26/25: Difference between revisions
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Added "comma = yes" because in the body of the text it is said to be a comma |
m →See also: add link |
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* [[25/13]] - its [[octave complement]] | * [[25/13]] - its [[octave complement]] | ||
* [[27/26]] - the small tridecimal third tone | * [[27/26]] - the small tridecimal third tone | ||
* [[1ed26/25]] - its equal multiplication | |||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
* [[List of superparticular intervals]] | * [[List of superparticular intervals]] | ||
[[Category:Third tone]] | [[Category:Third tone]] |
Revision as of 23:52, 26 October 2024
Interval information |
reduced
[sound info]
In 13-limit just intonation, 26/25, the large tridecimal third tone appears as the difference between the 26th and 25th harmonics. Thus it makes the difference between 13/8 and 25/16 (a stack of two 5/4's). If it is treated as a comma, then 5/4 and 13/10 both collapse to a Neogothic-flavored major third in between them representing half of 13/8. It measures about 67.9¢.
Approximation
26/25 is very well approximated in 53edo, being only 0.024 ¢ flat of 3\53.
See also
- 25/13 - its octave complement
- 27/26 - the small tridecimal third tone
- 1ed26/25 - its equal multiplication
- Gallery of just intervals
- List of superparticular intervals