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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
[[22edo]] contains a huge wealth of harmonies to explore. It has not only [[5-limit]] major and minor but also various [[7-limit]] and [[11-limit]] [[chord]]s.
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2015-04-11 08:14:20 UTC</tt>.<br>
: The original revision id was <tt>546961198</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">22 EDO contains a huge wealth of harmonic sonorities for a curious musician to explore. Besides normal major and minor, 22 EDO features a nice amount of 7-limit and 11-limit chords.


=Triads=  
== Triads ==
24 EDO contains many possibilites for triads, this list is by no means an exhaustive one, but it highlights some common and interesting one's.
22edo contains many [[triad]]s. This list is by no means an exhaustive one, but it highlights some common and interesting ones.
|| Major || M3, P5 || 000-381-709 || M, Maj ||
|| Minor || m3, P5 ||  || m, min, - ||
|| Super(major) || S3, P5 || 000-436-709 || S, Sup, ^ ||
|| Sub(minor) || s3, P5 || 000-272-709 || s, Sub, v ||
|| Magical || m3, m5 || 000-327-654 || mag, * ||
|| Tiny || s3, t5 || 000-272-545 || t ||
|| Giant || S3, G5 || 000-436-872 || G ||
||  ||  ||  ||  ||
=Seventh Chords=
While Triads show promise, the real fun is tetrads in 22 EDO. There are a wealth of interesting sonorities by a variety of four note tertian based chords.
|| Major Seventh || M3, P5, M7 || 000-381-709-1090 || Maj7, M7 ||
|| Minor Seventh || m3, P5, m7 || 000-327-709-1036 || min7, m7, -7 ||
|| Super Seventh || S3, P5, S7 || 000-436-709-1145 || Sup7, S7,^7 ||
|| Sub Seventh || s3, P5, s7 || 000-272-709-981 || Sub7, s7 ||
|| Magical Seventh || m3, m5, s7 || 000-327-654-981 || Mag7, *7 ||
|| Major Super seventh || M7, P5, S7 || 000-381-709-1145 || MS7, M^7 ||
|| Minor Sub Seventh || m7, P5, s7 || 000-327-809-981 || ms7 ||
|| Super Minor Seventh || S3, P5, m7 || 000-436-709-1036 || Sm7 ||
|| Sub Major Seventh || s3, P5, M7 || 000-272-709-1090 || sM7 ||
|| Super Sub Seventh || S3, P5, s7 || 000-436-709-981 || Ss7, Supsub7 ||
|| Harmonic Seventh || M3, P5, s7 || 000-381-709-981 || Harm7, H7 ||
|| Tiny seventh || s3, t5, t7 || 000-272-545-818 || t7 ||
|| Giant Sixth || S3, G5, G6 || 000-436-872-1145 || G6 ||
|| Harmonic Minor Sixth || m3, P5, S6 || 000-327-709-927 || Hm6 ||


{| class="wikitable"
!
! colspan="2" |[[Ups and downs notation|ups and downs]] name
! colspan="2" |
!
|-
| |0-381-709
0-7-13
|Downmajor, Down
v
|vM3, P5
| |Major
M, Maj
|M3, P5
| |[[File:major_triad.mp3]]
|-
| |0-327-709
0-6-13
|Upminor
^m
|^m3, P5
| | Minor
m, min, -
|m3, P5
| |[[File:minor_triad.mp3]]
|-
| | 0-436-709
0-8-13
|Major
(nothing needed)
|M3, P5
| |SuperMajor
S, Sup, ^
|S3, P5
| |
[[File:super_triad.mp3]]
|-
| | 0-272-709
0-5-13
|Minor
m
|m3, P5
| |SubMinor
s, Sub, v
|s3, P5
| |[[File:sub_triad.mp3]]
|-
| | 0-327-654
0-6-12
|Upminor down5
^m(v5)
|^m3, v5
| |Magical
mag, *
|m3, m5
| |[[File:magic_triad.mp3]]
|-
| |0-272-545
0-5-10
|Diminished
d, dim
|m3, d5
| | Tiny
t
|s3, t5
| |[[File:tiny_triad.mp3]]
|-
| | 0-436-872
0-8-16
|Augmented
a, aug
|M3, aug5
| |Giant
G
|S3, G5
| |[[File:giant_chord.mp3]]
|}


== Seventh chords ==
While triads show promise, the real fun in 22edo is [[tetrad]]s. There is a wealth of interesting tertian-based tetrads.


{| class="wikitable"
!
! colspan="2" |[[Ups and downs notation|ups and downs]] name
! colspan="2" |
!
|-
| |0-381-709-1090
0-7-13-20
|Downmajor7
vM7
|vM3, P5, vM7
| | Major 7th
Maj7, M7
| |M3, P5, M7
| |
|-
| |0-327-709-1036
0-6-13-19
|Upminor7
^m7
|^m3, P5, ^m7
| |Minor 7th
min7, m7, -7
| |m3, P5, m7
| |[[File:min7.mp3]]
|-
| |0-436-709-1145
0-8-13-21
|Major7
M7
|M3, P5, M7
| | Super 7th
Sup7, S7,^7
| |S3, P5, S7
| |[[File:sup7.mp3]]
|-
| |0-272-709-981
0-5-13-18
|Minor7
m7
|m3, P5, m7
| |Sub 7th
Sub7, s7
| |s3, P5, s7
| |[[File:sub7.mp3]]
|-
| | 0-381-709-981
0-7-13-18
|Down add7
v,7
|vM3, P5, m7
| |Harmonic 7th
Harm7, H7
| |M3, P5, s7
| |[[File:har7_chord.mp3]]
|-
| | 0-327-654-981
0-6-12-18
| Upminor add7 down5
^m,7(v5)
| ^m3, v5, m7
| |Magical 7th
Mag7, *7
| |m3, m5, s7
| |
|-
| |0-381-709-1145
0-7-13-21
| Major7 down3
M7(v3)
|vM3, P5, M7
| |Major Super 7th
MS7, M^7
| |M7, P5, S7
| |
|-
| |0-327-709-981
0-6-13-18
|Upminor add7
^m,7
|^m3, P5, m7
| |Minor Sub 7th
ms7
| |m7, P5, s7
| |
|-
| |0-436-709-1036
0-8-13-19
|Add upminor7
,^m7
|M3, P5, ^m7
| |Super Minor 7th
Sm7
| |S3, P5, m7
| |
|-
| | 0-272-709-1090
0-5-13-20
|Minor downmajor7
m,vM7
|m3, P5, vM7
| |Sub Major 7th
sM7
| |s3, P5, M7
| |
|-
| |0-436-709-981
0-8-13-18
|Dom7
7
|M3, P5, m7
| |Super Sub 7th
Ss7, Supsub7
| |S3, P5, s7
| |
|-
| |0-272-545-818
0-5-10-15
|Diminished7
d7
|m3, d5, d7
| |Tiny 7th
t7
| |s3, t5, t7
| |
|-
| |0-436-872-1145
0-8-16-21
|Major7 sharp5
M7(#5)
|M3, #5, M7
| |Giant 6th
G6
| |S3, G5, G6
| |
|-
| |0-327-709-927
0-6-13-17
|Upminor 6
^m6
|^m3, P5, vM6
| |Harmonic Minor 6th
Hm6
| |m3, P5, S6
| |
|}


= = </pre></div>
== Ups and downs notation ==
<h4>Original HTML content:</h4>
{{todo|rework|inline=1|text=Properly merge this section into the rest of the page, in order to avoid duplicate or contradictory information.}}
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;22 EDO Chords&lt;/title&gt;&lt;/head&gt;&lt;body&gt;22 EDO contains a huge wealth of harmonic sonorities for a curious musician to explore. Besides normal major and minor, 22 EDO features a nice amount of 7-limit and 11-limit chords.&lt;br /&gt;
{{See also|Ups and downs notation #Chords and Chord Progressions}}
&lt;br /&gt;
Various [[22edo]] triads, 6th and 7th chords, named via [[Ups and downs notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Triads"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Triads&lt;/h1&gt;
24 EDO contains many possibilites for triads, this list is by no means an exhaustive one, but it highlights some common and interesting one's.&lt;br /&gt;


Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–9–14 {{=}} C4(^5)}} becomes {{nowrap|9–14–22 {{=}} Fm}}, where "a" stands for augmented and "d" stands for diminished.


&lt;table class="wiki_table"&gt;
{| class="wikitable"
    &lt;tr&gt;
|-
        &lt;td&gt;Major&lt;br /&gt;
! colspan="2" | Third &rarr;
&lt;/td&gt;
! m3
        &lt;td&gt;M3, P5&lt;br /&gt;
! ^m3
&lt;/td&gt;
! vM3
        &lt;td&gt;000-381-709&lt;br /&gt;
! M3
&lt;/td&gt;
! P4
        &lt;td&gt;M, Maj&lt;br /&gt;
! ^4
&lt;/td&gt;
|-
    &lt;/tr&gt;
! colspan="2" | Triads with P5
    &lt;tr&gt;
| Cm
        &lt;td&gt;Minor&lt;br /&gt;
| C^m
&lt;/td&gt;
| Cv
        &lt;td&gt;m3, P5&lt;br /&gt;
| C
&lt;/td&gt;
| C4
        &lt;td&gt;&lt;br /&gt;
| C^4
&lt;/td&gt;
|-
        &lt;td&gt;m, min, -&lt;br /&gt;
! rowspan="5" | Other<br />triads
&lt;/td&gt;
! v5
    &lt;/tr&gt;
| Cm(v5)
    &lt;tr&gt;
| C^m(v5)
        &lt;td&gt;Super(major)&lt;br /&gt;
| Cv(v5)
&lt;/td&gt;
| C(v5)
        &lt;td&gt;S3, P5&lt;br /&gt;
| C4(v5)
&lt;/td&gt;
| C^4(v5)
        &lt;td&gt;000-436-709&lt;br /&gt;
|-
&lt;/td&gt;
! ^d5
        &lt;td&gt;S, Sup, ^&lt;br /&gt;
| Cd(^5)
&lt;/td&gt;
| C^d(^5)
    &lt;/tr&gt;
| Cv(^b5)
    &lt;tr&gt;
| C(^b5)
        &lt;td&gt;Sub(minor)&lt;br /&gt;
| C4(^b5)
&lt;/td&gt;
| C^4(^b5)
        &lt;td&gt;s3, P5&lt;br /&gt;
|-
&lt;/td&gt;
! d5
        &lt;td&gt;000-272-709&lt;br /&gt;
| Cd
&lt;/td&gt;
| C^d
        &lt;td&gt;s, Sub, v&lt;br /&gt;
| Cv(b5)
&lt;/td&gt;
| C(b5)
    &lt;/tr&gt;
| C4(b5)
    &lt;tr&gt;
| C^4(b5)
        &lt;td&gt;Magical&lt;br /&gt;
|-
&lt;/td&gt;
! ^5
        &lt;td&gt;m3, m5&lt;br /&gt;
| ''(Ab)''
&lt;/td&gt;
| C^m(^5)
        &lt;td&gt;000-327-654&lt;br /&gt;
| Cv(^5)
&lt;/td&gt;
| C(^5)
        &lt;td&gt;mag, *&lt;br /&gt;
| ''(Fm)''
&lt;/td&gt;
| C^4(^5)
    &lt;/tr&gt;
|-
    &lt;tr&gt;
! va5
        &lt;td&gt;Tiny&lt;br /&gt;
| Cm(v#5)
&lt;/td&gt;
| ''(^Abv)''
        &lt;td&gt;s3, t5&lt;br /&gt;
| Cv(v#5)
&lt;/td&gt;
| C(v#5)
        &lt;td&gt;000-272-545&lt;br /&gt;
| ''(F^m)''
&lt;/td&gt;
| C^4(v#5)
        &lt;td&gt;t&lt;br /&gt;
|-
&lt;/td&gt;
! rowspan="6" | Tetrads<br />with a P5
    &lt;/tr&gt;
! vM6
    &lt;tr&gt;
| Cmv6
        &lt;td&gt;Giant&lt;br /&gt;
| C^mv6
&lt;/td&gt;
| Cv6
        &lt;td&gt;S3, G5&lt;br /&gt;
| C,v6
&lt;/td&gt;
| C4v6
        &lt;td&gt;000-436-872&lt;br /&gt;
| C^4v6
&lt;/td&gt;
|-
        &lt;td&gt;G&lt;br /&gt;
! M6
&lt;/td&gt;
| Cm6
    &lt;/tr&gt;
| C^m,6
    &lt;tr&gt;
| Cv,6
        &lt;td&gt;&lt;br /&gt;
| C6
&lt;/td&gt;
| C4,6
        &lt;td&gt;&lt;br /&gt;
| C^4,6
&lt;/td&gt;
|-
        &lt;td&gt;&lt;br /&gt;
! m7
&lt;/td&gt;
| Cm7
        &lt;td&gt;&lt;br /&gt;
| C^m,7
&lt;/td&gt;
| Cv,7
    &lt;/tr&gt;
| C7
&lt;/table&gt;
| C4,7
| C^4,7
|-
! ^m7
| Cm^7
| C^m7
| Cv^7
| C,^7
| C4^7
| C^4^7
|-
! vM7
| CmvM7
| C^mvM7
| CvM7
| C,vM7
| C4vM7
| C^4vM7
|-
! M7
| CmM7
| C^mM7
| Cv,M7
| CM7
| C4M7
| C^4M7
|}


&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Seventh Chords"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Seventh Chords&lt;/h1&gt;
A punctuation comma (",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.  
While Triads show promise, the real fun is tetrads in 22 EDO. There are a wealth of interesting sonorities by a variety of four note tertian based chords. &lt;br /&gt;


4:5:6:7 = C vE G Bb is named Cv,7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.


&lt;table class="wiki_table"&gt;
{| class="wikitable"
    &lt;tr&gt;
|-
        &lt;td&gt;Major Seventh&lt;br /&gt;
! Chord
&lt;/td&gt;
! Notes
        &lt;td&gt;M3, P5, M7&lt;br /&gt;
! colspan="2" | Ups and downs name
&lt;/td&gt;
! colspan="2" | Color name
        &lt;td&gt;000-381-709-1090&lt;br /&gt;
|-
&lt;/td&gt;
| 4:5:6:7
        &lt;td&gt;Maj7, M7&lt;br /&gt;
| C vE G Bb
&lt;/td&gt;
| C-down add-7
    &lt;/tr&gt;
| Cv,7
    &lt;tr&gt;
| C har7
        &lt;td&gt;Minor Seventh&lt;br /&gt;
| Ch7
&lt;/td&gt;
|-
        &lt;td&gt;m3, P5, m7&lt;br /&gt;
| 4:5:6:7:9
&lt;/td&gt;
| C vE G Bb D
        &lt;td&gt;000-327-709-1036&lt;br /&gt;
| C-nine down-3
&lt;/td&gt;
| C9(v3)
        &lt;td&gt;min7, m7, -7&lt;br /&gt;
| C har9
&lt;/td&gt;
| Ch9
    &lt;/tr&gt;
|-
    &lt;tr&gt;
| 7:6:5:4
        &lt;td&gt;Super Seventh&lt;br /&gt;
| C Eb ^Gb Bb
&lt;/td&gt;
| C minor7 upflat-5
        &lt;td&gt;S3, P5, S7&lt;br /&gt;
| Cm7(^b5)
&lt;/td&gt;
| C sub7
        &lt;td&gt;000-436-709-1145&lt;br /&gt;
| Cs7
&lt;/td&gt;
|-
        &lt;td&gt;Sup7, S7,^7&lt;br /&gt;
| 12:10:8:7
&lt;/td&gt;
| C ^Eb G A
    &lt;/tr&gt;
| C upminor add-6
    &lt;tr&gt;
| C^m,6
        &lt;td&gt;Sub Seventh&lt;br /&gt;
| C sub6
&lt;/td&gt;
| Cs6
        &lt;td&gt;s3, P5, s7&lt;br /&gt;
|-
&lt;/td&gt;
| 9:7:6:5:4
        &lt;td&gt;000-272-709-981&lt;br /&gt;
| C E G ^Bb D
&lt;/td&gt;
| C-nine up-7
        &lt;td&gt;Sub7, s7&lt;br /&gt;
| C9(^7)
&lt;/td&gt;
| C sub9
    &lt;/tr&gt;
| Cs9
    &lt;tr&gt;
|}
        &lt;td&gt;Magical Seventh&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;m3, m5, s7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-327-654-981&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Mag7, *7&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Major Super seventh&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;M7, P5, S7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-381-709-1145&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;MS7, M^7&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Minor Sub Seventh&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;m7, P5, s7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-327-809-981&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;ms7&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Super Minor Seventh&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;S3, P5, m7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-436-709-1036&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Sm7&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Sub Major Seventh&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;s3, P5, M7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-272-709-1090&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;sM7&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Super Sub Seventh&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;S3, P5, s7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-436-709-981&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Ss7, Supsub7&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Harmonic Seventh&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;M3, P5, s7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-381-709-981&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Harm7, H7&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Tiny seventh&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;s3, t5, t7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-272-545-818&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;t7&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Giant Sixth&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;S3, G5, G6&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-436-872-1145&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;G6&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Harmonic Minor Sixth&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;m3, P5, S6&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;000-327-709-927&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;Hm6&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;


&lt;br /&gt;
== See also ==
&lt;br /&gt;
* [[The 16 most stable triads of 22edo]]
&lt;br /&gt;
* [[Chords of orwell]]
&lt;br /&gt;
 
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== External links ==
&lt;/body&gt;&lt;/html&gt;</pre></div>
* [https://www.youtube.com/watch?v=fMeRlKlreV8 microtonal theory: 22edo triads] by xenpilled on YouTube
 
[[Category:22edo]]
[[Category:Chords]]
[[Category:Pajara]]
[[Category:Porcupine]]
[[Category:Superpyth]]
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