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Superparticular numbers are ratios of the form (n+1)/n, or 1+1/n, where n is a whole number greater than 0. In ancient Greece they were known as Epimoric (επιμοριοσ, epimorios) ratios, which is literally translated as "above a part."
'''Superparticular''' numbers are ratios of the form (n+1)/n, or 1+1/n, where n is a whole number greater than 0. In ancient Greece they were known as Epimoric (επιμοριοσ, epimorios) ratios, which is literally translated as "above a part."


These ratios have some peculiar properties:
These ratios have some peculiar properties:


<ul><li>The difference tone of the dyad is also the virtual fundamental.</li><li>The first 6 such ratios ([[3/2|3/2]], [[4/3|4/3]], [[5/4|5/4]], [[6/5|6/5]], [[7/6|7/6]], [[8/7|8/7]]) are notable [[Harmonic_Entropy|harmonic entropy]] minima.</li><li>The difference (i.e. quotient) between two successive epimoric ratios is always an epimoric ratio.</li><li>The sum (i.e. product) of two successive epimoric ratios is either an epimoric ratio or an [[Superpartient|epimeric ratio]].</li><li>Every epimoric ratio can be split into the product of two epimoric ratios. One way is via the identity 1+1/n = (1+1/(2n))*(1+1/(2n+1)), but more than one such splitting method may exist.</li><li>If a/b and c/d are Farey neighbors, that is if a/b &lt; c/d and bc - ad = 1, then (c/d)/(a/b) = bc/ad is epimoric.</li></ul>
* The difference tone of the dyad is also the virtual fundamental.
* The first 6 such ratios ([[3/2]], [[4/3]], [[5/4]], [[6/5]], [[7/6]], [[8/7]]) are notable [[Harmonic Entropy|harmonic entropy]] minima.
* The difference (i.e. quotient) between two successive epimoric ratios is always an epimoric ratio.
* The sum (i.e. product) of two successive epimoric ratios is either an epimoric ratio or an [[Superpartient|epimeric ratio]].
* Every epimoric ratio can be split into the product of two epimoric ratios. One way is via the identity 1+1/n = (1+1/(2n))*(1+1/(2n+1)), but more than one such splitting method may exist.
* If a/b and c/d are Farey neighbors, that is if a/b &lt; c/d and bc - ad = 1, then (c/d)/(a/b) = bc/ad is epimoric.


Curiously enough, the ancient Greeks did not consider 2/1 to be superparticular because it is a [[Harmonic|multiple of the fundamental]] (the same rule applies to all natural harmonics in the Greek system).
Curiously enough, the ancient Greeks did not consider 2/1 to be superparticular because it is a [[Harmonic|multiple of the fundamental]] (the same rule applies to all natural harmonics in the Greek system).


See: [[List_of_Superparticular_Intervals|List of Superparticular Intervals]] and the Wikipedia page for [http://en.wikipedia.org/wiki/Superparticular_number Superparticular number].
== See also ==
[[Category:epimoric]]
* [[List of Superparticular Intervals]]
[[Category:greek]]
* [http://en.wikipedia.org/wiki/Superparticular_number Superparticular number - Wikipedia].
[[Category:ratio]]
 
[[Category:superparticular]]
[[Category:Term]]
[[Category:Epimoric]]
[[Category:Greek]]
[[Category:Ratio]]
[[Category:Superparticular| ]] <!-- main article -->

Revision as of 17:16, 23 October 2018

Superparticular numbers are ratios of the form (n+1)/n, or 1+1/n, where n is a whole number greater than 0. In ancient Greece they were known as Epimoric (επιμοριοσ, epimorios) ratios, which is literally translated as "above a part."

These ratios have some peculiar properties:

  • The difference tone of the dyad is also the virtual fundamental.
  • The first 6 such ratios (3/2, 4/3, 5/4, 6/5, 7/6, 8/7) are notable harmonic entropy minima.
  • The difference (i.e. quotient) between two successive epimoric ratios is always an epimoric ratio.
  • The sum (i.e. product) of two successive epimoric ratios is either an epimoric ratio or an epimeric ratio.
  • Every epimoric ratio can be split into the product of two epimoric ratios. One way is via the identity 1+1/n = (1+1/(2n))*(1+1/(2n+1)), but more than one such splitting method may exist.
  • If a/b and c/d are Farey neighbors, that is if a/b < c/d and bc - ad = 1, then (c/d)/(a/b) = bc/ad is epimoric.

Curiously enough, the ancient Greeks did not consider 2/1 to be superparticular because it is a multiple of the fundamental (the same rule applies to all natural harmonics in the Greek system).

See also