Octave (interval region)

This page is about the interval region. For the octave as a just ratio, see 2/1.

This page is a work-in-progress.

An octave is an interval that is approximately 1200 cents in size. While a rough tuning range for octaves is sharper than 1140 cents, the term "octave" tends to imply a function within music that only works with intervals that are exactly (or almost exactly) 1200 cents.

The aforementioned function is as the interval of equivalence, because tones separated by an octave are perceived to have the same or similar pitch class to the average human listener. The reason for this phenomenon is probably due to the strong region of attraction of low harmonic entropy, or the strong amplitude of the second harmonic in most harmonic instruments. As such, it is common practice to "octave-reduce" intervals so that they lie within the octave.

Because of that, this page only covers intervals of 1200 cents and flatter, as sharper intervals octave-reduce to commas and dieses.

In just intonation

The only "perfect" octave is the interval 2/1, which can be stacked to produce all other 2-limit intervals. It is 1200 cents in size, by definition. However, various "out-of-tune" octaves exist, usually flat or sharp of an octave by a small interval such as a comma.

Several notable ones are:

• TBD

In tempered scales

As the just octave of 2/1 is the interval being equally divided in EDOs, it is represented perfectly in all of them. The following table lists other octave-sized intervals (> 1140 cents) that exist in various significant EDOs.

EDO	Suboctaves
22	TBD
24
25
26
27
29
31
34
41
53

2/1 is also represented perfectly in most temperaments, or the most common tunings thereof, and is mainly involved in octave-reducing intervals (such as saying that, in meantone, four 3/2s (octave-reduced) stack to 5/4).