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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | {{Infobox ET}} |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | {{ED intro}} |
| : This revision was by author [[User:Sarzadoce|Sarzadoce]] and made on <tt>2011-08-16 13:20:15 UTC</tt>.<br>
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| : The original revision id was <tt>246265831</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=5 Equal Divisions of the Tritave=
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| || Degrees || Cents || Approximate Ratios ||
| | == Theory == |
| || 0 || 0 || [[1_1|1/1]] ||
| | 5edt has steps too large to be used melodically, though it has some notable harmonic properties shared by other 5''n''-edts (such as [[10edt]], [[15edt]], etc.). It has a surprisingly accurate [[5/4]] major third (only 5.92{{cent}} flat), five of them making a tritave. (This phenomenon cannot be seen in single-digit [[edo]]s, and it is not until [[19edo]] that an approximation of 5/4 to within 10{{c}} can be seen.) 5edt therefore tempers out [[3125/3072]], the magic comma. Two of these major thirds give a septimal minor sixth, meaning that it also tempers out the marvel comma [[225/224]]. |
| || 1 || 380.391 || [[5_4|5/4]] ||
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| || 2 || 760.782 || [[14_9|14/9]] ||
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| || 3 || 1141.173 || [[27_14|27/14]] ||
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| || 4 || 1521.564 || 12/5 (tritave-inversion of [[6_5|6/5]]) ||
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| || 5 || 1901.955 || 3/1 ||
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| <span style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; line-height: normal;">5edt isn't very useful melodically, though it has many notable harmonic properties shared by other 5n-edts (EDTs with 5 as a prime factor). It has a surprisingly accurate major third, five of them making a tritave. It therefore tempers out 3125/3072, the magic comma. Two of these major thirds give a septimal minor sixth, meaning that it also tempers out the 7-limit comma 225/224.</span>
| | 5edt is the first edt to encompass elements of [[5-limit]] harmony. The available chords are 4:5:12 and 5:12:15; being inversions of each other, they essentially act as "major" and "minor" chords. This is similar to [[6edt]], which contains the same chords but with the major thirds transposed an octave higher, and vice versa. Also available is the chord 9:14:27, which can express the single [[7-limit]] consonance found in 5edt. |
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| 5edt is the lowest equal division of the tritave to encompass 5-limit harmony. The available chords are 4:5:12 and 5:12:15; essentially major and minor chords. This is similar to [[6edt]], which contains the same chords but with the major thirds transposed an octave higher, and vice versa.
| | === Harmonics === |
| | {{Harmonics in equal|5|3|1|columns=15}} |
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| | === Subsets and supersets === |
| | 5edt is the 3rd [[prime equal division|prime edt]], after [[3edt]] and before [[7edt]]. |
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| ==Other 5n-edts:== | | == Intervals == |
| [[10edt]] | | {| class="wikitable right-all left-4" |
| [[15edt]] | | |- |
| [[20edt]] | | ! # |
| [[25edt]] | | ! Cents |
| [[30edt]] | | ! Hekts |
| ...</pre></div>
| | ! Approximate ratios |
| <h4>Original HTML content:</h4>
| | |- |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>5edt</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="x5 Equal Divisions of the Tritave"></a><!-- ws:end:WikiTextHeadingRule:0 -->5 Equal Divisions of the Tritave</h1>
| | | 0 |
| <br />
| | | 0 |
| | | 0 |
| | | [[1/1]] |
| | |- |
| | | 1 |
| | | 380 |
| | | 260 |
| | | [[5/4]] |
| | |- |
| | | 2 |
| | | 761 |
| | | 520 |
| | | [[14/9]] |
| | |- |
| | | 3 |
| | | 1141 |
| | | 780 |
| | | [[27/14]] |
| | |- |
| | | 4 |
| | | 1522 |
| | | 1040 |
| | | [[12/5]] |
| | |- |
| | | 5 |
| | | 1902 |
| | | 1300 |
| | | [[3/1]] |
| | |} |
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| | | [[Category:Todo:add sound example]] |
| <table class="wiki_table">
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| <tr>
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| <td>Degrees<br />
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| </td>
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| <td>Cents<br />
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| </td>
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| <td>Approximate Ratios<br />
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| </td>
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| </tr>
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| <tr>
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| <td>0<br />
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| </td>
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| <td>0<br />
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| </td>
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| <td><a class="wiki_link" href="/1_1">1/1</a><br />
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| </td>
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| </tr>
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| <tr>
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| <td>1<br />
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| </td>
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| <td>380.391<br />
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| </td>
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| <td><a class="wiki_link" href="/5_4">5/4</a><br />
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| </td>
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| </tr>
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| <tr>
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| <td>2<br />
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| </td>
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| <td>760.782<br />
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| </td>
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| <td><a class="wiki_link" href="/14_9">14/9</a><br />
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| </td>
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| </tr>
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| <tr>
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| <td>3<br />
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| </td>
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| <td>1141.173<br />
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| </td>
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| <td><a class="wiki_link" href="/27_14">27/14</a><br />
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| </td>
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| </tr>
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| <tr>
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| <td>4<br />
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| </td>
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| <td>1521.564<br />
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| </td>
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| <td>12/5 (tritave-inversion of <a class="wiki_link" href="/6_5">6/5</a>)<br />
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| </td>
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| </tr>
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| <tr>
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| <td>5<br />
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| </td>
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| <td>1901.955<br />
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| </td>
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| <td>3/1<br />
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| </td>
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| </tr>
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| </table>
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| <br />
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| <span style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; border-collapse: collapse; line-height: normal;">5edt isn't very useful melodically, though it has many notable harmonic properties shared by other 5n-edts (EDTs with 5 as a prime factor). It has a surprisingly accurate major third, five of them making a tritave. It therefore tempers out 3125/3072, the magic comma. Two of these major thirds give a septimal minor sixth, meaning that it also tempers out the 7-limit comma 225/224.</span><br />
| |
| <br />
| |
| 5edt is the lowest equal division of the tritave to encompass 5-limit harmony. The available chords are 4:5:12 and 5:12:15; essentially major and minor chords. This is similar to <a class="wiki_link" href="/6edt">6edt</a>, which contains the same chords but with the major thirds transposed an octave higher, and vice versa.<br />
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| <br />
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| <br />
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| <!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><a name="x5 Equal Divisions of the Tritave-Other 5n-edts:"></a><!-- ws:end:WikiTextHeadingRule:2 -->Other 5n-edts:</h2>
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| <a class="wiki_link" href="/10edt">10edt</a><br />
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| <a class="wiki_link" href="/15edt">15edt</a><br />
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| <a class="wiki_link" href="/20edt">20edt</a><br />
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| <a class="wiki_link" href="/25edt">25edt</a><br />
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| <a class="wiki_link" href="/30edt">30edt</a><br />
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| ...</body></html></pre></div>
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| Prime factorization
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5 (prime)
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| Step size
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380.391 ¢
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| Octave
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3\5edt (1141.17 ¢)
(semiconvergent)
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| Consistency limit
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7
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| Distinct consistency limit
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4
|
5 equal divisions of the tritave, perfect twelfth, or 3rd harmonic (abbreviated 5edt or 5ed3), is a nonoctave tuning system that divides the interval of 3/1 into 5 equal parts of about 380 ¢ each. Each step represents a frequency ratio of 31/5, or the 5th root of 3.
Theory
5edt has steps too large to be used melodically, though it has some notable harmonic properties shared by other 5n-edts (such as 10edt, 15edt, etc.). It has a surprisingly accurate 5/4 major third (only 5.92 ¢ flat), five of them making a tritave. (This phenomenon cannot be seen in single-digit edos, and it is not until 19edo that an approximation of 5/4 to within 10 ¢ can be seen.) 5edt therefore tempers out 3125/3072, the magic comma. Two of these major thirds give a septimal minor sixth, meaning that it also tempers out the marvel comma 225/224.
5edt is the first edt to encompass elements of 5-limit harmony. The available chords are 4:5:12 and 5:12:15; being inversions of each other, they essentially act as "major" and "minor" chords. This is similar to 6edt, which contains the same chords but with the major thirds transposed an octave higher, and vice versa. Also available is the chord 9:14:27, which can express the single 7-limit consonance found in 5edt.
Harmonics
Approximation of harmonics in 5edt
| Harmonic
|
2
|
3
|
4
|
5
|
6
|
7
|
8
|
9
|
10
|
11
|
12
|
13
|
14
|
15
|
16
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| Error
|
Absolute (¢)
|
-59
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+0
|
-118
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-124
|
-59
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+55
|
-176
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+0
|
-182
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+33
|
-118
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+124
|
-4
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-124
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+145
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| Relative (%)
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-15.5
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+0.0
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-30.9
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-32.5
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-15.5
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+14.4
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-46.4
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+0.0
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-48.0
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+8.7
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-30.9
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+32.6
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-1.1
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-32.5
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+38.1
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Steps
(reduced)
|
3
(3)
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5
(0)
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6
(1)
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7
(2)
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8
(3)
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9
(4)
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9
(4)
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10
(0)
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10
(0)
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11
(1)
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11
(1)
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12
(2)
|
12
(2)
|
12
(2)
|
13
(3)
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Subsets and supersets
5edt is the 3rd prime edt, after 3edt and before 7edt.
Intervals
| #
|
Cents
|
Hekts
|
Approximate ratios
|
| 0
|
0
|
0
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1/1
|
| 1
|
380
|
260
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5/4
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| 2
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761
|
520
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14/9
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| 3
|
1141
|
780
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27/14
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| 4
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1522
|
1040
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12/5
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| 5
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1902
|
1300
|
3/1
|