27/14: Difference between revisions
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In [[7-limit]] [[just intonation]], '''27/14''' is the '''septimal major seventh''' or '''supermajor seventh'''. At about 1137 cents, it sounds much more tense than its classic counterpart [[15/8]] and thus provides the function of a strong leading tone added to the traditional harmony. | In [[7-limit]] [[just intonation]], '''27/14''' is the '''septimal major seventh''' or '''supermajor seventh'''. At about 1137 cents, it sounds much more tense than its classic counterpart [[15/8]] and thus provides the function of a strong leading tone added to the traditional harmony. | ||
It is very accurately approximated by [[19edo]] (18\19). | It is very accurately approximated by [[19edo]] (18\19), and hence the [[enneadecal]] temperament. | ||
== See also == | == See also == | ||
Revision as of 05:29, 5 January 2021
| Interval information |
supermajor seventh
[sound info]
In 7-limit just intonation, 27/14 is the septimal major seventh or supermajor seventh. At about 1137 cents, it sounds much more tense than its classic counterpart 15/8 and thus provides the function of a strong leading tone added to the traditional harmony.
It is very accurately approximated by 19edo (18\19), and hence the enneadecal temperament.