112edo: Difference between revisions
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* [https://soundcloud.com/camtaylor-1/17_112edo-circulating-2371113-floaty-piano-improv Circulating 2.3.7.11.13 Floaty Piano Improv] by [[Cam Taylor]] | * [https://soundcloud.com/camtaylor-1/17_112edo-circulating-2371113-floaty-piano-improv Circulating 2.3.7.11.13 Floaty Piano Improv] by [[Cam Taylor]] | ||
[[Category: | [[Category:Equal divisions of the octave]] | ||
[[Category:what_is]] | [[Category:what_is]] | ||
[[Category:wiki]] | [[Category:wiki]] | ||
Revision as of 23:13, 4 December 2020
112EDO has two great perfect fifths, the lower of which approximates 1/4-comma meantone (just a tad lower), and the upper of which is identical to the perfect fifth of 56edo, a great inverse gentle fifth where +5 fifths gives a near-just 28:27 while -8 fifths gives a near-just 32:39 (identical to 2 degrees of 7edo) and +9 fifths gives a close approximation to 17:21.
One can form a 17-tone circle by taking 15 large fifths and 2 small fifths, as above, which gives some nice interval shadings a wee bit different from 17edo, but sharing a similar structure.