Bohlen–Pierce scale: Difference between revisions
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The '''Bohlen-Pierce''' ('''BP''') scale is a [[nonoctave]] scale, a 13-part equal division of the perfect-twelfth ([[3/1]]) or [[Tritave]] ('''13edt'''). Each step is about 146 ¢, making it a [[macrotonal]] scale. It is closely related to the rank two temperament [[Sensamagic clan#Bohpier|bohpier]]. Bohlen-Pierce is normally thought of (if not in these terms, then in fact) as a temperament defined on the 3.5.7 [[Just intonation subgroups|subgroup]]. However, it (or at least 3.5.7-limit [[edt|13edt]]) can be extended to the 3.5.7.11/4 subgroup. This extension is controversial because of the presence of 2 in the denominator of 11/4, but the interval is present in the sense that 3^(12\13) provides an approximation to it. Chords of Bohlen-Pierce, from this extended perspective, may be found listed on the page [[chords of bohpier]]. Bohlen-Pierce was discovered independently by [[Heinz Bohlen]], [[John Pierce]], [[Kees van Prooijen]], and perhaps others, usually noticed for its good approximation of odd-number just ratios 3:5, 5:7, 3:7, etc.; but not necessarily 4:11, 5:6, 6:7, etc. | The '''Bohlen-Pierce''' ('''BP''') scale is a [[nonoctave]] scale, a 13-part equal division of the perfect-twelfth ([[3/1]]) or [[Tritave]] ('''13edt'''). Each step is about 146 ¢, making it a [[macrotonal]] scale. It is closely related to the rank two temperament [[Sensamagic clan#Bohpier|bohpier]]. Bohlen-Pierce is normally thought of (if not in these terms, then in fact) as a temperament defined on the 3.5.7 [[Just intonation subgroups|subgroup]]. However, it (or at least 3.5.7-limit [[edt|13edt]]) can be extended to the 3.5.7.11/4 subgroup. This extension is controversial because of the presence of 2 in the denominator of 11/4, but the interval is present in the sense that 3^(12\13) provides an approximation to it. Chords of Bohlen-Pierce, from this extended perspective, may be found listed on the page [[chords of bohpier]]. Bohlen-Pierce was discovered independently by [[Heinz Bohlen]], [[John Pierce]], [[Kees van Prooijen]], and perhaps others, usually noticed for its good approximation of odd-number just ratios 3:5, 5:7, 3:7, etc.; but not necessarily 4:11, 5:6, 6:7, etc. | ||
==Theory== | |||
{| class="wikitable center-all" | |||
|+Approximation of prime intervals in 13-EDT | |||
! colspan="2" |Prime interval | |||
!2 | |||
!3 | |||
!5 | |||
!7 | |||
!11 | |||
!13 | |||
!17 | |||
!19 | |||
|- | |||
! rowspan="2" |Error | |||
!absolute ([[cent|¢]]) | |||
| -29.6 | |||
|0.0 | |||
| -6.5 | |||
| -3.8 | |||
| -54.8 | |||
| -51.4 | |||
| +69.4 | |||
| +23.1 | |||
|- | |||
![[Relative error|relative]] (%) | |||
| -20 | |||
|0 | |||
| -4 | |||
| -3 | |||
| -37 | |||
| -35 | |||
| +47 | |||
| +16 | |||
|- | |||
! colspan="2" |[[Patent val]] | |||
|8 | |||
|13 | |||
|19 | |||
|23 | |||
|28 | |||
| 30 | |||
|34 | |||
|35 | |||
|- | |||
! colspan="2" |[[Fifthspan]] | |||
| -1 | |||
|0 | |||
| -4 | |||
| +2 | |||
| +3 | |||
| +6 | |||
| -1 | |||
| +7 | |||
|} | |||
[[File:vaisvil-BP-guitar-052-crop.jpg|frame|Chris Vaisvil's BP electric guitar. [http://chrisvaisvil.com/the-bohlen-pierce-epiphone-roadie-guitar/ Music from this guitar.]] | [[File:vaisvil-BP-guitar-052-crop.jpg|frame|Chris Vaisvil's BP electric guitar. [http://chrisvaisvil.com/the-bohlen-pierce-epiphone-roadie-guitar/ Music from this guitar.]] | ||
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[[File:Sword_BP_guitars.jpg|thumb|500px]] | [[File:Sword_BP_guitars.jpg|thumb|500px]] | ||
[http://www.huygens-fokker.org/bpsite/ Bohlen Pierce website] | [http://www.huygens-fokker.org/bpsite/ Bohlen Pierce website] | ||
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[[Relationship between Bohlen-Pierce and octave-ful temperaments]] | [[Relationship between Bohlen-Pierce and octave-ful temperaments]] | ||
=Physical instruments tuned to the BP scale= | ==Lambda scale== | ||
{{main|4L 5s (tritave-equivalent)}} | |||
==Triple Bohlen-Pierce== | |||
Proposed by [[Paul Erlich]], is the [[Triple BP|Triple Bohlen-Pierce Scale]], or 39th root of 3. It approximates additional odd harmonics and can be used in a variety of ways, for both just intonation chords and harmonies, as standard Bohlen-Pierce scale interlocking three times with calm sounding quarter-tones, and for various JI modulations. | |||
==Physical instruments tuned to the BP scale== | |||
[http://www.swordguitars.com/Sword_Bohlen_Pierce_acoustic.JPG Bohlen Pierce guitar] | [http://www.swordguitars.com/Sword_Bohlen_Pierce_acoustic.JPG Bohlen Pierce guitar] | ||
| Line 82: | Line 136: | ||
[https://www.freewebs.com/ralphjarzombek/120420.mp3 120420] by Ralph Jarzombek | [https://www.freewebs.com/ralphjarzombek/120420.mp3 120420] by Ralph Jarzombek | ||
==See also== | ==See also== | ||
* [[Catalog of 3.5.7 subgroup rank two temperaments]] | *[[Catalog of 3.5.7 subgroup rank two temperaments]] | ||
* [[No-twos 31-limit]] | *[[No-twos 31-limit]] | ||
[[Category:Bohlen-pierce]] | [[Category:Bohlen-pierce]] | ||
Revision as of 04:14, 15 July 2021
The Bohlen-Pierce (BP) scale is a nonoctave scale, a 13-part equal division of the perfect-twelfth (3/1) or Tritave (13edt). Each step is about 146 ¢, making it a macrotonal scale. It is closely related to the rank two temperament bohpier. Bohlen-Pierce is normally thought of (if not in these terms, then in fact) as a temperament defined on the 3.5.7 subgroup. However, it (or at least 3.5.7-limit 13edt) can be extended to the 3.5.7.11/4 subgroup. This extension is controversial because of the presence of 2 in the denominator of 11/4, but the interval is present in the sense that 3^(12\13) provides an approximation to it. Chords of Bohlen-Pierce, from this extended perspective, may be found listed on the page chords of bohpier. Bohlen-Pierce was discovered independently by Heinz Bohlen, John Pierce, Kees van Prooijen, and perhaps others, usually noticed for its good approximation of odd-number just ratios 3:5, 5:7, 3:7, etc.; but not necessarily 4:11, 5:6, 6:7, etc.
Theory
| Prime interval | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | |
|---|---|---|---|---|---|---|---|---|---|
| Error | absolute (¢) | -29.6 | 0.0 | -6.5 | -3.8 | -54.8 | -51.4 | +69.4 | +23.1 |
| relative (%) | -20 | 0 | -4 | -3 | -37 | -35 | +47 | +16 | |
| Patent val | 8 | 13 | 19 | 23 | 28 | 30 | 34 | 35 | |
| Fifthspan | -1 | 0 | -4 | +2 | +3 | +6 | -1 | +7 | |


Bohlen-Pierce Scale Research by Elaine Walker
Sword, Ronald. "Bohlen Pierce Scales for Guitar" IAAA Press, UK-USA. First Ed: May 2009.
Relationship between Bohlen-Pierce and octave-ful temperaments
Lambda scale
Triple Bohlen-Pierce
Proposed by Paul Erlich, is the Triple Bohlen-Pierce Scale, or 39th root of 3. It approximates additional odd harmonics and can be used in a variety of ways, for both just intonation chords and harmonies, as standard Bohlen-Pierce scale interlocking three times with calm sounding quarter-tones, and for various JI modulations.
Physical instruments tuned to the BP scale
Metallophone
Electronic Organ
Stredici
Kalimba (Mbira)
Compositions
A Mean Little Voice by Stephen Weigel
Links to available music written in BP at above website.
Bohl-en Roll by Carlo Serafini (blog entry)
Bohlen-Pierce electric guitar improvisation by Jean-Pierre Poulin
Bohlen-Pierce "Stretched Chroma" Acoustic Improvisation by Ron Sword
Roll'n'Peace by Jean-Pierre Poulin
Comets Over Flatland 1 by Randy Winchester
Comets Over Flatland 2 by Randy Winchester
Comets Over Flatland 3 by Randy Winchester
Comets Over Flatland 4 by Randy Winchester
Bohlen-Pierce Island audio by Chris Vaisvil
Bending the Rules by Chris Vaisvil
Bohlen-Pierce Canon by Kjell Hansen.
Bohlen's Pierced Waltz by Chris Vaisvil
The Complex Plane by Chris Vaisvil
120420 by Ralph Jarzombek