4/3: Difference between revisions
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'''4/3''' is the [[frequency ratio]] of the just perfect fourth. Its inversion is the perfect fifth, [[3/2]]. In the [[Wikipedia: Medieval music #Early polyphony: organum|florid organum]] of Medieval music, 4/3 was reliably considered a consonance, and indeed was frequently emphasized. Once major thirds with a tuning approximating [[5/4]] began to be treated as consonances, however, the perception of 4/3 was altered to where it was at times considered a dissonance | '''4/3''' is the [[frequency ratio]] of the just perfect fourth. Its inversion is the perfect fifth, [[3/2]]. In the [[Wikipedia: Medieval music #Early polyphony: organum|florid organum]] of Medieval music, 4/3 was reliably considered a consonance, and indeed was frequently emphasized. Once major thirds with a tuning approximating [[5/4]] began to be treated as consonances, however, the perception of 4/3 was altered to where it was at times considered a dissonance. | ||
== See also == | == See also == | ||
Revision as of 20:38, 16 November 2021
| Interval information |
reduced,
reduced subharmonic
[sound info]
4/3 is the frequency ratio of the just perfect fourth. Its inversion is the perfect fifth, 3/2. In the florid organum of Medieval music, 4/3 was reliably considered a consonance, and indeed was frequently emphasized. Once major thirds with a tuning approximating 5/4 began to be treated as consonances, however, the perception of 4/3 was altered to where it was at times considered a dissonance.