Equivalence: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
No edit summary
Fredg999 (talk | contribs)
m Added 1 See also link, misc. edits
Line 1: Line 1:
This is the phenomenon of psycho-acoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the height of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain.
'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the height of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain.


[[category:stub]]
== See also ==
* [[Equave]]
 
[[Category:Stub]]

Revision as of 15:34, 26 July 2022

Equivalence is the phenomenon of psychoacoustics that two notes an octave apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the height of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain.

See also