Lumatone mapping for 53edo
There are many conceivable ways to map 53edo onto the onto the Lumatone keyboard. Only one, however, agrees with the Standard Lumatone mapping for Pythagorean. This is "Preset 9 — 53-ET Bosanquet" in the official Lumatone manual.
2
11
6
15
24
33
42
1
10
19
28
37
46
2
11
5
14
23
32
41
50
6
15
24
33
42
0
9
18
27
36
45
1
10
19
28
37
46
2
11
4
13
22
31
40
49
5
14
23
32
41
50
6
15
24
33
42
52
8
17
26
35
44
0
9
18
27
36
45
1
10
19
28
37
46
2
11
3
12
21
30
39
48
4
13
22
31
40
49
5
14
23
32
41
50
6
15
24
33
42
51
7
16
25
34
43
52
8
17
26
35
44
0
9
18
27
36
45
1
10
19
28
37
46
2
11
11
20
29
38
47
3
12
21
30
39
48
4
13
22
31
40
49
5
14
23
32
41
50
6
15
24
33
42
33
42
51
7
16
25
34
43
52
8
17
26
35
44
0
9
18
27
36
45
1
10
19
28
37
46
11
20
29
38
47
3
12
21
30
39
48
4
13
22
31
40
49
5
14
23
32
41
50
33
42
51
7
16
25
34
43
52
8
17
26
35
44
0
9
18
27
36
45
11
20
29
38
47
3
12
21
30
39
48
4
13
22
31
40
49
33
42
51
7
16
25
34
43
52
8
17
26
35
44
11
20
29
38
47
3
12
21
30
39
48
33
42
51
7
16
25
34
43
11
20
29
38
47
33
42
Since 53edo is a schismatic tuning, the best approximation to the 5th harmonic is the diminished fourth. The Hanson mapping makes playing familiar 5-limit chords easier, but the 4L 3s mapping does not quite span the full gamut.
5
16
8
19
30
41
52
0
11
22
33
44
2
13
24
3
14
25
36
47
5
16
27
38
49
7
48
6
17
28
39
50
8
19
30
41
52
10
21
32
51
9
20
31
42
0
11
22
33
44
2
13
24
35
46
4
15
43
1
12
23
34
45
3
14
25
36
47
5
16
27
38
49
7
18
29
40
46
4
15
26
37
48
6
17
28
39
50
8
19
30
41
52
10
21
32
43
1
12
23
38
49
7
18
29
40
51
9
20
31
42
0
11
22
33
44
2
13
24
35
46
4
15
26
37
48
52
10
21
32
43
1
12
23
34
45
3
14
25
36
47
5
16
27
38
49
7
18
29
40
51
9
20
31
24
35
46
4
15
26
37
48
6
17
28
39
50
8
19
30
41
52
10
21
32
43
1
12
23
34
7
18
29
40
51
9
20
31
42
0
11
22
33
44
2
13
24
35
46
4
15
26
37
32
43
1
12
23
34
45
3
14
25
36
47
5
16
27
38
49
7
18
29
15
26
37
48
6
17
28
39
50
8
19
30
41
52
10
21
32
40
51
9
20
31
42
0
11
22
33
44
2
13
24
23
34
45
3
14
25
36
47
5
16
27
48
6
17
28
39
50
8
19
31
42
0
11
22
3
14
The expanded 4L 7s mapping fixed this problem and covers the entire gamut, but puts octaves all over the place.
6
14
9
17
25
33
41
4
12
20
28
36
44
52
7
7
15
23
31
39
47
2
10
18
26
34
2
10
18
26
34
42
50
5
13
21
29
37
45
0
5
13
21
29
37
45
0
8
16
24
32
40
48
3
11
19
27
0
8
16
24
32
40
48
3
11
19
27
35
43
51
6
14
22
30
38
46
3
11
19
27
35
43
51
6
14
22
30
38
46
1
9
17
25
33
41
49
4
12
20
51
6
14
22
30
38
46
1
9
17
25
33
41
49
4
12
20
28
36
44
52
7
15
23
31
39
9
17
25
33
41
49
4
12
20
28
36
44
52
7
15
23
31
39
47
2
10
18
26
34
42
50
5
13
28
36
44
52
7
15
23
31
39
47
2
10
18
26
34
42
50
5
13
21
29
37
45
0
8
16
2
10
18
26
34
42
50
5
13
21
29
37
45
0
8
16
24
32
40
48
3
11
19
21
29
37
45
0
8
16
24
32
40
48
3
11
19
27
35
43
51
6
14
48
3
11
19
27
35
43
51
6
14
22
30
38
46
1
9
17
14
22
30
38
46
1
9
17
25
33
41
49
4
12
41
49
4
12
20
28
36
44
52
7
15
7
15
23
31
39
47
2
10
34
42
50
5
13
0
8
For easy access to single step movements and both the third and seventh harmonics, the buzzard mapping is quite effective.
8
18
9
19
29
39
49
0
10
20
30
40
50
7
17
1
11
21
31
41
51
8
18
28
38
48
45
2
12
22
32
42
52
9
19
29
39
49
6
16
46
3
13
23
33
43
0
10
20
30
40
50
7
17
27
37
47
37
47
4
14
24
34
44
1
11
21
31
41
51
8
18
28
38
48
5
15
38
48
5
15
25
35
45
2
12
22
32
42
52
9
19
29
39
49
6
16
26
36
46
29
39
49
6
16
26
36
46
3
13
23
33
43
0
10
20
30
40
50
7
17
27
37
47
4
14
40
50
7
17
27
37
47
4
14
24
34
44
1
11
21
31
41
51
8
18
28
38
48
5
15
25
35
45
8
18
28
38
48
5
15
25
35
45
2
12
22
32
42
52
9
19
29
39
49
6
16
26
36
46
39
49
6
16
26
36
46
3
13
23
33
43
0
10
20
30
40
50
7
17
27
37
47
7
17
27
37
47
4
14
24
34
44
1
11
21
31
41
51
8
18
28
38
38
48
5
15
25
35
45
2
12
22
32
42
52
9
19
29
39
6
16
26
36
46
3
13
23
33
43
0
10
20
30
37
47
4
14
24
34
44
1
11
21
31
5
15
25
35
45
2
12
22
36
46
3
13
23
4
14