15/8: Difference between revisions

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m Normalising usage of Infobox Interval
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{{Infobox Interval
{{Infobox Interval
| Ratio = 15/8
| Monzo = -3 1 1
| Cents = 1088.26871
| Name = classic/just major seventh
| Name = classic/just major seventh
| Color name = y7, yo 7th
| Color name = y7, yo 7th
| FJS name = M7<sup>5</sup>
| Sound = jid_15_8_pluck_adu_dr220.mp3
| Sound = jid_15_8_pluck_adu_dr220.mp3
}}
}}
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* [[Gallery of just intervals]]
* [[Gallery of just intervals]]


[[Category:5-limit]]
[[Category:Seventh]]
[[Category:Seventh]]
[[Category:Major seventh]]
[[Category:Major seventh]]
[[Category:Octave-reduced harmonics]]

Revision as of 12:24, 25 October 2022

Interval information
Ratio 15/8
Factorization 2-3 × 3 × 5
Monzo [-3 1 1
Size in cents 1088.269¢
Name classic/just major seventh
Color name y7, yo 7th
FJS name [math]\displaystyle{ \text{M7}^{5} }[/math]
Special properties reduced,
reduced harmonic
Tenney norm (log2 nd) 6.90689
Weil norm (log2 max(n, d)) 7.81378
Wilson norm (sopfr(nd)) 14

[sound info]
Open this interval in xen-calc
English Wikipedia has an article on:

In 5-limit just intonation, 15/8 is the classic major seventh of about 1088.3¢. It is also the 15th harmonic (octave-reduced), and appears as a complex consonance in chords such as 8:10:12:15, a just version of a major seventh chord. Since 15 is 3×5, it can be seen as a perfect fifth above a major third or vice versa, and this understanding is compatible with the 1100¢ interval of 12edo.

Since 15 is a perfect fifth above 10 (15/10 = 3/2), root-3rd-P5 triads can be formed with the 10th harmonic as root and 15th harmonic as perfect fifth. The simplest and most familiar example is the classic minor triad 10:12:15 – a 6/5 with a 5/4 stacked on top of it. Another is the Barbados triad, 10:13:15 – a 13/10 on bottom and a 15/13 on top. And a particularly uncommon but mentionable example is the 23-limit inframinor triad 20:23:30.

See also