13edo: Difference between revisions
→13edo: 13 equal divisions of the octave: Kentaku nominal names are based on the Ilarnekian mode, not Dylathian |
|||
| Line 22: | Line 22: | ||
! | [[26edo|26edo]] names | ! | [[26edo|26edo]] names | ||
! | Kentaku | ! | Kentaku | ||
! | Pseudo-Diatonic Category | |||
|- | |- | ||
| style="text-align:center;" | 0 | | style="text-align:center;" | 0 | ||
| Line 31: | Line 32: | ||
| style="text-align:center;" | C | | style="text-align:center;" | C | ||
| style="text-align:center;" | J | | style="text-align:center;" | J | ||
| style="text-align:center;" | Unison | |||
|- | |- | ||
| style="text-align:center;" | 1 | | style="text-align:center;" | 1 | ||
| Line 40: | Line 42: | ||
| style="text-align:center;" | Cx/Dbb | | style="text-align:center;" | Cx/Dbb | ||
| style="text-align:center;" | J#/Kb | | style="text-align:center;" | J#/Kb | ||
| style="text-align:center;" | Minor second | |||
|- | |- | ||
| style="text-align:center;" | 2 | | style="text-align:center;" | 2 | ||
| Line 49: | Line 52: | ||
| style="text-align:center;" | D | | style="text-align:center;" | D | ||
| style="text-align:center;" | K | | style="text-align:center;" | K | ||
| style="text-align:center;" | Major second | |||
|- | |- | ||
| style="text-align:center;" | 3 | | style="text-align:center;" | 3 | ||
| Line 58: | Line 62: | ||
| style="text-align:center;" | Dx/Ebb | | style="text-align:center;" | Dx/Ebb | ||
| style="text-align:center;" | K#/Lb | | style="text-align:center;" | K#/Lb | ||
| style="text-align:center;" | Minor third | |||
|- | |- | ||
| style="text-align:center;" | 4 | | style="text-align:center;" | 4 | ||
| Line 67: | Line 72: | ||
| style="text-align:center;" | E | | style="text-align:center;" | E | ||
| style="text-align:center;" | L | | style="text-align:center;" | L | ||
| style="text-align:center;" | Major third | |||
|- | |- | ||
| style="text-align:center;" | 5 | | style="text-align:center;" | 5 | ||
| Line 76: | Line 82: | ||
| style="text-align:center;" | Ex/Fb | | style="text-align:center;" | Ex/Fb | ||
| style="text-align:center;" | M | | style="text-align:center;" | M | ||
| style="text-align:center;" | Minor fourth | |||
|- | |- | ||
| style="text-align:center;" | 6 | | style="text-align:center;" | 6 | ||
| Line 85: | Line 92: | ||
| style="text-align:center;" | F# | | style="text-align:center;" | F# | ||
| style="text-align:center;" | M#/Nb | | style="text-align:center;" | M#/Nb | ||
| style="text-align:center;" | Major fourth/Minor tritone | |||
|- | |- | ||
| style="text-align:center;" | 7 | | style="text-align:center;" | 7 | ||
| Line 94: | Line 102: | ||
| style="text-align:center;" | Gb | | style="text-align:center;" | Gb | ||
| style="text-align:center;" | N | | style="text-align:center;" | N | ||
| style="text-align:center;" | Minor fifth/Major tritone | |||
|- | |- | ||
| style="text-align:center;" | 8 | | style="text-align:center;" | 8 | ||
| Line 103: | Line 112: | ||
| style="text-align:center;" | G# | | style="text-align:center;" | G# | ||
| style="text-align:center;" | O | | style="text-align:center;" | O | ||
| style="text-align:center;" | Major fifth | |||
|- | |- | ||
| style="text-align:center;" | 9 | | style="text-align:center;" | 9 | ||
| Line 112: | Line 122: | ||
| style="text-align:center;" | Ab | | style="text-align:center;" | Ab | ||
| style="text-align:center;" | O#/Pb | | style="text-align:center;" | O#/Pb | ||
| style="text-align:center;" | Minor sixth | |||
|- | |- | ||
| style="text-align:center;" | 10 | | style="text-align:center;" | 10 | ||
| Line 121: | Line 132: | ||
| style="text-align:center;" | A# | | style="text-align:center;" | A# | ||
| style="text-align:center;" | P | | style="text-align:center;" | P | ||
| style="text-align:center;" | Major sixth | |||
|- | |- | ||
| style="text-align:center;" | 11 | | style="text-align:center;" | 11 | ||
| Line 130: | Line 142: | ||
| style="text-align:center;" | Bb | | style="text-align:center;" | Bb | ||
| style="text-align:center;" | P#/Qb | | style="text-align:center;" | P#/Qb | ||
| style="text-align:center;" | Minor seventh | |||
|- | |- | ||
| style="text-align:center;" | 12 | | style="text-align:center;" | 12 | ||
| Line 139: | Line 152: | ||
| style="text-align:center;" | B#/Cbb | | style="text-align:center;" | B#/Cbb | ||
| style="text-align:center;" | Q | | style="text-align:center;" | Q | ||
| style="text-align:center;" | Major seventh | |||
|- | |- | ||
| style="text-align:center;" | 13 | | style="text-align:center;" | 13 | ||
| Line 148: | Line 162: | ||
| style="text-align:center;" | C | | style="text-align:center;" | C | ||
| style="text-align:center;" | J | | style="text-align:center;" | J | ||
| style="text-align:center;" | Octave | |||
|} | |} | ||
*based on treating 13-EDO as a 2.5.9.11.13.21 subgroup temperament; other approaches are possible. | *based on treating 13-EDO as a 2.5.9.11.13.21 subgroup temperament; other approaches are possible. | ||