Syntonic–chromatic equivalence continuum: Difference between revisions

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There's a way to "invert" the continuum
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All temperaments in the continuum satisfy (81/80)<sup>''n''</sup> ~ 2187/2048. Varying ''n'' results in different temperaments listed in the table below. It converges to [[meantone]] as ''n'' approaches infinity. If we allow non-integer and infinite ''n'', the continuum describes the set of all [[5-limit]] temperaments supported by [[7edo]] due to it being the unique equal temperament that tempers both commas and thus tempers all combinations of them. The just value of ''n'' is 5.2861…, and temperaments near this tend to be the most accurate ones.  
All temperaments in the continuum satisfy (81/80)<sup>''n''</sup> ~ 2187/2048. Varying ''n'' results in different temperaments listed in the table below. It converges to [[meantone]] as ''n'' approaches infinity. If we allow non-integer and infinite ''n'', the continuum describes the set of all [[5-limit]] temperaments supported by [[7edo]] due to it being the unique equal temperament that tempers both commas and thus tempers all combinations of them. The just value of ''n'' is 5.2861…, and temperaments near this tend to be the most accurate ones.  


2187/2048 is the characteristic [[3-limit]] comma tempered out in [[7edo]]. In each case, we notice that ''n'' equals the order of harmonic 5 in the corresponding comma, and equals the number of generators to obtain a harmonic 3 in the MOS scale. However, if we let ''k'' = ''n'' - 2 (meaning ''n'' = ''k'' + 2) so that ''k'' = 0 means ''n'' = 2, ''k'' = -1 means ''n'' = 1, etc. then the continuum corresponds to (81/80)<sup>''k''</sup> = 25/24, which might be a preferred way of conceptualising it because:
2187/2048 is the characteristic [[3-limit]] comma tempered out in [[7edo]]. In each case, we notice that ''n'' equals the order of harmonic 5 in the corresponding comma, and equals the number of steps to obtain a harmonic 3 in the generator chain.  
 
However, if we let ''k'' = ''n'' - 2 (meaning ''n'' = ''k'' + 2) so that ''k'' = 0 means ''n'' = 2, ''k'' = -1 means ''n'' = 1, etc. then the continuum corresponds to (81/80)<sup>''k''</sup> = 25/24. Some prefer this way of conceptualising it because:
* 25/24 is the classic chromatic semitone, notable in the 5-limit as the difference between 5/4 and 6/5, so this shifted continuum could also logically be termed the "syntonic-chromatic equivalence continuum". This means that at ''k'' = 0, 5/4 and 6/5 are mapped to the same interval while 81/80 becomes independent of 25/24 (meaning 81/80 may or may not be tempered) because the relation becomes (81/80)<sup>0</sup> ~ 1/1 ~ 25/24.
* 25/24 is the classic chromatic semitone, notable in the 5-limit as the difference between 5/4 and 6/5, so this shifted continuum could also logically be termed the "syntonic-chromatic equivalence continuum". This means that at ''k'' = 0, 5/4 and 6/5 are mapped to the same interval while 81/80 becomes independent of 25/24 (meaning 81/80 may or may not be tempered) because the relation becomes (81/80)<sup>0</sup> ~ 1/1 ~ 25/24.
* ''k'' = 1 and upwards (up to a point) represent temperaments with (the potential for) reasonably good accuracy as equating at least one 81/80 with 25/24 seems like a good lower bound for a temperament intended to model JI. A good upper bound might be gravity (''k'' = 4), with the only exception being meantone (''n'' = ''k'' = (unsigned) infinity). (Temperaments corresponding to ''k'' = 0, -1, -2 are comparatively low-accuracy to the point of developing various intriguing structures and consequences.)
* ''k'' = 1 and upwards (up to a point) represent temperaments with (the potential for) reasonably good accuracy as equating at least one 81/80 with 25/24 seems like a good lower bound for a temperament intended to model JI. A good upper bound might be gravity (''k'' = 4), with the only exception being meantone (''n'' = ''k'' = (unsigned) infinity). (Temperaments corresponding to ''k'' = 0, -1, -2 are comparatively low-accuracy to the point of developing various intriguing structures and consequences.)
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| [[81/80]]
| [[81/80]]
| {{monzo| -4 4 -1 }}
| {{monzo| -4 4 -1 }}
|}
We may also invert the continuum by setting ''m'' such that 1/''m'' + 1/''n'' = 1. The just value of m is 1.2333…
{| class="wikitable center-1 center-2"
|+ Temperaments in the continuum
|-
! rowspan="2" | ''m''
! rowspan="2" | Temperament
! colspan="2" | Comma
|-
! Ratio
! Monzo
|-
| 0
| [[Whitewood]]
| [[2187/2048]]
| {{monzo| -11 7 }}
|-
| 1
| [[Meantone]]
| [[81/80]]
| {{monzo| -4 4 -1 }}
|-
| 2
| [[Dicot]]
| [[25/24]]
| {{monzo| -3 -1 2 }}
|-
| 3
| [[Enipucrop]]
| [[1125/1024]]
| {{monzo| -10 2 3 }}
|-
| …
| …
| …
| …
|-
| ∞
| [[Mavila]]
| [[135/128]]
| {{monzo| -7 3 1 }}
|}
|}



Revision as of 09:00, 16 April 2023

The syntonic-chromatic equivalence continuum is a continuum of temperaments which equate a number of syntonic commas (81/80) with the apotome (2187/2048).

All temperaments in the continuum satisfy (81/80)n ~ 2187/2048. Varying n results in different temperaments listed in the table below. It converges to meantone as n approaches infinity. If we allow non-integer and infinite n, the continuum describes the set of all 5-limit temperaments supported by 7edo due to it being the unique equal temperament that tempers both commas and thus tempers all combinations of them. The just value of n is 5.2861…, and temperaments near this tend to be the most accurate ones.

2187/2048 is the characteristic 3-limit comma tempered out in 7edo. In each case, we notice that n equals the order of harmonic 5 in the corresponding comma, and equals the number of steps to obtain a harmonic 3 in the generator chain.

However, if we let k = n - 2 (meaning n = k + 2) so that k = 0 means n = 2, k = -1 means n = 1, etc. then the continuum corresponds to (81/80)k = 25/24. Some prefer this way of conceptualising it because:

  • 25/24 is the classic chromatic semitone, notable in the 5-limit as the difference between 5/4 and 6/5, so this shifted continuum could also logically be termed the "syntonic-chromatic equivalence continuum". This means that at k = 0, 5/4 and 6/5 are mapped to the same interval while 81/80 becomes independent of 25/24 (meaning 81/80 may or may not be tempered) because the relation becomes (81/80)0 ~ 1/1 ~ 25/24.
  • k = 1 and upwards (up to a point) represent temperaments with (the potential for) reasonably good accuracy as equating at least one 81/80 with 25/24 seems like a good lower bound for a temperament intended to model JI. A good upper bound might be gravity (k = 4), with the only exception being meantone (n = k = (unsigned) infinity). (Temperaments corresponding to k = 0, -1, -2 are comparatively low-accuracy to the point of developing various intriguing structures and consequences.)
  • 25/24 is the simplest ratio to be tempered in the continuum, the second simplest being 81/80 at (unsigned) infinity, which together are the two smallest 5-limit superparticular intervals and the only superparticular intervals in the continuum.
Temperaments in the continuum
k = n − 2 n = k + 2 Temperament Comma
Ratio Monzo
-5 -3 7 & 64 "nadir?" 1162261467/1048576000 [-23 19 -3
-4 -2 7 & 52 14348907/13107200 [-19 15 -2
-3 -1 7 & 33 (unofficially named "tragicomical", "deeptone") 177147/163840 [-15 11 -1
-2 0 Whitewood 2187/2048 [-11 7
-1 1 Mavila 135/128 [-7 3 1
0 2 Dicot 25/24 [-3 -1 2
1 3 Porcupine 250/243 [1 -5 3
2 4 Tetracot 20000/19683 [5 -9 4
3 5 Amity 1600000/1594323 [9 -13 5
4 6 Gravity 129140163/128000000 [-13 17 -6
5 7 Absurdity 10460353203/10240000000 [-17 21 -7
Meantone 81/80 [-4 4 -1

We may also invert the continuum by setting m such that 1/m + 1/n = 1. The just value of m is 1.2333…

Temperaments in the continuum
m Temperament Comma
Ratio Monzo
0 Whitewood 2187/2048 [-11 7
1 Meantone 81/80 [-4 4 -1
2 Dicot 25/24 [-3 -1 2
3 Enipucrop 1125/1024 [-10 2 3
Mavila 135/128 [-7 3 1

Examples of temperaments with fractional values of n:

Enipucrop

The 5-limit 6b&7 temperament. Its name is "porcupine" spelled backwards, because that's what this temperament is – it is porcupine, with the generator sharp of 2\7 such that the major and minor thirds switch places. The fifths are very flat, meaning that this is more of a melodic temperament than a harmonic one.

Subgroup: 2.3.5

Comma list: 1125/1024

Mapping: [1 2 2], 0 -3 2]]

POTE generator: ~16/15 = 173.101

Template:Val list

Badness: 0.1439

Absurdity

The 5-limit 7&84 temperament, so named because it truly is an absurd temperament. The generator is 81/80 and the period is 800/729, which is (10/9) / (81/80). This is also part of the syntonic-chromatic equivalence continuum, in this case where (81/80)5 = 25/24.

Subgroup: 2.3.5

Comma list: 10460353203/10240000000

Mapping: [7 0 -17], 0 1 3]]

Mapping generators: ~800/729, ~3

POTE generator: ~3/2 = 700.1870 (or ~81/80 = 14.4727)

Template:Val list

Badness: 0.341202

Sevond

This is a fairly obvious temperament; it just equates 7 10/9's with a 2/1, hence the period is 10/9. One generator from 5\7 puts you at 3/2, two generators from 2\7 puts you at 5/4.

Subgroup: 2.3.5

Comma list: 5000000/4782969

Mapping: [7 0 -6], 0 1 2]]

POTE generator: ~3/2 = 706.288

Template:Val list

Badness: 0.339335

Seville

This is similar to the above, but provides a less complex avenue to 5, but this time at the cost of accuracy. One generator from 5\7 puts you at 3/2, and one generator from 2\7 puts you at 5/4.

Subgroup: 2.3.5

Comma list: 78125/69984

Mapping: [7 0 5], 0 1 1]]

POTE generator: ~3/2 = 706.410

Template:Val list

Badness: 0.4377