49ed6: Difference between revisions

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{{Infobox ET}}
{{Infobox ET}}
'''[[Ed6|Division of the sixth harmonic]] into 49 equal parts''' (49ED6) is very nearly identical to [[19edo|19 EDO]], but with the [[6/1]] rather than the 2/1 being just. It is extremely close to the [[The Riemann zeta function and tuning|zeta peak]] near 19, thus minimizing relative error as much as possible. Because 19edo itself is a flat-tending system, stretching the octave improves the overall tuning accuracy.
{{ED intro}}


The fifth is ~ 696.36 cents; about 1/4 of a cent flatter than the fifth of quarter-comma meantone, or half a cent flatter than the fifth of [[31edo|31edo]]. The fourth is less accurate than in 19edo, and is close in size to a [[Flattone|flattone]] fourth.
== Theory ==
49ed6 is very nearly identical to [[19edo]], but with the [[6/1]] rather than the 2/1 being just. It is extremely close to the [[The Riemann zeta function and tuning|zeta peak]] near 19, thus minimizing relative error as much as possible. Because 19edo itself is a flat-tending system, stretching the octave improves the overall tuning accuracy.


Minor thirds are still excellent, only slightly less accurate than they are in standard 19edo.
The fifth is ~696.36 cents; about 1/4 of a cent flatter than the fifth of quarter-comma meantone, or half a cent flatter than the fifth of [[31edo]]. The fourth is less accurate than in 19edo, and is close in size to a [[flattone]] fourth. Minor thirds are still excellent, only slightly less accurate than they are in standard 19edo.


Usable prime harmonics include the 3:1 (about 3 cents flat), the 5:1 (about a cent flat), and the 7:1 and 13:1 (around 12 and 9 cents flat, respectively). The 7:1 and 13:1 in particular are much improved; with pure octaves they are too far out of tune to be usable for most, but the situation changes with the stretched version.
Usable prime harmonics include the [[3/1|3]] (about 3 cents flat), the [[5/1|5]] (about a cent flat), the [[7/1|7]] (about 14 cents flat) and the [[13/1|13]] (about 9 cents flat). The 7 and 13 in particular are much improved; with pure octaves they are too far out of tune to be usable for most, but the situation changes with the stretched version.


Other variants (which stretch the octave slightly more, but the differences are probably imperceptible) are 44ed5 and 93ed30. The latter of the two optimizes the accuracy of the 1:5:6 triad, since the 5 is as flat as the 6 is sharp.
Other variants (which stretch the octave slightly more, but the differences are probably imperceptible) are [[44ed5]] and [[93ed30]]. The latter of the two optimizes the accuracy of the 1:5:6 triad, since the 5 is as flat as the 6 is sharp.


Tunings in this range are a promising option for stiff-stringed instruments since they have stretched partials, and the most noticeable partial is the 2nd; thus, a piano tuned to have beatless octaves will actually have them around 1203 cents or so (depending on string length), which coincidentally is very close to what the zeta-optimal stretched version of 19edo has.  
Tunings in this range are a promising option for stiff-stringed instruments since they have stretched partials, and the most noticeable partial is the 2nd; thus, a piano tuned to have beatless octaves will actually have them around 1203 cents or so (depending on string length), which coincidentally is very close to what the zeta-optimal stretched version of 19edo has.  
=== Harmonics ===
{{Harmonics in equal|49|6|1}}
{{Harmonics in equal|49|6|1|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 49ed6 (continued)}}


== Intervals ==
== Intervals ==
{{Interval table}}
{{Interval table}}
== Harmonics ==
{{Harmonics in equal
| steps = 49
| num = 6
| denom = 1
}}
{{Harmonics in equal
| steps = 49
| num = 6
| denom = 1
| start = 12
| collapsed = 1
}}


[[Category:19edo]]
[[Category:19edo]]
[[Category:Godzilla]]
[[Category:Godzilla]]
[[Category:Meantone]]
[[Category:Meantone]]

Revision as of 12:05, 23 January 2025

← 48ed6 49ed6 50ed6 →
Prime factorization 72
Step size 63.3052 ¢ 
Octave 19\49ed6 (1202.8 ¢)
Twelfth 30\49ed6 (1899.16 ¢)
Consistency limit 10
Distinct consistency limit 7

49 equal divisions of the 6th harmonic (abbreviated 49ed6) is a nonoctave tuning system that divides the interval of 6/1 into 49 equal parts of about 63.3 ¢ each. Each step represents a frequency ratio of 61/49, or the 49th root of 6.

Theory

49ed6 is very nearly identical to 19edo, but with the 6/1 rather than the 2/1 being just. It is extremely close to the zeta peak near 19, thus minimizing relative error as much as possible. Because 19edo itself is a flat-tending system, stretching the octave improves the overall tuning accuracy.

The fifth is ~696.36 cents; about 1/4 of a cent flatter than the fifth of quarter-comma meantone, or half a cent flatter than the fifth of 31edo. The fourth is less accurate than in 19edo, and is close in size to a flattone fourth. Minor thirds are still excellent, only slightly less accurate than they are in standard 19edo.

Usable prime harmonics include the 3 (about 3 cents flat), the 5 (about a cent flat), the 7 (about 14 cents flat) and the 13 (about 9 cents flat). The 7 and 13 in particular are much improved; with pure octaves they are too far out of tune to be usable for most, but the situation changes with the stretched version.

Other variants (which stretch the octave slightly more, but the differences are probably imperceptible) are 44ed5 and 93ed30. The latter of the two optimizes the accuracy of the 1:5:6 triad, since the 5 is as flat as the 6 is sharp.

Tunings in this range are a promising option for stiff-stringed instruments since they have stretched partials, and the most noticeable partial is the 2nd; thus, a piano tuned to have beatless octaves will actually have them around 1203 cents or so (depending on string length), which coincidentally is very close to what the zeta-optimal stretched version of 19edo has.

Harmonics

Approximation of harmonics in 49ed6
Harmonic 2 3 4 5 6 7 8 9 10 11 12
Error Absolute (¢) +2.8 -2.8 +5.6 -0.9 +0.0 -13.7 +8.4 -5.6 +1.9 +26.8 +2.8
Relative (%) +4.4 -4.4 +8.8 -1.4 +0.0 -21.6 +13.3 -8.8 +3.0 +42.4 +4.4
Steps
(reduced)
19
(19)
30
(30)
38
(38)
44
(44)
49
(0)
53
(4)
57
(8)
60
(11)
63
(14)
66
(17)
68
(19)
Approximation of harmonics in 49ed6 (continued)
Harmonic 13 14 15 16 17 18 19 20 21 22 23 24
Error Absolute (¢) -9.2 -10.9 -3.7 +11.2 -30.5 -2.8 +30.2 +4.7 -16.4 +29.6 +16.0 +5.6
Relative (%) -14.5 -17.1 -5.8 +17.7 -48.1 -4.4 +47.7 +7.4 -26.0 +46.8 +25.2 +8.8
Steps
(reduced)
70
(21)
72
(23)
74
(25)
76
(27)
77
(28)
79
(30)
81
(32)
82
(33)
83
(34)
85
(36)
86
(37)
87
(38)

Intervals

Steps Cents Approximate ratios
0 0 1/1
1 63.3 26/25, 27/26, 28/27, 29/28, 30/29
2 126.6 14/13, 29/27
3 189.9 29/26
4 253.2 15/13, 22/19, 29/25
5 316.5 6/5
6 379.8
7 443.1 31/24
8 506.4
9 569.7 25/18, 32/23
10 633.1 13/9, 23/16
11 696.4 3/2
12 759.7 14/9, 31/20
13 823 29/18
14 886.3 5/3
15 949.6 19/11, 26/15
16 1012.9 9/5
17 1076.2 13/7, 28/15
18 1139.5 27/14, 29/15, 31/16
19 1202.8 2/1
20 1266.1 25/12, 27/13, 29/14
21 1329.4 28/13
22 1392.7 29/13
23 1456
24 1519.3 12/5
25 1582.6 5/2
26 1645.9 31/12
27 1709.2
28 1772.5 25/9
29 1835.9 26/9
30 1899.2 3/1
31 1962.5 28/9, 31/10
32 2025.8 29/9
33 2089.1 10/3
34 2152.4
35 2215.7 18/5
36 2279
37 2342.3 27/7, 31/8
38 2405.6 4/1
39 2468.9 25/6
40 2532.2
41 2595.5
42 2658.8
43 2722.1 29/6
44 2785.4 5/1
45 2848.7 26/5, 31/6
46 2912
47 2975.3
48 3038.6 29/5
49 3102 6/1