10edf: Difference between revisions
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{{Infobox ET}} | {{Infobox ET}} | ||
{{ED intro}} | |||
== Theory == | |||
10edf is related to [[17edo]], but with the [[3/2|perfect fifth]] rather than the [[2/1|octave]] being just. The octave is compressed by about 6.68{{c}}, a small but significant deviation. 10edf is [[consistent]] to the [[integer limit|7-integer-limit]], but not to the 8-integer-limit. In comparison, 17edo is only consistent up to the 4-integer-limit. This makes 10edf a suitable tuning perhaps in the [[5-limit]], but overcompressed in any other limits, as well as the no-5 13-limit, where 17edo is best at. | |||
== | === Harmonics === | ||
{| | {{Harmonics in equal|10|3|2|intervals=integer|columns=11}} | ||
| | {{Harmonics in equal|10|3|2|intervals=integer|columns=12|start=12|collapsed=true|Approximation of harmonics in 10edf (continued)}} | ||
=== Subsets and supersets === | |||
Since 10 factors into primes as {{nowrap| 2 × 5 }}, 10edf contains [[2edf]] and [[5edf]] as subset edfs. | |||
== Intervals == | |||
{| class="wikitable center-all right-2" | |||
|- | |- | ||
!( | ! # | ||
! | ! Cents | ||
! [[1L 3s (fifth-equivalent)|Neptunian]] notation<br>using 8\10edf | |||
! [[Ed9/4|Neapolitan]] notation<br>using 3/10edf | |||
|- | |- | ||
| 0 | |||
|C | | 0.0 | ||
| C | |||
| F | |||
|- | |- | ||
|1 | | 1 | ||
| 70.2 | |||
| ^C, vDb | |||
| F^, Gb | |||
|70. | |||
| | |||
|^ | |||
|- | |- | ||
|2 | | 2 | ||
| 140.4 | |||
| C#, Db | |||
| F#, Gd | |||
|140. | |||
| | |||
| | |||
|- | |- | ||
|3 | | 3 | ||
| 210.6 | |||
| vD | |||
| G | |||
|210. | |||
| | |||
| | |||
|- | |- | ||
|4 | | 4 | ||
| 280.8 | |||
| D | |||
| G^, Ab | |||
|280. | |||
| | |||
| | |||
|- | |- | ||
|5 | | 5 | ||
| 351.0 | |||
| ^D, vE | |||
| G#, Ad | |||
|351. | |||
|^D, vE | |||
|- | |- | ||
|6 | | 6 | ||
| 421.2 | |||
| E | |||
| A | |||
|421. | |||
| | |||
| | |||
|- | |- | ||
|7 | | 7 | ||
| 491.4 | |||
| ^E, vF | |||
| A^, Hb | |||
|491. | |||
| | |||
|^ | |||
|- | |- | ||
|8 | | 8 | ||
| 561.6 | |||
| F | |||
| A#, Hd | |||
|561. | |||
| | |||
| | |||
|- | |- | ||
|9 | | 9 | ||
| 631.8 | |||
| ^F, vC | |||
| H | |||
|631. | |||
| | |||
| | |||
|- | |- | ||
|10 | | 10 | ||
| | | 702.0 | ||
| | | C | ||
| B | |||
| | |||
|- | |- | ||
|11 | | 11 | ||
| 772.2 | |||
| ^C, vDb | |||
| B^, Cb | |||
|772. | |||
| | |||
|^ | |||
|- | |- | ||
|12 | | 12 | ||
| 842.3 | |||
| C#, Db | |||
| B#, Cd | |||
|842. | |||
| | |||
| | |||
|- | |- | ||
|13 | | 13 | ||
| 912.5 | |||
| vD | |||
| C | |||
|912. | |||
| | |||
| | |||
|- | |- | ||
|14 | | 14 | ||
| 982.7 | |||
| D | |||
| C^, Db | |||
|982. | |||
| | |||
| | |||
|- | |- | ||
|15 | | 15 | ||
| 1052.9 | |||
| ^D, vE | |||
| C#, Dd | |||
|1052. | |||
| | |||
| | |||
|- | |- | ||
|16 | | 16 | ||
| 1123.1 | |||
| E | |||
| D | |||
|1123. | |||
| | |||
| | |||
|- | |- | ||
|17 | | 17 | ||
| 1193.3 | |||
| ^E, vF | |||
| D^, Eb | |||
|1193. | |||
| | |||
| | |||
|- | |- | ||
|18 | | 18 | ||
| 1263.5 | |||
| F | |||
| D#, Eb | |||
|1263. | |||
| | |||
| | |||
|- | |- | ||
|19 | | 19 | ||
| 1333.7 | |||
| ^F, vC | |||
| E | |||
|1333. | |||
| | |||
| | |||
|- | |- | ||
|20 | | 20 | ||
| 1403.9 | |||
| C | |||
| F | |||
|1403. | |||
| | |||
| | |||
|} | |} | ||
== Music == | == Music == | ||
* | ; [[Peter Kosmorsky]] | ||
* [https://www.archive.org/details/10Edf ''10 edf''] (archived 2011) | |||
== See also == | |||
* [[17edo]] – relative edo | |||
* [[27edt]] – relative edt | |||
* [[44ed6]] – relative ed6 | |||
[[Category:Listen]] | [[Category:Listen]] | ||
Latest revision as of 15:29, 19 June 2025
| ← 9edf | 10edf | 11edf → |
(semiconvergent)
(semiconvergent)
10 equal divisions of the perfect fifth (abbreviated 10edf or 10ed3/2) is a nonoctave tuning system that divides the interval of 3/2 into 10 equal parts of about 70.2 ¢ each. Each step represents a frequency ratio of (3/2)1/10, or the 10th root of 3/2.
Theory
10edf is related to 17edo, but with the perfect fifth rather than the octave being just. The octave is compressed by about 6.68 ¢, a small but significant deviation. 10edf is consistent to the 7-integer-limit, but not to the 8-integer-limit. In comparison, 17edo is only consistent up to the 4-integer-limit. This makes 10edf a suitable tuning perhaps in the 5-limit, but overcompressed in any other limits, as well as the no-5 13-limit, where 17edo is best at.
Harmonics
| Harmonic | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | -6.7 | -6.7 | -13.4 | +21.5 | -13.4 | +0.6 | -20.0 | -13.4 | +14.8 | -9.8 | -20.0 |
| Relative (%) | -9.5 | -9.5 | -19.0 | +30.6 | -19.0 | +0.8 | -28.5 | -19.0 | +21.1 | -13.9 | -28.5 | |
| Steps (reduced) |
17 (7) |
27 (7) |
34 (4) |
40 (0) |
44 (4) |
48 (8) |
51 (1) |
54 (4) |
57 (7) |
59 (9) |
61 (1) | |
| Harmonic | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Error | Absolute (¢) | -18.2 | -6.1 | +14.8 | -26.7 | +8.7 | -20.0 | +26.8 | +8.2 | -6.1 | -16.5 | -23.2 | -26.7 |
| Relative (%) | -25.9 | -8.7 | +21.1 | -38.0 | +12.4 | -28.5 | +38.1 | +11.6 | -8.7 | -23.4 | -33.1 | -38.0 | |
| Steps (reduced) |
63 (3) |
65 (5) |
67 (7) |
68 (8) |
70 (0) |
71 (1) |
73 (3) |
74 (4) |
75 (5) |
76 (6) |
77 (7) |
78 (8) | |
Subsets and supersets
Since 10 factors into primes as 2 × 5, 10edf contains 2edf and 5edf as subset edfs.
Intervals
| # | Cents | Neptunian notation using 8\10edf |
Neapolitan notation using 3/10edf |
|---|---|---|---|
| 0 | 0.0 | C | F |
| 1 | 70.2 | ^C, vDb | F^, Gb |
| 2 | 140.4 | C#, Db | F#, Gd |
| 3 | 210.6 | vD | G |
| 4 | 280.8 | D | G^, Ab |
| 5 | 351.0 | ^D, vE | G#, Ad |
| 6 | 421.2 | E | A |
| 7 | 491.4 | ^E, vF | A^, Hb |
| 8 | 561.6 | F | A#, Hd |
| 9 | 631.8 | ^F, vC | H |
| 10 | 702.0 | C | B |
| 11 | 772.2 | ^C, vDb | B^, Cb |
| 12 | 842.3 | C#, Db | B#, Cd |
| 13 | 912.5 | vD | C |
| 14 | 982.7 | D | C^, Db |
| 15 | 1052.9 | ^D, vE | C#, Dd |
| 16 | 1123.1 | E | D |
| 17 | 1193.3 | ^E, vF | D^, Eb |
| 18 | 1263.5 | F | D#, Eb |
| 19 | 1333.7 | ^F, vC | E |
| 20 | 1403.9 | C | F |
Music
- 10 edf (archived 2011)