User:Unque/Barbershop Tuning Theory: Difference between revisions
m Noted that the half-diminished chord is equivalent to a minor tetrad with a flattened fifth, adding new possible tunings of the chord (thanks to FilterNashi for suggesting the 12:14:17:21 tetrad!) |
FilterNashi (talk | contribs) mNo edit summary |
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|5/4, 17/12, 7/4 | |5/4, 17/12, 7/4 | ||
|5/4, 17/15, 21/12, (8/7) | |5/4, 17/15, 21/12, (8/7) | ||
|17-limit | |17-limit half-diminished chord, but with the sixth raised. | ||
|- | |- | ||
|10:13:14:18 | |10:13:14:18 | ||
|13/10, 7/5, 9/5 | |13/10, 7/5, 9/5 | ||
|13/10, 14/13, 9/7, (10/9) | |13/10, 14/13, 9/7, (10/9) | ||
|Purely theoretical; despite ringing very well, 13/10 is too sharp to be expected of typical Barbershop music | |Purely theoretical; despite ringing very well, 13/10 is too sharp to be expected of typical Barbershop music. | ||
|- | |- | ||
|15:19:21:27 | |15:19:21:27 | ||