Decaononic: Difference between revisions
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''' | The '''decaononic''' technique is the way of playing and composing where a [[tone]] is considered to be equal to [[10/9]]. It is a set of temperaments that may interpret this function differently. | ||
It is a set of temperaments that may interpret this function differently. | |||
== Origin == | == Origin == | ||
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== Theory == | == Theory == | ||
The name "decaononic" comes from Greek and Latin words for 10 and 9 respectively, and a letter o meaning "over", as in "[[otonal]]". In this system, one tone is set to be 10/9, about 182.4 cents, and other intervals may have multiple interpretations. | The name "decaononic", proposed by [[Eliora]], comes from Greek and Latin words for 10 and 9 respectively, and a letter o meaning "over", as in "[[otonal]]". In this system, one tone is set to be 10/9, about 182.4 cents, and other intervals may have multiple interpretations. | ||
=== Whole tone scale === | === Whole tone scale === | ||
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=== Meantone === | === Meantone === | ||
Meantone decaononic temperament assigns the perfect fifth to split the major ninth, as normal meantone would, in two. This therefore results in the fifth size of <math>\sqrt{20/9} = 1.490712...</math>, or about 691.2019 cents. The amount by which the fifth is flattened is equal to <math>\sqrt{81/80} = 1.0062...</math>, therefore this is effectively the same as | Meantone decaononic temperament assigns the perfect fifth to split the major ninth, as normal meantone would, in two. This therefore results in the fifth size of <math>\sqrt{20/9} = 1.490712...</math>, or about 691.2019 cents. The amount by which the fifth is flattened is equal to <math>\sqrt{81/80} = 1.0062...</math>, therefore this is effectively the same as [[1/2 syntonic comma meantone|1/2-comma meantone]]. | ||
=== Devil's dozen === | === Devil's dozen === | ||