Hemififths: Difference between revisions
Cmloegcmluin (talk | contribs) unchanged interval → unchanged-interval |
Discuss possible notation solutions |
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'''Hemififths''' is the [[temperament]] [[tempering out]] the breedsma, [[2401/2400]], and the hemifamity comma, [[5120/5103]], and as the name suggests, uses a neutral-third generator. '''Hemif''' is the no-5 subgroup version of hemififths. It is supported by [[41edo|41-]], [[58edo|58-]], and [[99edo|99et]]. | |||
See [[Breedsmic temperaments #Hemififths]] for more technical data. | See [[Breedsmic temperaments #Hemififths]] for more technical data. | ||
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<nowiki>*</nowiki> in 7-limit POTE tuning | <nowiki>*</nowiki> in 7-limit POTE tuning | ||
== Notation == | |||
Hemififths can be notated in [[neutral circle-of-fifths notation]], in which case 5/4 is represented by a sesqui-augmented second (C-D#+), and 7/4 by a semi-augmented sixth (C-A+). In the 13-limit extension, 11/8 is represented by the semi-augmented fourth (C-F+), and 13/8 by the neutral sixth (C-Ad). This, of course, defies the tradition of tertian harmony. The just major triad on C is C-D#+-G, for example. One may want to adopt an additional module of accidentals such as arrows to represent the comma step. There are two solutions: | |||
# let an arrow represent a bend by the syntonic~septimal comma (17 gensteps, semidiminished second); | |||
# let an arrow represent a bend by the Pythagorean comma (24 gensteps, negative diminished second). | |||
Below is tabulated how to notate the prime harmonics with an arrow representing a syntonic~septimal comma. | |||
{| class="wikitable center-1 center-3" | |||
|+Hemififths nomenclature<br>for selected intervals | |||
! Ratio | |||
! Nominal | |||
! Example | |||
|- | |||
| 3/2 | |||
| Perfect fifth | |||
| C-G | |||
|- | |||
| 5/4 | |||
| Down major third | |||
| C-vE | |||
|- | |||
| 7/4 | |||
| Down minor seventh | |||
| C-vBb | |||
|- | |||
| 11/8 | |||
| Semi-augmented fourth | |||
| C-F+ | |||
|- | |||
| 13/8 | |||
| Neutral sixth | |||
| C-Ad | |||
|} | |||
Below is tabulated how to notate the prime harmonics with an arrow representing a Pythagorean comma. | |||
{| class="wikitable center-1 center-3" | |||
|+Hemififths nomenclature<br>for selected intervals | |||
! Ratio | |||
! Nominal | |||
! Example | |||
|- | |||
| 3/2 | |||
| Perfect fifth | |||
| C-G | |||
|- | |||
| 5/4 | |||
| Up neutral third | |||
| C-^Ed | |||
|- | |||
| 7/4 | |||
| Up semidiminished seventh | |||
| C-^Bdb | |||
|- | |||
| 11/8 | |||
| Semi-augmented fourth | |||
| C-F+ | |||
|- | |||
| 13/8 | |||
| Neutral sixth | |||
| C-Ad | |||
|} | |||
== Chords == | == Chords == | ||
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Gencom: [2 11/9; 144/143 196/195 243/242 364/363] | Gencom: [2 11/9; 144/143 196/195 243/242 364/363] | ||
Gencom mapping: | Gencom mapping: {{mapping| 1 1 -5 -1 2 4 | 0 2 25 13 5 -1 }} | ||
{| class="wikitable center- | {| class="wikitable center-1 center-2" | ||
|- | |- | ||
! | ! Edo<br>generator | ||
! [[ | ! [[Eigenmonzo|Eigenmonzo<br>(Unchanged-interval)]] | ||
! | ! Generator<br>(¢) | ||
! | ! Comments | ||
|- | |- | ||
| | | | ||