Major third: Difference between revisions
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== In tempered scales == | == In tempered scales == | ||
The following table lists the best tuning of 5/4 and 9/7*, as well as other major thirds if present, in several significant EDOs. | |||
The following table lists the best tuning of 5/4 and 9/7* in several significant EDOs. | |||
<nowiki>*</nowiki>Note that 9/7 may not always be the actual best note in the EDO, this is because of the way EDO tunings try to match how intervals in just intonation are stacked to form new intervals. See [[Val]] for more information. Essentially, this is what 9/7 should be based on the best tuning of 7 itself. | <nowiki>*</nowiki>Note that 9/7 may not always be the actual best note in the EDO, this is because of the way EDO tunings try to match how intervals in just intonation are stacked to form new intervals. See [[Val]] for more information. Essentially, this is what 9/7 should be based on the best tuning of 7 itself. | ||
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!5/4 | !5/4 | ||
!9/7 | !9/7 | ||
!Other major thirds | |||
|- | |- | ||
|9 | |9 | ||
| colspan="2" |400c | | colspan="2" |400c | ||
| | |||
|- | |- | ||
|12 | |12 | ||
| colspan="2" |400c | | colspan="2" |400c | ||
| | |||
|- | |- | ||
|13 | |13 | ||
|369c | |369c | ||
|461c | |461c | ||
| | |||
|- | |||
|14 | |||
| colspan="2" |428c | |||
| | |||
|- | |||
|15 | |||
|400c | |||
|** | |||
| | |||
|- | |- | ||
|16 | |16 | ||
|375c | |375c | ||
|450c | |450c | ||
| | |||
|- | |- | ||
|17 | |17 | ||
| | |*** | ||
|424c | |424c | ||
| | |||
|- | |- | ||
|19 | |19 | ||
|379c | |379c | ||
|442c | |442c | ||
| | |||
|- | |||
|20 | |||
|360c | |||
|** | |||
|420c '''≈''' 14/11 | |||
|- | |- | ||
|22 | |22 | ||
|382c | |382c | ||
|436c | |436c | ||
| | |||
|- | |- | ||
|24 | |24 | ||
|400c | |400c | ||
|450c | |450c | ||
| | |||
|- | |- | ||
|25 | |25 | ||
|384c | |384c | ||
|432c | |432c | ||
| | |||
|- | |- | ||
|26 | |26 | ||
|369c | |369c | ||
|415c | |415c | ||
| | |||
|- | |- | ||
|27 | |27 | ||
|400c | |400c | ||
|444c | |444c | ||
| | |||
|- | |||
|28 | |||
|386c | |||
|428c | |||
| | |||
|- | |- | ||
|29 | |29 | ||
|372c | |372c | ||
|455c | |455c | ||
|414c '''≈''' 81/64, 14/11 | |||
|- | |- | ||
|31 | |31 | ||
|388c | |388c | ||
|426c | |426c | ||
| | |||
|- | |||
|32 | |||
|375c | |||
|** | |||
|413c '''≈''' 14/11, 450c '''≈''' 13/10 | |||
|- | |- | ||
|34 | |34 | ||
|388c | |388c | ||
|459c | |459c | ||
|424c '''≈''' 14/11 | |||
|- | |- | ||
|41 | |41 | ||
|381c | |381c | ||
|439c | |439c | ||
|410c '''≈''' 81/64 | |||
|- | |- | ||
|53 | |53 | ||
|385c | |385c | ||
|430c | |430c | ||
|362c '''≈''' 21/17, 408c '''≈''' 81/64, 452c '''≈''' 13/10 | |||
|} | |} | ||
<nowiki>**</nowiki> These edos have an approximation to 9/7, but it is not tuned to a major third interval. | |||
<nowiki>***</nowiki> These edos have an approximation to 5/4, but it is not tuned to a major third interval. | |||
== In regular temperaments == | == In regular temperaments == | ||