10:12:15: Difference between revisions
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changed the voicings list to a table |
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== Notable voicings == | == Notable voicings == | ||
Voicings are | Voicings are sorted by [[Wilson norm]]. This list is only a brief overview, see [[Voicings of 10:12:15]] for a more comprehensive list. | ||
{| class="wikitable" | |||
|+ | |||
!Voices | |||
![[EFR]] | |||
![[Kite's thoughts on hi-lo notation|Hi-lo name]] | |||
!Special properties | |||
|- | |||
| rowspan="6" |3 voices | |||
|3:5:15 | |||
|lo3hi5 | |||
4 voices | |AOV ([[Odd limit#Proposed extensions|all-odd voicing]]) | ||
|- | |||
|6:10:15 | |||
|lo3 | |||
|CAOV (condensed AOV) | |||
|- | |||
|10:12:15 | |||
|basic | |||
| | |||
|- | |||
|10:15:24 | |||
|hi3 | |||
| | |||
|- | |||
|12:15:20 | |||
|hiR | |||
|1st inversion | |||
|- | |||
|15:20:24 | |||
|lo5 | |||
|2nd inversion | |||
|- | |||
| rowspan="2" |4 voices | |||
|10:12:15:20 | |||
|add8 | |||
| | |||
|- | |||
|10:15:20:24 | |||
|hi3add8 | |||
| | |||
|} | |||
== Related chords == | == Related chords == | ||
Revision as of 21:08, 24 November 2025
| Chord information |
10:12:15 is a utonal minor triad, known as the just minor triad, classical minor triad, or Ptolemaic minor triad. It is a common chord that appears as a counterpart to the widespread otonal major triad of 4:5:6, with the major third replaced by a minor third.
Audio of close voicings
Notable voicings
Voicings are sorted by Wilson norm. This list is only a brief overview, see Voicings of 10:12:15 for a more comprehensive list.
| Voices | EFR | Hi-lo name | Special properties |
|---|---|---|---|
| 3 voices | 3:5:15 | lo3hi5 | AOV (all-odd voicing) |
| 6:10:15 | lo3 | CAOV (condensed AOV) | |
| 10:12:15 | basic | ||
| 10:15:24 | hi3 | ||
| 12:15:20 | hiR | 1st inversion | |
| 15:20:24 | lo5 | 2nd inversion | |
| 4 voices | 10:12:15:20 | add8 | |
| 10:15:20:24 | hi3add8 |
Related chords
Melodic inversion: 4:5:6.
Plausible homonyms: 12:15:20 (1/1 - 5/4 - 5/3), a maj6no5 chord.
Notable extensions (5-limit except where noted):
- 10:12:15:18 adds 9/5
- 30:36:45:50 adds 5/3
- 70:84:105:120 (12:10:8:7) – adds 12/7 (7-limit)
- 60:70:84:105 (7:6:5:4) – a homonym of the previous chord