Ed5/4: Difference between revisions
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m Moved from lists to lists of scales |
→Individual pages for ED5/4s: +table |
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== Individual pages for ED5/4s == | == Individual pages for ED5/4s == | ||
{| class="wikitable center-all" | |||
|+ style=white-space:nowrap | 0…49 | |||
| [[0ed5/4|0]] | |||
| [[1ed5/4|1]] | |||
| [[2ed5/4|2]] | |||
| [[3ed5/4|3]] | |||
| [[4ed5/4|4]] | |||
| [[5ed5/4|5]] | |||
| [[6ed5/4|6]] | |||
| [[7ed5/4|7]] | |||
| [[8ed5/4|8]] | |||
| [[9ed5/4|9]] | |||
|- | |||
| [[10ed5/4|10]] | |||
| [[11ed5/4|11]] | |||
| [[12ed5/4|12]] | |||
| [[13ed5/4|13]] | |||
| [[14ed5/4|14]] | |||
| [[15ed5/4|15]] | |||
| [[16ed5/4|16]] | |||
| [[17ed5/4|17]] | |||
| [[18ed5/4|18]] | |||
| [[19ed5/4|19]] | |||
|- | |||
| [[20ed5/4|20]] | |||
| [[21ed5/4|21]] | |||
| [[22ed5/4|22]] | |||
| [[23ed5/4|23]] | |||
| [[24ed5/4|24]] | |||
| [[25ed5/4|25]] | |||
| [[26ed5/4|26]] | |||
| [[27ed5/4|27]] | |||
| [[28ed5/4|28]] | |||
| [[29ed5/4|29]] | |||
|- | |||
| [[30ed5/4|30]] | |||
| [[31ed5/4|31]] | |||
| [[32ed5/4|32]] | |||
| [[33ed5/4|33]] | |||
| [[34ed5/4|34]] | |||
| [[35ed5/4|35]] | |||
| [[36ed5/4|36]] | |||
| [[37ed5/4|37]] | |||
| [[38ed5/4|38]] | |||
| [[39ed5/4|39]] | |||
|- | |||
| [[40ed5/4|40]] | |||
| [[41ed5/4|41]] | |||
| [[42ed5/4|42]] | |||
| [[43ed5/4|43]] | |||
| [[44ed5/4|44]] | |||
| [[45ed5/4|45]] | |||
| [[46ed5/4|46]] | |||
| [[47ed5/4|47]] | |||
| [[48ed5/4|48]] | |||
| [[49ed5/4|49]] | |||
|} | |||
[[Category:Major third]] | [[Category:Major third]] | ||
[[Category:Equal-step tuning]] | [[Category:Equal-step tuning]] | ||
[[Category:Lists of scales]] | [[Category:Lists of scales]] | ||
Revision as of 19:44, 27 February 2024
Ed5/4 means Division of the Just Major Third (5/4) into n equal parts.
Division of the just major third into n equal parts
Division of the 5:4 into equal parts can be conceived of as to directly use this interval as an equivalence, or not. The question of equivalence is still in its infancy. The utility of 5:4 as a base though, is apparent by providing a novel consonance after 3, and being the basis for 5-limit harmony. Many, if not all, of these scales have a perceptually important pseudo (false) octave, with various degrees of accuracy.
5/4 is particularly narrow as far as equivalences go and it is difficult to fit consonant chords in it, so we might consider using 5/42 = 25/16 as the equivalence instead.
Individual pages for ED5/4s
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 |
| 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 |
| 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 |