92edo: Difference between revisions
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→Music: Add Bryan Deister's ''92edo waltz''] (2025) |
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[[ | == Theory == | ||
[[ | The equal temperament is [[contorted]] through the 17-limit, with the same tuning and [[comma]]s as [[46edo]], and hence attracts little interest. That said, the approximation to the [[19/1|19th harmonic]] is much improved. Like 46, the [[patent fifth]] (54\92) is about 2.4{{c}} sharp. The alternate fifth 53\92 is a very flat fifth, flatter even than that of [[26edo]] and only 0.102{{c}} sharp of [[1/2-comma meantone]]; the 92bcccd val [[support]]s [[flattone]], while the 92bcccdd val supports [[Meantone_family#Flattertone|flattertone]]. 92edo is the highest in a series of four consecutive edos to temper out the [[quartisma]] (117440512/117406179). | ||
=== Odd harmonics === | |||
{{Harmonics in equal|92}} | |||
=== Subsets and supersets === | |||
Since 92 factors into 2<sup>2</sup> × 23, 92edo has subset edos {{EDOs| 2, 4, 23, and 46 }}. | |||
== Intervals == | |||
{{Interval table}} | |||
== Instruments == | |||
A [[Lumatone mapping for 92edo]] is available. | |||
== Music== | |||
; [[Bryan Deister]] | |||
* [https://www.youtube.com/shorts/5XFOALAzLiA ''microtonal improvisation in 92edo''] (2025) | |||
* [https://www.youtube.com/watch?v=qWAinBYHwtE ''92edo waltz''] (2025) | |||
Latest revision as of 15:50, 26 September 2025
| ← 91edo | 92edo | 93edo → |
92 equal divisions of the octave (abbreviated 92edo or 92ed2), also called 92-tone equal temperament (92tet) or 92 equal temperament (92et) when viewed under a regular temperament perspective, is the tuning system that divides the octave into 92 equal parts of about 13 ¢ each. Each step represents a frequency ratio of 21/92, or the 92nd root of 2.
Theory
The equal temperament is contorted through the 17-limit, with the same tuning and commas as 46edo, and hence attracts little interest. That said, the approximation to the 19th harmonic is much improved. Like 46, the patent fifth (54\92) is about 2.4 ¢ sharp. The alternate fifth 53\92 is a very flat fifth, flatter even than that of 26edo and only 0.102 ¢ sharp of 1/2-comma meantone; the 92bcccd val supports flattone, while the 92bcccdd val supports flattertone. 92edo is the highest in a series of four consecutive edos to temper out the quartisma (117440512/117406179).
Odd harmonics
| Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | +2.39 | +4.99 | -3.61 | +4.79 | -3.49 | -5.75 | -5.66 | -0.61 | +2.49 | -1.22 | -2.19 |
| Relative (%) | +18.3 | +38.3 | -27.7 | +36.7 | -26.8 | -44.0 | -43.4 | -4.7 | +19.1 | -9.3 | -16.8 | |
| Steps (reduced) |
146 (54) |
214 (30) |
258 (74) |
292 (16) |
318 (42) |
340 (64) |
359 (83) |
376 (8) |
391 (23) |
404 (36) |
416 (48) | |
Subsets and supersets
Since 92 factors into 22 × 23, 92edo has subset edos 2, 4, 23, and 46.
Intervals
| Steps | Cents | Approximate ratios | Ups and downs notation |
|---|---|---|---|
| 0 | 0 | 1/1 | D |
| 1 | 13 | ^D, v5E♭ | |
| 2 | 26.1 | ^^D, v4E♭ | |
| 3 | 39.1 | 42/41, 43/42 | ^3D, v3E♭ |
| 4 | 52.2 | 33/32, 34/33, 35/34 | ^4D, vvE♭ |
| 5 | 65.2 | ^5D, vE♭ | |
| 6 | 78.3 | 22/21, 23/22 | v4D♯, E♭ |
| 7 | 91.3 | 19/18, 20/19, 39/37 | v3D♯, ^E♭ |
| 8 | 104.3 | 17/16, 35/33 | vvD♯, ^^E♭ |
| 9 | 117.4 | 31/29 | vD♯, ^3E♭ |
| 10 | 130.4 | 14/13, 41/38 | D♯, ^4E♭ |
| 11 | 143.5 | 38/35 | ^D♯, v5E |
| 12 | 156.5 | 23/21, 35/32 | ^^D♯, v4E |
| 13 | 169.6 | 32/29, 43/39 | ^3D♯, v3E |
| 14 | 182.6 | 10/9 | ^4D♯, vvE |
| 15 | 195.7 | 37/33 | ^5D♯, vE |
| 16 | 208.7 | 35/31 | E |
| 17 | 221.7 | 33/29, 42/37 | ^E, v5F |
| 18 | 234.8 | ^^E, v4F | |
| 19 | 247.8 | ^3E, v3F | |
| 20 | 260.9 | 36/31, 43/37 | ^4E, vvF |
| 21 | 273.9 | 34/29, 41/35 | ^5E, vF |
| 22 | 287 | 13/11, 33/28 | F |
| 23 | 300 | 19/16 | ^F, v5G♭ |
| 24 | 313 | 6/5 | ^^F, v4G♭ |
| 25 | 326.1 | 29/24, 35/29, 41/34 | ^3F, v3G♭ |
| 26 | 339.1 | 28/23 | ^4F, vvG♭ |
| 27 | 352.2 | 38/31 | ^5F, vG♭ |
| 28 | 365.2 | 21/17 | v4F♯, G♭ |
| 29 | 378.3 | 41/33 | v3F♯, ^G♭ |
| 30 | 391.3 | vvF♯, ^^G♭ | |
| 31 | 404.3 | 24/19, 43/34 | vF♯, ^3G♭ |
| 32 | 417.4 | 14/11 | F♯, ^4G♭ |
| 33 | 430.4 | 41/32 | ^F♯, v5G |
| 34 | 443.5 | 31/24, 40/31 | ^^F♯, v4G |
| 35 | 456.5 | 43/33 | ^3F♯, v3G |
| 36 | 469.6 | 21/16, 38/29 | ^4F♯, vvG |
| 37 | 482.6 | 37/28, 41/31 | ^5F♯, vG |
| 38 | 495.7 | 4/3 | G |
| 39 | 508.7 | ^G, v5A♭ | |
| 40 | 521.7 | 23/17, 27/20 | ^^G, v4A♭ |
| 41 | 534.8 | ^3G, v3A♭ | |
| 42 | 547.8 | ^4G, vvA♭ | |
| 43 | 560.9 | 29/21 | ^5G, vA♭ |
| 44 | 573.9 | 32/23, 39/28 | v4G♯, A♭ |
| 45 | 587 | v3G♯, ^A♭ | |
| 46 | 600 | 41/29 | vvG♯, ^^A♭ |
| 47 | 613 | 37/26 | vG♯, ^3A♭ |
| 48 | 626.1 | 23/16, 33/23 | G♯, ^4A♭ |
| 49 | 639.1 | 42/29 | ^G♯, v5A |
| 50 | 652.2 | 35/24 | ^^G♯, v4A |
| 51 | 665.2 | ^3G♯, v3A | |
| 52 | 678.3 | 34/23, 40/27 | ^4G♯, vvA |
| 53 | 691.3 | ^5G♯, vA | |
| 54 | 704.3 | 3/2 | A |
| 55 | 717.4 | ^A, v5B♭ | |
| 56 | 730.4 | 29/19, 32/21 | ^^A, v4B♭ |
| 57 | 743.5 | 43/28 | ^3A, v3B♭ |
| 58 | 756.5 | 31/20 | ^4A, vvB♭ |
| 59 | 769.6 | ^5A, vB♭ | |
| 60 | 782.6 | 11/7 | v4A♯, B♭ |
| 61 | 795.7 | 19/12 | v3A♯, ^B♭ |
| 62 | 808.7 | vvA♯, ^^B♭ | |
| 63 | 821.7 | 37/23 | vA♯, ^3B♭ |
| 64 | 834.8 | 34/21 | A♯, ^4B♭ |
| 65 | 847.8 | 31/19 | ^A♯, v5B |
| 66 | 860.9 | 23/14 | ^^A♯, v4B |
| 67 | 873.9 | ^3A♯, v3B | |
| 68 | 887 | 5/3 | ^4A♯, vvB |
| 69 | 900 | 32/19, 37/22 | ^5A♯, vB |
| 70 | 913 | 22/13, 39/23 | B |
| 71 | 926.1 | 29/17, 41/24 | ^B, v5C |
| 72 | 939.1 | 31/18 | ^^B, v4C |
| 73 | 952.2 | ^3B, v3C | |
| 74 | 965.2 | ^4B, vvC | |
| 75 | 978.3 | 37/21 | ^5B, vC |
| 76 | 991.3 | 39/22 | C |
| 77 | 1004.3 | ^C, v5D♭ | |
| 78 | 1017.4 | 9/5 | ^^C, v4D♭ |
| 79 | 1030.4 | 29/16 | ^3C, v3D♭ |
| 80 | 1043.5 | 42/23 | ^4C, vvD♭ |
| 81 | 1056.5 | 35/19 | ^5C, vD♭ |
| 82 | 1069.6 | 13/7 | v4C♯, D♭ |
| 83 | 1082.6 | 43/23 | v3C♯, ^D♭ |
| 84 | 1095.7 | 32/17 | vvC♯, ^^D♭ |
| 85 | 1108.7 | 19/10, 36/19 | vC♯, ^3D♭ |
| 86 | 1121.7 | 21/11 | C♯, ^4D♭ |
| 87 | 1134.8 | ^C♯, v5D | |
| 88 | 1147.8 | 33/17 | ^^C♯, v4D |
| 89 | 1160.9 | 41/21, 43/22 | ^3C♯, v3D |
| 90 | 1173.9 | ^4C♯, vvD | |
| 91 | 1187 | ^5C♯, vD | |
| 92 | 1200 | 2/1 | D |
Instruments
A Lumatone mapping for 92edo is available.
Music
- microtonal improvisation in 92edo (2025)
- 92edo waltz (2025)