91edo

Revision as of 21:13, 2 November 2022 by Eliora (talk | contribs) (Scales: name it subset because the concoctic scale is only the 27 tone scale)

The 91 equal divisions of the octave (91edo), or 91-tone equal temperament (91tet, 91et) when viewed from a regular temperament perspective, divides the octave into 91 parts of 13.187 cents each.

← 90edo 91edo 92edo →
Prime factorization 7 × 13
Step size 13.1868 ¢ 
Fifth 53\91 (698.901 ¢)
Semitones (A1:m2) 7:8 (92.31 ¢ : 105.5 ¢)
Consistency limit 9
Distinct consistency limit 9

91 is the smallest composite number whose composite character is not immediately evident in the decimal system; it is, in fact, the product of 7 and 13. From an aesthetic standpoint, the factoring of 91 represents a kind of "yin-yang" since historically, the number 7 symbolizes luck and 13 misfortune.

Theory

The 3, 5 and 7 for 91 are on the flat side, making this a mostly flat system. It provides the optimal patent val for 11- and 13-limit septimin temperament, and the 13-limit rank three tripod temperament, as well as the 11-limit rank four temperament tempering out 245/242 and the 13-limit rank five temperament tempering out 105/104, or rank four tempering out 105/104 and 144/143, or else 105/104 and 196/195 and hence 225/224 also. It tempers out 15625/15552 in the 5-limit, 225/224 and 4375/4374 in the 7-limit, 245/242, 385/384 in the 11-limit, and 105/104, 144/143, 196/195 in the 13-limit.

Using the 91c val, it is audibly indistinguishable from a closed system of 1/7 comma meantone, with a 5th only 0.018 cents sharper. The chromatic semitone in this scale also corresponds to 135/128, the eigenmonzo of 1/7 comma meantone, both being 7 steps.

91edo tempers out the devil's tridecalimma, which equates as stack of 13 10/9s with two octaves. In addition, it tempers out the 5-limit tridecalimma which equates a stack of 13 135/128s with the octave. It also supports the trideci temperament, which in the 7-limit tempers out 4375/4374 and 83349/81920.

It is the second highest it a series of four consecutive edos that temper out quartisma ([24 -6 0 1 -5). 33/32 is quite close to 4 steps of 91edo, and when used as a generator, produces 68 & 91 temperament with the comma basis 385/384, 6250/6237, 67228/66825. Eliora proposes the name quartkeenlig for this temperament, as it tempers out the quartisma by virtue of 5 33/32 being with 7/6, keenanisma (385/384), and liganellus comma (6250/6237). It can also act as a stretched 23edo.

The concoctic scale for 91edo is 27 steps, where two concoctic neutral thirds make a sharp 91b val fifth of 54\91. From a regular temperament theory perspective, there is more than one way to interpret this, as they're all harmonically not very precise. First, in the 13-limit, is to assume that 27\91 is directly equivalent to 16/13 and set a temperament in the 2.3.5.7.16/13 subgroup, which produces a 27 & 91b temperament with the comma basis 91/90, 6272/6075, [84 13 11 -10. Second is to directly take the 27 & 91b val in the 13-limit, which can also be taken using the 27e & 91b.

91edo supports a variant of semaphore temperament which tempers out the 4613015762523/4398046511104 comma in the 2.3.7 subgroup, and is produced by a 19\91 generator.

Odd harmonics

Approximation of odd harmonics in 91edo
Harmonic 3 5 7 9 11 13 15 17 19 21 23
Error Absolute (¢) -3.05 -3.90 -6.19 -6.11 +2.53 +3.43 +6.24 +0.54 +5.78 +3.94 +4.69
Relative (%) -23.2 -29.5 -46.9 -46.3 +19.2 +26.0 +47.3 +4.1 +43.9 +29.9 +35.6
Steps
(reduced)
144
(53)
211
(29)
255
(73)
288
(15)
315
(42)
337
(64)
356
(83)
372
(8)
387
(23)
400
(36)
412
(48)

Regular temperament properties

Subgroup Comma list Mapping Optimal
8ve stretch (¢)
Tuning error
Absolute (¢) Relative (%)
2.3 [-144 91 [91 144]] +0.963 0.964 7.31
2.3.5 15625/15552, 43046721/41943040 [91 144 211]] +1.202 0.857 6.49
2.3.5.7 225/224, 4375/4374, 50421/50000 [91 144 211 255]] +1.453 0.860 6.51

Rank-2 temperaments

Periods
per Octave
Generator
(Reduced)
Cents
(Reduced)
Associated
Ratio
Temperaments
1 2\91 26.37 49/48 Sfourth
1 4\91 52.75 33/32 Quartkeenlig
1 19\91 250.55 1240029/1048576 Semaphore (24 & 91 variant) †
1 20\91 263.74 7/6 Septimin
1 24\91 316.48 6/5 Catakleismic
1 33\91 435.16 9/7 Supermajor
1 34\91 448.35 35/27 Semidimfourth
1 44\91 580.22 7/5 Tritonic
7 38\91
(1\91)
501.10
(13.19)
4/3
(81/80)
Absurdity
13 53\91
(4\91)
700.382
(52.74)
3/2
(36/35)
Trideci

† derived from scales in the Scales section, official name not decided upon yet.

Intervals

Eliora, who believes the diatonic way of naming intervals in 91edo is not useful due to the fact that other temperaments and techniques for 91edo are more prominent, proposes a way of naming that merges the factors 7 and 13 - 7 equidistant notes are named do, re, mi, and 13 are named by some other virtue. The proposition is to use Old Slavic letter names, since no one uses them for naming or in mathematics. The 7 + 13 naming convention can be called a duality notation. Intervals can be named through Latin ones for the 7-note scale, and Greek ones for the 13-note.

Table of intervals in 91edo
# Eliora's Naming System Eliora's Notation Associated Ratio
0 unison
perfect prime
perfect prota
A
Az (А)
1/1
1 major prime
major prota
A#
Az#
1728/1715
2 augmented prota Az##
3 biaugmented prota Az###
4 bidiminished deiteria Buki♭♭♭ 33/32
5 diminished deiteria Buki♭♭
6 minor deiteria Buki♭
7 neutral deiteria Buki (Б) 135/128
8 major deiteria Buki#
9 augmented deiteria Buki##
10 biaugmented deiteria Buki###
11 bidiminished tritia Vedi♭♭♭ 13/12, 12/11
12 diminished tritia Vedi♭♭
13 neutral secunde
minor tritia
B
Vedi♭
11/10
14 neural tritia Vedi (В) 10/9
15 major tritia Vedi# 9/8
16 augmented tritia Vedi##
17 biaugmented tritia Vedi###
18 bidiminished tesseria Glagol♭♭♭ 8/7
19 diminished tesseria Glagol♭♭
20 minor tesseria Glagol♭ 7/6
21 neutral tesseria Glagol (Г)
22 major tesseria Glagol# 13/11
23 augmented tesseria Glagol##
24 biaugmented tesseria Glagol### 6/5
25 bidiminished pemptia Dobro♭♭♭
26 neutral tertie
diminished pemptia
C
Dobro♭♭
11/9
27 major tertie
minor pemptia
C#
Dobro♭
16/13, 27/22
28 neutral pemptia Dobro (Д)
29 major pemptia Dobro# 5/4
30 augmented pemptia Dobro##
31 biaugmented pemptia Dobro###
32 bidiminished hektia Yest♭♭♭ 14/11
33 diminished hektia Yest♭♭ 9/7
34 minor hektia Yest♭
35 neutral hektia Yest (Е)
36 major hektia Yest#
37 augmented hektia Yest##
38 biaugmented hektia Yest### 4/3
39 neutral quarte
bidiminished hebdomia
D
Zhivete♭♭♭
40 diminished hebdomia Zhivete♭♭
41 minor hebdomia Zhivete♭
42 neutral hebdomia Zhivete (Ж) 11/8
43 major hebdomia Zhivete#
44 augmented hebdomia Zhivete## 7/5
45 biaugmented hebdomia Zhivete###
46 bidiminished ogdonia Dzelo♭♭♭
47 diminished ogdonia Dzelo♭♭ 10/7
48 minor ogdonia Dzelo♭
49 neutral ogdonia Dzelo (Ѕ)
52 neutral quinte E 121/81
53 major quinte E# 3/2
54 augmented quinte
diminished ennatia
E##
Zemle♭♭
256/169
55 minor ennatia Zemle♭
56 neutral ennatia Zemle (З)
63 neutral decatia Izhe (И)
64 major decatia
minor sexte
Izhe#
F♭
65 neutral sexte F
70 neutral hendecatia Jerve (Ђ)
77 neutral dodecatia Kako (К)
78 neutral septime G
84 neutral decatotritia Ludi (Л)
91 perfect octave
perfect decatotetartia
A
Az (А)
2/1 exact

Scales

  • Semaphore5: 19 15 19 19 19
  • Semaphore9: 15 4 15 4 15 4 15 15 4
  • Semaphore14: 4 11 4 4 11 4 4 11 4 11 4 4 11 4
  • NaiveMajor[7]: 13 16 10 13 16 13 10
  • NaiveMinor[7]: 13 10 16 13 10 13 16
  • Septimin[9]: 11 9 11 9 11 9 11 9 11
  • SeptiminHijaz[9]: 5 15 11 9 11 9 5 15 11
  • Meantone[12]: 878787887878
  • NaiveOrwell[13]: 5795797597579
  • ArabicNaiveOrwell[13]: 1 11 9 5 1 15 7 5 9 7 1 11 9
  • HungarianNaiveSurorwell[13]: 7 7 8 6 11 5 5 7 10 4 4 13 4
  • Quartkeenlig[23]: 44444444444444444444443
  • ConcocticSubset[7]: 17 10 17 10 17 10 17
  • ConcocticMaqamSikah: 10 17 17 10 10 17 10

Music