User:Holger Stoltenberg/sandbox: Difference between revisions
Line 21: | Line 21: | ||
For each note to be rendered, the model should effectively determine the current deviation from 12-tone equal temperament ([[12edo]]) in order to control the intonation of a commercial sound module or software plug-in on the fly. | For each note to be rendered, the model should effectively determine the current deviation from 12-tone equal temperament ([[12edo]]) in order to control the intonation of a commercial sound module or software plug-in on the fly. | ||
==How to expand tonal space – the interval axis== | ==How to expand tonal space – the interval axis== | ||
Like ''frequency'', ''musical pitch'' is one-dimensional. Fig.1 illustrates the horizontal axis of tonal space, which we call the ''interval axis''. It points in keyboard direction from low keys to high keys. The first harmonic ''(h1)'' is known as the common ''fundamental'' of all upcoming overtone scales. | Like ''frequency'', ''musical pitch'' is one-dimensional. Fig.1 illustrates the horizontal axis of tonal space, which we call the ''interval axis''. It points in keyboard direction from low keys to high keys. The first harmonic ''(h1)'' is known as the common ''[[fundamental]]'' of all upcoming overtone scales. | ||
[[File:Fig-1_tonal_space_0846c.png|480px|center]] | [[File:Fig-1_tonal_space_0846c.png|480px|center]] |