112edo: Difference between revisions
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'''112EDO''' has two great perfect fifths, the lower of which approximates 1/4-comma meantone (just a tad lower), and the upper of which is identical to the perfect fifth of [[56edo]], a great inverse gentle fifth where +5 fifths gives a near-just [[28/27|28:27]] while -8 fifths gives a near-just [[39/32|32:39]] (identical to 2 degrees of [[7edo]]) and +9 fifths gives a close approximation to [[21/17|17:21]]. | '''112EDO''' has two great perfect fifths, the lower of which approximates 1/4-comma meantone (just a tad lower), and the upper of which- the [[patent fifth]]- is identical to the perfect fifth of [[56edo]], a great inverse gentle fifth where +5 fifths gives a near-just [[28/27|28:27]] while -8 fifths gives a near-just [[39/32|32:39]] (identical to 2 degrees of [[7edo]]) and +9 fifths gives a close approximation to [[21/17|17:21]]. | ||
One can form a 17-tone circle by taking 15 large fifths and 2 small fifths, as above, which gives some nice interval shadings a wee bit different from [[17edo]], but sharing a similar structure. | One can form a 17-tone circle by taking 15 large fifths and 2 small fifths, as above, which gives some nice interval shadings a wee bit different from [[17edo]], but sharing a similar structure. |
Revision as of 04:45, 19 January 2021
112EDO has two great perfect fifths, the lower of which approximates 1/4-comma meantone (just a tad lower), and the upper of which- the patent fifth- is identical to the perfect fifth of 56edo, a great inverse gentle fifth where +5 fifths gives a near-just 28:27 while -8 fifths gives a near-just 32:39 (identical to 2 degrees of 7edo) and +9 fifths gives a close approximation to 17:21.
One can form a 17-tone circle by taking 15 large fifths and 2 small fifths, as above, which gives some nice interval shadings a wee bit different from 17edo, but sharing a similar structure.