tritone is the [[3-limit|3-limit]] 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<span style="vertical-align: super;">3</span>, or three "whole tones". Yet another is [[45/32|45/32]], about 590.2¢, which appears in the [[5-limit|5-limit]] (inversion is [[64/45|64/45]]). See also [[13/9|13/9]], [[18/13|18/13]], [[17/12|17/12]], [[24/17|24/17]], [[25/18|25/18]] and [[36/25|36/25]].
See: [[Gallery of Just Intervals]]</pre></div>
See: [[Gallery_of_Just_Intervals|Gallery of Just Intervals]] [[Category:7-limit]]
In <a class="wiki_link" href="/7-limit">7-limit</a> <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 7/5 is a narrow <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Tritone" rel="nofollow" target="_blank">tritone</a> measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of <a class="wiki_link" href="/12edo">12edo</a> and every even-numbered <a class="wiki_link" href="/EDO">EDO</a>. It represents the difference between <a class="wiki_link" href="/7_4">7/4</a> and <a class="wiki_link" href="/5_4">5/4</a>.<br />
<br />
7/5 is notable for its low <a class="wiki_link" href="/harmonic%20entropy">harmonic entropy</a>, and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is <a class="wiki_link" href="/10_7">10/7</a>, which measures about 617.5¢, and these two septimal tritones differ by the <a class="wiki_link" href="/superparticular">superparticular</a> interval <a class="wiki_link" href="/50_49">50/49</a>, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and <a class="wiki_link" href="/10_7">10/7</a>, usually to the 600¢ half-octave.<br />
<br />
Another just tritone is the <a class="wiki_link" href="/3-limit">3-limit</a> 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)<span style="vertical-align: super;">3</span>, or three &quot;whole tones&quot;. Yet another is <a class="wiki_link" href="/45_32">45/32</a>, about 590.2¢, which appears in the <a class="wiki_link" href="/5-limit">5-limit</a> (inversion is <a class="wiki_link" href="/64_45">64/45</a>). See also <a class="wiki_link" href="/13_9">13/9</a>, <a class="wiki_link" href="/18_13">18/13</a>, <a class="wiki_link" href="/17_12">17/12</a>, <a class="wiki_link" href="/24_17">24/17</a>, <a class="wiki_link" href="/25_18">25/18</a> and <a class="wiki_link" href="/36_25">36/25</a>.<br />
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See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html></pre></div>
In 7-limitJust Intonation, 7/5 is a narrow tritone measuring about 582.5¢. It is a noticeable 17.5¢ away from the 600¢ half-octave (square root of 2) tritone of 12edo and every even-numbered EDO. It represents the difference between 7/4 and 5/4.
7/5 is notable for its low harmonic entropy, and is often reported to sound more consonant than the half-octave tritone; indeed it appears in the 4:5:6:7 tetrad that forms the basis of consonance in 7-limit JI. Its inversion is 10/7, which measures about 617.5¢, and these two septimal tritones differ by the superparticular interval 50/49, about 35.0¢. Systems which temper out 50/49 will equate 7/5 and 10/7, usually to the 600¢ half-octave.
Another just tritone is the 3-limit 729/512, 611.7¢, and this is literally a tri-tone, since it is (9/8)3, or three "whole tones". Yet another is 45/32, about 590.2¢, which appears in the 5-limit (inversion is 64/45). See also 13/9, 18/13, 17/12, 24/17, 25/18 and 36/25.