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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | '''ET survey''' is a rather strange emerging genre. Some curious composers, wishing to test the [[Ivor Darreg|Darregian]] notion that each [[equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. [[Easley Blackwood]]'s rather neoclassical ''Microtonal Etudes'' (1980–1), in edos 13 through 24, was one of the first such surveys. [[McLaren|Brian McLaren]]'s idiosyncratic ''240 Piano Pieces'' from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[Warren Burt]]'s ''39 Dissonant Etudes'' (1992–8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance". |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:vaisvil|vaisvil]] and made on <tt>2011-11-20 14:56:22 UTC</tt>.<br>
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| : The original revision id was <tt>277419534</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">A rather strange emerging genre. Some curious composers, wishing to test the [[Ivor Darreg|Darregian]] notion that each [[Equal Temperaments|equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical //Microtonal Etudes// (1980-1), in EDO's 13 through 24, was one of the first such surveys. [[McLaren|Brian McLaren]]'s idiosyncratic //240 Piano Pieces// from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[Warren Burt]]'s //39 Dissonant Etudes// (1992-8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance."
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| [[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from [[Hans Straub]], who has written such works in [[5EDO|5-]] and [[17EDO|17-EDO]]). | | [[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s ''Moods'' and ''Xenharmonic Variations on a Theme by {{w|Wolfgang Amadeus Mozart|Mozart}}'' from 2004 progress sequentially in sections (ET's 1–13 and 12–19). |
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| In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]]. | | In addition to the proper surveys, many individuals have made forays into a wide range of edos that do not necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], [[Chris Vaisvil]], and [[Aaron Hunt]] come to mind, as well as more music by Brian McLaren and Warren Burt. |
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| | [https://youtu.be/UGPsnrL4UnM?si=klXY0orIl_V_dXDO Macrotonal] by Vector Graphics is a more modern example, featuring ~1 minute segments in each tuning from 0/oct to 12/oct. |
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| [[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3|Walking, Again, the Mountain]] for Choir and Percussion by [[@http://chrisvaisvil.com/?page_id=2|Chris Vaisvil]] in 17et, 10et, 17et in ABA form. [[@http://chrisvaisvil.com/?p=1065|Scoredatura and details]]. | | [[Category:Equal divisions of the octave]] |
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| [[media type="custom" key="11384676"]]</pre></div>
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| <h4>Original HTML content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>ET surveys</title></head><body>A rather strange emerging genre. Some curious composers, wishing to test the <a class="wiki_link" href="/Ivor%20Darreg">Darregian</a> notion that each <a class="wiki_link" href="/Equal%20Temperaments">equal temperament</a>, to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical <em>Microtonal Etudes</em> (1980-1), in EDO's 13 through 24, was one of the first such surveys. <a class="wiki_link" href="/McLaren">Brian McLaren</a>'s idiosyncratic <em>240 Piano Pieces</em> from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>'s <em>39 Dissonant Etudes</em> (1992-8) (5/oct to 43/oct) all use the same type of technique to generate &quot;dissonance.&quot;<br />
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| <a class="wiki_link" href="/Daniel%20Wolf">Daniel Wolf</a> has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a>'s <em>Moods</em> and <em>Xenharmonic Variations on a Theme by <a class="wiki_link" href="/Mozart">Mozart</a></em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19). <a class="wiki_link" href="/Igliashon%20Jones">Igliashon Jones</a>, under the name &quot;City of the Asleep&quot; on his album <em>Map of an Internal Landscape</em>, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from <a class="wiki_link" href="/Hans%20Straub">Hans Straub</a>, who has written such works in <a class="wiki_link" href="/5EDO">5-</a> and <a class="wiki_link" href="/17EDO">17-EDO</a>).<br />
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| In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.<br />
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| <a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3" rel="nofollow">Walking, Again, the Mountain</a> for Choir and Percussion by <a class="wiki_link_ext" href="http://chrisvaisvil.com/?page_id=2" rel="nofollow" target="_blank">Chris Vaisvil</a> in 17et, 10et, 17et in ABA form. <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1065" rel="nofollow" target="_blank">Scoredatura and details</a>.<br />
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| <!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/custom/11384676?h=0&amp;w=0&quot; class=&quot;WikiMedia WikiMediaCustom&quot; id=&quot;wikitext@@media@@type=&amp;quot;custom&amp;quot; key=&amp;quot;11384676&amp;quot;&quot; title=&quot;Custom Media&quot;/&gt; --><script type="text/javascript" src="http://mediaplayer.yahoo.com/js">
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| </script><!-- ws:end:WikiTextMediaRule:0 --></body></html></pre></div>
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ET survey is a rather strange emerging genre. Some curious composers, wishing to test the Darregian notion that each equal temperament, to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical Microtonal Etudes (1980–1), in edos 13 through 24, was one of the first such surveys. Brian McLaren's idiosyncratic 240 Piano Pieces from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. Warren Burt's 39 Dissonant Etudes (1992–8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance".
Daniel Wolf has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. Jacob Barton's Moods and Xenharmonic Variations on a Theme by Mozart from 2004 progress sequentially in sections (ET's 1–13 and 12–19).
In addition to the proper surveys, many individuals have made forays into a wide range of edos that do not necessarily constitute suites or "thorough" surveys. Ivor Darreg, Marc Jones, Gene Ward Smith, X. J. Scott, Andrew Heathwaite, Chris Vaisvil, and Aaron Hunt come to mind, as well as more music by Brian McLaren and Warren Burt.
Macrotonal by Vector Graphics is a more modern example, featuring ~1 minute segments in each tuning from 0/oct to 12/oct.