27/20: Difference between revisions

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In [[5-limit]] [[just intonation]], '''27/20''', the '''classic acute fourth''', is an interval measuring about 519.6{{cent}}. It differs from the [[4/3]] perfect fourth by [[81/80]] (about 21.5{{cent}}), the syntonic comma. It arises naturally in JI as (for instance) the difference between a 5-limit major third and a stack of five [[3/2]] perfect fifths, or as the interval between [[10/9]] and [[3/2]]. In [[12edo]] and [[meantone]] systems, this interval would be no different from 4/3, as the syntonic comma is tempered out. 27/20 has been described as a "wolf" interval, implying that it "howls", as compared to simpler intervals within the 5-limit such as [[5/4]] and [[9/8]]. Although in a 5-limit context it is traditionally avoided, it can be an essential interval in a harmonic context of higher complexity, where it may be admired for its bright and active character and its distinctness from 4/3.
In [[5-limit]] [[just intonation]], '''27/20''', the '''classic acute fourth''', is an interval measuring about 519.6{{cent}}. It differs from the [[4/3]] perfect fourth by [[81/80]] (about 21.5{{cent}}), the syntonic comma. It arises naturally in JI as (for instance) the difference between a 5-limit major third and a stack of five [[3/2]] perfect fifths, or as the interval between [[10/9]] and [[3/2]]. In [[12edo]] and [[meantone]] systems, this interval would be no different from 4/3, as the syntonic comma is tempered out. 27/20 has been described as a "wolf" interval, implying that it "howls", as compared to simpler intervals within the 5-limit such as [[5/4]] and [[9/8]]. Although in a 5-limit context it is traditionally avoided, it can be an essential interval in a harmonic context of higher complexity, where it may be admired for its bright and active character and its distinctness from 4/3.
 
== Approximation ==
{{Interval_Edo_Approximation | 27/20}
== See also ==  
== See also ==  
* [[40/27]] – its [[octave complement]]
* [[40/27]] – its [[octave complement]]