26ed5: Difference between revisions
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=== Prime subgroups === | === Prime subgroups === | ||
Pure- | Pure-[[pentave]]s 26ed5 is incompatible with [[prime limit]] tuning. Of all primes up to 41, 5 and 41 are the only two it approximates well. Many of 26ed5’s 'near-miss' [[prime]]s are tuned sharp, so 26ed5 can be made to work more normally by [[Octave shrinking|compressing]] 26ed5’s [[equave]], making [[5/1]] slightly flat but still okay and the other primes more in-tune. | ||
A good compressed tuning of 26ed5 is [[46ed17]], which transforms 26ed5 from a 5.41 tuning to a 3.5.11.17.23.43 tuning. The 3/1 in 46ed17 isn’t that good, with similar error to [[5edo]], but it’s a huge improvement on 26ed5. And the 5, 11, 17, 23 and 43 are genuinely solid approximations. Other tunings which are almost identical to 46ed17, and so provide those same benefits, are [[8ed18/11]] and [[20ed24/7]]. | A good compressed tuning of 26ed5 is [[46ed17]], which transforms 26ed5 from a 5.41 tuning to a 3.5.11.17.23.43 tuning. The 3/1 in 46ed17 isn’t that good, with similar error to [[5edo]], but it’s a huge improvement on 26ed5. And the 5, 11, 17, 23 and 43 are genuinely solid approximations. Other tunings which are almost identical to 46ed17, and so provide those same benefits, are [[8ed18/11]] and [[20ed24/7]]. | ||
If one attempts to [[Octave stretch|stretch]] 26ed5 instead of compress, one will not find any tunings that approximate primes well until reaching [[11edo]], so only compression is viable, not stretching. | If one attempts to [[Octave stretch|stretch]] 26ed5 instead of compress, one will not find any tunings that approximate primes well until reaching [[11edo]], so only compression is viable, not stretching. | ||
{{Harmonics in equal | |||
| steps = 26 | |||
| num = 5 | |||
| denom = 1 | |||
| intervals = prime | |||
| collapsed = 1 | |||
| start = 1 | |||
| title = Prime harmonics 2 to 31 (26ed5) | |||
}} | |||
{{Harmonics in equal | |||
| steps = 26 | |||
| num = 5 | |||
| denom = 1 | |||
| intervals = prime | |||
| collapsed = 1 | |||
| start = 12 | |||
| title = Prime harmonics 37 to 79 (26ed5) | |||
}} | |||
=== Composite subgroups === | === Composite subgroups === | ||
If one | If one does not restrict to primes and allows all integers, pure-pentaves 26ed5 can instead be used as a strong tuning for the giant [[subgroup]]: | ||
'''5.6.12.22.32.44.49.52.56''' | '''5.6.12.22.32.44.49.52.56''' | ||
Line 19: | Line 37: | ||
Or it can be a strong tuning for any smaller subgroup that is contained within that group. | Or it can be a strong tuning for any smaller subgroup that is contained within that group. | ||
{{Harmonics in equal | {{Harmonics in equal | ||
| steps = 26 | | steps = 26 | ||
Line 26: | Line 42: | ||
| denom = 1 | | denom = 1 | ||
| intervals = integer | | intervals = integer | ||
| collapsed = 1 | |||
| start = 1 | | start = 1 | ||
| title = | | title = Integer harmonics 2 to 12 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 36: | Line 53: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 12 | | start = 12 | ||
| title = | | title = Integer harmonics 13 to 23 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 45: | Line 62: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 23 | | start = 23 | ||
| title = | | title = Integer harmonics 24 to 34 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 54: | Line 71: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 34 | | start = 34 | ||
| title = | | title = Integer harmonics 35 to 45 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 63: | Line 80: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 45 | | start = 45 | ||
| title = | | title = Integer harmonics 46 to 56 (26ed5) | ||
}} | }} | ||
{{Harmonics in equal | {{Harmonics in equal | ||
Line 72: | Line 89: | ||
| collapsed = 1 | | collapsed = 1 | ||
| start = 56 | | start = 56 | ||
| title = | | title = Integer harmonics 57 to 68 (26ed5) | ||
| columns = 12 | | columns = 12 | ||
}} | }} | ||
Line 164: | Line 181: | ||
!16 | !16 | ||
!1714.7 | !1714.7 | ||
|81/30 | |32/12, 81/30 | ||
|27/10 | |8/3, 27/10 | ||
|- | |- | ||
!17 | !17 | ||
Line 233: | Line 250: | ||
As a [[MOS scale]], it is an example of the scale [[13L 1s (5/1-equivalent)]]. The 2/1-equivalent version would be [[13L 1s]]. | As a [[MOS scale]], it is an example of the scale [[13L 1s (5/1-equivalent)]]. The 2/1-equivalent version would be [[13L 1s]]. | ||
==== | ====Intervals==== | ||
{| class="wikitable mw-collapsible" | {| class="wikitable mw-collapsible" | ||
|+ | |+ |
Latest revision as of 23:46, 5 January 2025
← 25ed5 | 26ed5 | 27ed5 → |
26 equal divisions of the 5th harmonic (abbreviated 26ed5) is a nonoctave tuning system that divides the interval of 5/1 into 26 equal parts of about 107 ¢ each. Each step represents a frequency ratio of 51/26, or the 26th root of 5.
Theory
Prime subgroups
Pure-pentaves 26ed5 is incompatible with prime limit tuning. Of all primes up to 41, 5 and 41 are the only two it approximates well. Many of 26ed5’s 'near-miss' primes are tuned sharp, so 26ed5 can be made to work more normally by compressing 26ed5’s equave, making 5/1 slightly flat but still okay and the other primes more in-tune.
A good compressed tuning of 26ed5 is 46ed17, which transforms 26ed5 from a 5.41 tuning to a 3.5.11.17.23.43 tuning. The 3/1 in 46ed17 isn’t that good, with similar error to 5edo, but it’s a huge improvement on 26ed5. And the 5, 11, 17, 23 and 43 are genuinely solid approximations. Other tunings which are almost identical to 46ed17, and so provide those same benefits, are 8ed18/11 and 20ed24/7.
If one attempts to stretch 26ed5 instead of compress, one will not find any tunings that approximate primes well until reaching 11edo, so only compression is viable, not stretching.
Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -21.2 | +27.0 | +0.0 | -46.7 | +28.2 | -46.7 | +24.7 | +46.5 | +37.2 | -42.6 | -50.9 |
Relative (%) | -19.8 | +25.2 | +0.0 | -43.6 | +26.3 | -43.6 | +23.0 | +43.3 | +34.7 | -39.8 | -47.5 | |
Steps (reduced) |
11 (11) |
18 (18) |
26 (0) |
31 (5) |
39 (13) |
41 (15) |
46 (20) |
48 (22) |
51 (25) |
54 (2) |
55 (3) |
Harmonic | 37 | 41 | 43 | 47 | 53 | 59 | 61 | 67 | 71 | 73 | 79 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -35.7 | +0.9 | +25.6 | -21.2 | -14.9 | +13.8 | -43.9 | +8.0 | +14.8 | -33.3 | +44.2 |
Relative (%) | -33.3 | +0.8 | +23.9 | -19.8 | -13.9 | +12.9 | -41.0 | +7.4 | +13.8 | -31.1 | +41.3 | |
Steps (reduced) |
58 (6) |
60 (8) |
61 (9) |
62 (10) |
64 (12) |
66 (14) |
66 (14) |
68 (16) |
69 (17) |
69 (17) |
71 (19) |
Composite subgroups
If one does not restrict to primes and allows all integers, pure-pentaves 26ed5 can instead be used as a strong tuning for the giant subgroup:
5.6.12.22.32.44.49.52.56
63.81.91.98.104.117.126
Or it can be a strong tuning for any smaller subgroup that is contained within that group.
Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -21.2 | +27.0 | -42.3 | +0.0 | +5.9 | -46.7 | +43.6 | -53.1 | -21.2 | +28.2 | -15.3 |
Relative (%) | -19.8 | +25.2 | -39.5 | +0.0 | +5.5 | -43.6 | +40.7 | -49.6 | -19.8 | +26.3 | -14.3 | |
Steps (reduced) |
11 (11) |
18 (18) |
22 (22) |
26 (0) |
29 (3) |
31 (5) |
34 (8) |
35 (9) |
37 (11) |
39 (13) |
40 (14) |
Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -46.7 | +39.3 | +27.0 | +22.5 | +24.7 | +32.9 | +46.5 | -42.3 | -19.7 | +7.0 | +37.2 |
Relative (%) | -43.6 | +36.7 | +25.2 | +21.0 | +23.0 | +30.7 | +43.3 | -39.5 | -18.3 | +6.5 | +34.7 | |
Steps (reduced) |
41 (15) |
43 (17) |
44 (18) |
45 (19) |
46 (20) |
47 (21) |
48 (22) |
48 (22) |
49 (23) |
50 (24) |
51 (25) |
Harmonic | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -36.5 | +0.0 | +39.3 | -26.1 | +18.1 | -42.6 | +5.9 | -50.9 | +1.3 | -52.0 | +3.5 |
Relative (%) | -34.1 | +0.0 | +36.6 | -24.3 | +16.9 | -39.8 | +5.5 | -47.5 | +1.2 | -48.5 | +3.3 | |
Steps (reduced) |
51 (25) |
52 (0) |
53 (1) |
53 (1) |
54 (2) |
54 (2) |
55 (3) |
55 (3) |
56 (4) |
56 (4) |
57 (5) |
Harmonic | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -46.7 | +11.7 | -35.7 | +25.3 | -19.7 | +43.6 | +0.9 | -40.8 | +25.6 | -14.2 | -53.1 |
Relative (%) | -43.6 | +10.9 | -33.3 | +23.6 | -18.4 | +40.7 | +0.8 | -38.1 | +23.9 | -13.2 | -49.6 | |
Steps (reduced) |
57 (5) |
58 (6) |
58 (6) |
59 (7) |
59 (7) |
60 (8) |
60 (8) |
60 (8) |
61 (9) |
61 (9) |
61 (9) |
Harmonic | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +16.0 | -21.2 | +49.5 | +13.8 | -21.2 | +51.7 | +18.1 | -14.9 | -47.2 | +28.2 | -3.0 |
Relative (%) | +14.9 | -19.8 | +46.2 | +12.9 | -19.8 | +48.3 | +16.9 | -13.9 | -44.1 | +26.3 | -2.8 | |
Steps (reduced) |
62 (10) |
62 (10) |
63 (11) |
63 (11) |
63 (11) |
64 (12) |
64 (12) |
64 (12) |
64 (12) |
65 (13) |
65 (13) |
Harmonic | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -33.7 | +43.4 | +13.8 | -15.3 | -43.9 | +35.1 | +7.4 | -19.9 | -46.7 | +34.0 | +8.0 | -17.7 |
Relative (%) | -31.4 | +40.5 | +12.9 | -14.3 | -41.0 | +32.7 | +6.9 | -18.6 | -43.6 | +31.7 | +7.4 | -16.5 | |
Steps (reduced) |
65 (13) |
66 (14) |
66 (14) |
66 (14) |
66 (14) |
67 (15) |
67 (15) |
67 (15) |
67 (15) |
68 (16) |
68 (16) |
68 (16) |
Intervals
Step | Cents | Just intonation approximation | |
---|---|---|---|
5.6.12.22… subgroup described above |
5.6.12.22… subgroup (with ratios simplified) | ||
1 | 107.2 | 36/34, 34/32, 32/30 | 18/17, 17/16, 16/15 |
2 | 214.3 | 34/30, 25/22 | 17/15, 25/22 |
3 | 321.5 | 6/5 | 6/5 |
4 | 428.7 | 56/44, 63/49 | 14/11, 9/7 |
5 | 535.8 | (6/5)x(25/22) | 15/11 |
6 | 643.0 | 52/36, 32/22 | 13/9, 16/11 |
7 | 750.2 | 34/22 | 17/11 |
8 | 857.3 | (6/5)x(15/11) | 18/11 |
9 | 964.5 | 56/32 | 7/4 |
10 | 1071.7 | 104/56 | 13/7 |
11 | 1178.8 | 49/25 | 49/25 |
12 | 1286.0 | (6/5)x(56/32) | 21/10 |
13 | 1393.2 | 81/36 | 9/4 |
14 | 1500.3 | 12/5 | 12/5 |
15 | 1607.5 | 30/12 | 5/2 |
16 | 1714.7 | 32/12, 81/30 | 8/3, 27/10 |
17 | 1821.8 | 160/56 | 20/7 |
18 | 1929.0 | 110/36, 104/34 | 55/18, 52/17 |
19 | 2036.2 | 104/32 | 13/4 |
20 | 2143.3 | (32/12)x(63/49) | 24/7 |
21 | 2250.5 | 22/6 | 11/3 |
22 | 2357.7 | 117/30 | 39/10 |
23 | 2464.8 | 25/6 | 25/6 |
24 | 2572.0 | 22/5 | 22/5 |
25 | 2679.1 | 56/12 | 14/3 |
26 | 2786.3 | 5/1 | 5/1 |
Scales
13ed5plus
Inspired by the elevenplus scale of 22edo, the 13ed5plus scale is 13ed5 plus a step of 26ed5 in between two of its steps.
In other words, 13ed5plus is all of the odd-numbered steps of 26ed5, plus step 26.
The scale is useful because it includes most of 26ed5’s consonances while leaving out many of the less-used intervals. Making it practical to use on an instrument.
Properties
13ed5plus is a 14-tone scale.
As a MOS scale, it is an example of the scale 13L 1s (5/1-equivalent). The 2/1-equivalent version would be 13L 1s.
Intervals
Step | Cents | JI approximation (5.6.12.22… subgroup; ratios simplified) |
---|---|---|
1 | 107.2 | 18/17, 17/16, 16/15 |
3 | 321.5 | 6/5 |
5 | 535.8 | 15/11 |
7 | 750.2 | 17/11 |
9 | 964.5 | 7/4 |
11 | 1178.8 | 49/25 |
13 | 1393.2 | 9/4 |
15 | 1607.5 | 5/2 |
17 | 1821.8 | 20/7 |
19 | 2036.2 | 13/4 |
21 | 2250.5 | 11/3 |
23 | 2464.8 | 25/6 |
25 | 2679.1 | 14/3 |
26 | 2786.3 | 5/1 |