User:PiotrGrochowski/Extended meantone notation: Difference between revisions
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Two dieses or two kleismas cannot be stacked to produce a chromatic semitone. 11–limit and 13–limit notation can [[Meantone vs meanpop|vary]]. | Two dieses or two kleismas cannot be stacked to produce a chromatic semitone. 11–limit and 13–limit notation can [[Meantone vs meanpop|vary]]. | ||
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'''Y, Z, y and z is placeholder notation and should be replaced with better notation. It should be in ASCII, so that it can be easily written on a keyboard, like # and b are. | '''Todo: What should the two semisharps and semiflats be called?''' | ||
* Y, Z, y and z is placeholder notation and should be replaced with better notation. It should be in ASCII, so that it can be easily written on a keyboard, like # and b are. | |||
'''''See [[Talk:Extended meantone notation]] to discuss what symbols should be used''''' | '''''See [[Talk:Extended meantone notation]] to discuss what symbols should be used''''' | ||
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Although mohajira may not be a great tuning to reflect the way maqam music is played in practice, which often uses multiple unequal neutral thirds and exhibits significant regional variations, it is a highly interesting regular temperament of its own merit, and deserves further study. --> | Although mohajira may not be a great tuning to reflect the way maqam music is played in practice, which often uses multiple unequal neutral thirds and exhibits significant regional variations, it is a highly interesting regular temperament of its own merit, and deserves further study. --> | ||
[[Category:Todo:correct notation]] | |||
[[Category:Todo: | |||