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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<span style="display: block; text-align: right;">[[:de:Semiphor,_Semaphor,_Godzilla Deutsch]]</span>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2017-04-04 04:46:43 UTC</tt>.<br>
: The original revision id was <tt>610203435</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="display: block; text-align: right;"&gt;[[xenharmonie/Semiphor, Semaphor, Godzilla|Deutsch]]
&lt;/span&gt;
Semaphore, of the [[Semiphore family]], is characterized by the vanishing of [[49_48|49/48]], so the generator represents [[8_7|8/7]] and [[7_6|7/6]] equally. This results in a very low [[complexity]] 2.3.7 [[temperament]], with the drawback that most intervals of 7 must be out of tune by at least half of the comma 49/48, or about 18 [[cent]]s. Semaphore is a play on the words "semi-" and "fourth."


If 5 is mapped at all, it can be sensibly mapped to -8 [[generator]]s by [[tempering out]] [[81_80|81/80]], making it a [[Meantone family#Godzilla|meantone temperament]]. This temperament is called [[Meantone family#Godzilla|godzilla]].
Semaphore, of the [[Semiphore_family|Semiphore family]], is characterized by the vanishing of [[49/48|49/48]], so the generator represents [[8/7|8/7]] and [[7/6|7/6]] equally. This results in a very low [[complexity|complexity]] 2.3.7 [[temperament|temperament]], with the drawback that most intervals of 7 must be out of tune by at least half of the comma 49/48, or about 18 [[cent|cent]]s. Semaphore is a play on the words "semi-" and "fourth."


==Interval chains==
If 5 is mapped at all, it can be sensibly mapped to -8 [[generator|generator]]s by [[tempering_out|tempering out]] [[81/80|81/80]], making it a [[Meantone_family#Godzilla|meantone temperament]]. This temperament is called [[Meantone_family#Godzilla|godzilla]].
===Semaphore===
|| 198.46 || 448.85 || 699.23 || 949.62 || 0 || 250.38 || 500.77 || 751.15 || 1001.54 ||
|| [[9_8|9/8]] || [[9_7|9/7]] || [[3_2|3/2]] || 12/7~7/4 || [[1_1|1/1]] || 8/7~7/6 || [[4_3|4/3]] || [[14_9|14/9]] || [[16_9|16/9]] ||
===Godzilla===
|| 378.92 || 631.56 || 884.19 || 1136.83 || 189.46 || 442.10 || 694.73 || 947.37 || 0 || 252.63 || 505.27 || 757.90 || 1010.54 || 63.17 || 315.81 || 568.44 || 821.08 ||
|| [[5_4|5/4]] || [[10_7|10/7]] || [[5_3|5/3]] || 27/14 || 10/9~9/8 || 9/7 || 3/2 || 12/7~7/4 || 1/1 || 8/7~7/6 || 4/3 || 14/9 || 16/9~9/5 || 28/27~21/20 || [[6_5|6/5]] || [[7_5|7/5]] || [[8_5|8/5]] ||
==MOSes==
===5-note (proper)===
|| Small ("minor") interval || 198.46 || 448.85 || 699.23 || 949.62 ||
|| [[JI]] intervals represented || 9/8 || 9/7 || 3/2 || 12/7~7/4 ||
|| Large ("major") interval || 250.38 || 500.77 || 751.15 || 1001.54 ||
|| JI intervals represented || 8/7~7/6 || 4/3 || 14/9 || 16/9 ||
===9-note (improper)===
|| Small ("minor") interval || 63.17 || 252.63 || 315.81 || 505.27 || 568.44 || 757.90 || 821.08 || 1010.54 ||
|| JI intervals represented ||  || 8/7~7/6 || 6/5 || 4/3 || 7/5 || 14/9 || 8/5 || 16/9~9/5 ||
|| Large ("major") interval || 189.46 || 378.92 || 442.10 || 631.56 || 694.73 || 884.19 || 947.37 || 1136.83 ||
|| JI intervals represented || 10/9~9/8 || 5/4 || 9/7 || 10/7 || 3/2 || 5/3 || 12/7~7/4 ||  ||


In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:
==Interval chains==
 
===Semaphore===
 
{| class="wikitable"
|-
| | 198.46
| | 448.85
| | 699.23
| | 949.62
| | 0
| | 250.38
| | 500.77
| | 751.15
| | 1001.54
|-
| | [[9/8|9/8]]
| | [[9/7|9/7]]
| | [[3/2|3/2]]
| | 12/7~7/4
| | [[1/1|1/1]]
| | 8/7~7/6
| | [[4/3|4/3]]
| | [[14/9|14/9]]
| | [[16/9|16/9]]
|}
 
===Godzilla===


* Meantone pentatonic (5 3 5 3 3).
{| class="wikitable"
* Altered diatonic I (3 4 3 1 3 4 1)
|-
* Altered diatonic II (3 4 3 1 4 3 1)
| | 378.92
* Altered diatonic III (4 3 3 1 4 3 1)
| | 631.56
* Altered diatonic IV (3 3 4 1 3 4 1)
| | 884.19
| | 1136.83
| | 189.46
| | 442.10
| | 694.73
| | 947.37
| | 0
| | 252.63
| | 505.27
| | 757.90
| | 1010.54
| | 63.17
| | 315.81
| | 568.44
| | 821.08
|-
| | [[5/4|5/4]]
| | [[10/7|10/7]]
| | [[5/3|5/3]]
| | 27/14
| | 10/9~9/8
| | 9/7
| | 3/2
| | 12/7~7/4
| | 1/1
| | 8/7~7/6
| | 4/3
| | 14/9
| | 16/9~9/5
| | 28/27~21/20
| | [[6/5|6/5]]
| | [[7/5|7/5]]
| | [[8/5|8/5]]
|}


It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do.
==MOSes==


The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of [[17edo]], as both are improper and made up of whole-tones and third-tones.
===5-note (proper)===


Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a [[biome]] temperament. Godzilla[9] has only //one// each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).
{| class="wikitable"
|-
| | Small ("minor") interval
| | 198.46
| | 448.85
| | 699.23
| | 949.62
|-
| | [[JI|JI]] intervals represented
| | 9/8
| | 9/7
| | 3/2
| | 12/7~7/4
|-
| | Large ("major") interval
| | 250.38
| | 500.77
| | 751.15
| | 1001.54
|-
| | JI intervals represented
| | 8/7~7/6
| | 4/3
| | 14/9
| | 16/9
|}


=Music=  
===9-note (improper)===
[[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3|Só no Contratempo]] by [[https://soundcloud.com/lois-lancaster/s-no-contratempo|Roncevaux (Löis Lancaster)]]
[[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3|O que a gente quer]] by[[https://soundcloud.com/lois-lancaster/o-que-a-gente-quer-em-19-tet|Roncevaux]]</pre></div>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Semaphore and Godzilla&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="http://xenharmonie.wikispaces.com/Semiphor%2C%20Semaphor%2C%20Godzilla"&gt;Deutsch&lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
Semaphore, of the &lt;a class="wiki_link" href="/Semiphore%20family"&gt;Semiphore family&lt;/a&gt;, is characterized by the vanishing of &lt;a class="wiki_link" href="/49_48"&gt;49/48&lt;/a&gt;, so the generator represents &lt;a class="wiki_link" href="/8_7"&gt;8/7&lt;/a&gt; and &lt;a class="wiki_link" href="/7_6"&gt;7/6&lt;/a&gt; equally. This results in a very low &lt;a class="wiki_link" href="/complexity"&gt;complexity&lt;/a&gt; 2.3.7 &lt;a class="wiki_link" href="/temperament"&gt;temperament&lt;/a&gt;, with the drawback that most intervals of 7 must be out of tune by at least half of the comma 49/48, or about 18 &lt;a class="wiki_link" href="/cent"&gt;cent&lt;/a&gt;s. Semaphore is a play on the words &amp;quot;semi-&amp;quot; and &amp;quot;fourth.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
If 5 is mapped at all, it can be sensibly mapped to -8 &lt;a class="wiki_link" href="/generator"&gt;generator&lt;/a&gt;s by &lt;a class="wiki_link" href="/tempering%20out"&gt;tempering out&lt;/a&gt; &lt;a class="wiki_link" href="/81_80"&gt;81/80&lt;/a&gt;, making it a &lt;a class="wiki_link" href="/Meantone%20family#Godzilla"&gt;meantone temperament&lt;/a&gt;. This temperament is called &lt;a class="wiki_link" href="/Meantone%20family#Godzilla"&gt;godzilla&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Interval chains"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Interval chains&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc1"&gt;&lt;a name="x-Interval chains-Semaphore"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Semaphore&lt;/h3&gt;


&lt;table class="wiki_table"&gt;
{| class="wikitable"
    &lt;tr&gt;
|-
        &lt;td&gt;198.46&lt;br /&gt;
| | Small ("minor") interval
&lt;/td&gt;
| | 63.17
        &lt;td&gt;448.85&lt;br /&gt;
| | 252.63
&lt;/td&gt;
| | 315.81
        &lt;td&gt;699.23&lt;br /&gt;
| | 505.27
&lt;/td&gt;
| | 568.44
        &lt;td&gt;949.62&lt;br /&gt;
| | 757.90
&lt;/td&gt;
| | 821.08
        &lt;td&gt;0&lt;br /&gt;
| | 1010.54
&lt;/td&gt;
|-
        &lt;td&gt;250.38&lt;br /&gt;
| | JI intervals represented
&lt;/td&gt;
| |
        &lt;td&gt;500.77&lt;br /&gt;
| | 8/7~7/6
&lt;/td&gt;
| | 6/5
        &lt;td&gt;751.15&lt;br /&gt;
| | 4/3
&lt;/td&gt;
| | 7/5
        &lt;td&gt;1001.54&lt;br /&gt;
| | 14/9
&lt;/td&gt;
| | 8/5
    &lt;/tr&gt;
| | 16/9~9/5
    &lt;tr&gt;
|-
        &lt;td&gt;&lt;a class="wiki_link" href="/9_8"&gt;9/8&lt;/a&gt;&lt;br /&gt;
| | Large ("major") interval
&lt;/td&gt;
| | 189.46
        &lt;td&gt;&lt;a class="wiki_link" href="/9_7"&gt;9/7&lt;/a&gt;&lt;br /&gt;
| | 378.92
&lt;/td&gt;
| | 442.10
        &lt;td&gt;&lt;a class="wiki_link" href="/3_2"&gt;3/2&lt;/a&gt;&lt;br /&gt;
| | 631.56
&lt;/td&gt;
| | 694.73
        &lt;td&gt;12/7~7/4&lt;br /&gt;
| | 884.19
&lt;/td&gt;
| | 947.37
        &lt;td&gt;&lt;a class="wiki_link" href="/1_1"&gt;1/1&lt;/a&gt;&lt;br /&gt;
| | 1136.83
&lt;/td&gt;
|-
        &lt;td&gt;8/7~7/6&lt;br /&gt;
| | JI intervals represented
&lt;/td&gt;
| | 10/9~9/8
        &lt;td&gt;&lt;a class="wiki_link" href="/4_3"&gt;4/3&lt;/a&gt;&lt;br /&gt;
| | 5/4
&lt;/td&gt;
| | 9/7
        &lt;td&gt;&lt;a class="wiki_link" href="/14_9"&gt;14/9&lt;/a&gt;&lt;br /&gt;
| | 10/7
&lt;/td&gt;
| | 3/2
        &lt;td&gt;&lt;a class="wiki_link" href="/16_9"&gt;16/9&lt;/a&gt;&lt;br /&gt;
| | 5/3
&lt;/td&gt;
| | 12/7~7/4
    &lt;/tr&gt;
| |
&lt;/table&gt;
|}


&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x-Interval chains-Godzilla"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Godzilla&lt;/h3&gt;
In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:


&lt;table class="wiki_table"&gt;
<ul><li>Meantone pentatonic (5 3 5 3 3).</li><li>Altered diatonic I (3 4 3 1 3 4 1)</li><li>Altered diatonic II (3 4 3 1 4 3 1)</li><li>Altered diatonic III (4 3 3 1 4 3 1)</li><li>Altered diatonic IV (3 3 4 1 3 4 1)</li></ul>
    &lt;tr&gt;
        &lt;td&gt;378.92&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;631.56&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;884.19&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1136.83&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;189.46&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;442.10&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;694.73&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;947.37&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;0&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;252.63&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;505.27&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;757.90&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1010.54&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;63.17&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;315.81&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;568.44&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;821.08&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;a class="wiki_link" href="/5_4"&gt;5/4&lt;/a&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;a class="wiki_link" href="/10_7"&gt;10/7&lt;/a&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;a class="wiki_link" href="/5_3"&gt;5/3&lt;/a&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;27/14&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;10/9~9/8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;9/7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;3/2&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;12/7~7/4&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1/1&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;8/7~7/6&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;4/3&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;14/9&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;16/9~9/5&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;28/27~21/20&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;a class="wiki_link" href="/6_5"&gt;6/5&lt;/a&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;a class="wiki_link" href="/7_5"&gt;7/5&lt;/a&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;a class="wiki_link" href="/8_5"&gt;8/5&lt;/a&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;


&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x-MOSes"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;MOSes&lt;/h2&gt;
It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do.
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc4"&gt;&lt;a name="x-MOSes-5-note (proper)"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;5-note (proper)&lt;/h3&gt;


&lt;table class="wiki_table"&gt;
The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of [[17edo|17edo]], as both are improper and made up of whole-tones and third-tones.
    &lt;tr&gt;
        &lt;td&gt;Small (&amp;quot;minor&amp;quot;) interval&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;198.46&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;448.85&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;699.23&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;949.62&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;&lt;a class="wiki_link" href="/JI"&gt;JI&lt;/a&gt; intervals represented&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;9/8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;9/7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;3/2&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;12/7~7/4&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Large (&amp;quot;major&amp;quot;) interval&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;250.38&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;500.77&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;751.15&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1001.54&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;JI intervals represented&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;8/7~7/6&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;4/3&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;14/9&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;16/9&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;


&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc5"&gt;&lt;a name="x-MOSes-9-note (improper)"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;9-note (improper)&lt;/h3&gt;
Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a [[biome|biome]] temperament. Godzilla[9] has only ''one'' each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).


&lt;table class="wiki_table"&gt;
=Music=
    &lt;tr&gt;
[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3 Só no Contratempo] by [https://soundcloud.com/lois-lancaster/s-no-contratempo Roncevaux (Löis Lancaster)]
        &lt;td&gt;Small (&amp;quot;minor&amp;quot;) interval&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;63.17&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;252.63&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;315.81&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;505.27&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;568.44&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;757.90&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;821.08&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1010.54&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;JI intervals represented&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;8/7~7/6&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;6/5&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;4/3&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;7/5&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;14/9&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;8/5&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;16/9~9/5&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;Large (&amp;quot;major&amp;quot;) interval&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;189.46&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;378.92&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;442.10&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;631.56&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;694.73&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;884.19&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;947.37&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;1136.83&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
    &lt;tr&gt;
        &lt;td&gt;JI intervals represented&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;10/9~9/8&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;5/4&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;9/7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;10/7&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;3/2&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;5/3&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;12/7~7/4&lt;br /&gt;
&lt;/td&gt;
        &lt;td&gt;&lt;br /&gt;
&lt;/td&gt;
    &lt;/tr&gt;
&lt;/table&gt;


&lt;br /&gt;
[http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3 O que a gente quer] by[https://soundcloud.com/lois-lancaster/o-que-a-gente-quer-em-19-tet Roncevaux]      [[Category:5-tone]]
In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:&lt;br /&gt;
[[Category:9-tone]]
&lt;br /&gt;
[[Category:godzilla]]
&lt;ul&gt;&lt;li&gt;Meantone pentatonic (5 3 5 3 3).&lt;/li&gt;&lt;li&gt;Altered diatonic I (3 4 3 1 3 4 1)&lt;/li&gt;&lt;li&gt;Altered diatonic II (3 4 3 1 4 3 1)&lt;/li&gt;&lt;li&gt;Altered diatonic III (4 3 3 1 4 3 1)&lt;/li&gt;&lt;li&gt;Altered diatonic IV (3 3 4 1 3 4 1)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
[[Category:mos]]
It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do.&lt;br /&gt;
[[Category:temperament]]
&lt;br /&gt;
The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of &lt;a class="wiki_link" href="/17edo"&gt;17edo&lt;/a&gt;, as both are improper and made up of whole-tones and third-tones.&lt;br /&gt;
&lt;br /&gt;
Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a &lt;a class="wiki_link" href="/biome"&gt;biome&lt;/a&gt; temperament. Godzilla[9] has only &lt;em&gt;one&lt;/em&gt; each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Music&lt;/h1&gt;
&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/S__no_Contratempo_by_Roncevaux_on_SoundCloud___Hear_the_world_s_sounds.mp3" rel="nofollow"&gt;Só no Contratempo&lt;/a&gt; by &lt;a class="wiki_link_ext" href="https://soundcloud.com/lois-lancaster/s-no-contratempo" rel="nofollow"&gt;Roncevaux (Löis Lancaster)&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Roncevaux/__O_que_a_gente_quer__em_19_TET__temperamento_Godzilla__9___by_Roncevaux.mp3" rel="nofollow"&gt;O que a gente quer&lt;/a&gt; by&lt;a class="wiki_link_ext" href="https://soundcloud.com/lois-lancaster/o-que-a-gente-quer-em-19-tet" rel="nofollow"&gt;Roncevaux&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 00:00, 17 July 2018

de:Semiphor,_Semaphor,_Godzilla Deutsch

Semaphore, of the Semiphore family, is characterized by the vanishing of 49/48, so the generator represents 8/7 and 7/6 equally. This results in a very low complexity 2.3.7 temperament, with the drawback that most intervals of 7 must be out of tune by at least half of the comma 49/48, or about 18 cents. Semaphore is a play on the words "semi-" and "fourth."

If 5 is mapped at all, it can be sensibly mapped to -8 generators by tempering out 81/80, making it a meantone temperament. This temperament is called godzilla.

Interval chains

Semaphore

198.46 448.85 699.23 949.62 0 250.38 500.77 751.15 1001.54
9/8 9/7 3/2 12/7~7/4 1/1 8/7~7/6 4/3 14/9 16/9

Godzilla

378.92 631.56 884.19 1136.83 189.46 442.10 694.73 947.37 0 252.63 505.27 757.90 1010.54 63.17 315.81 568.44 821.08
5/4 10/7 5/3 27/14 10/9~9/8 9/7 3/2 12/7~7/4 1/1 8/7~7/6 4/3 14/9 16/9~9/5 28/27~21/20 6/5 7/5 8/5

MOSes

5-note (proper)

Small ("minor") interval 198.46 448.85 699.23 949.62
JI intervals represented 9/8 9/7 3/2 12/7~7/4
Large ("major") interval 250.38 500.77 751.15 1001.54
JI intervals represented 8/7~7/6 4/3 14/9 16/9

9-note (improper)

Small ("minor") interval 63.17 252.63 315.81 505.27 568.44 757.90 821.08 1010.54
JI intervals represented 8/7~7/6 6/5 4/3 7/5 14/9 8/5 16/9~9/5
Large ("major") interval 189.46 378.92 442.10 631.56 694.73 884.19 947.37 1136.83
JI intervals represented 10/9~9/8 5/4 9/7 10/7 3/2 5/3 12/7~7/4

In 19edo, godzilla[9] has steps 3 3 1 3 1 3 1 3 1, and contains the following useful scales as subsets:

  • Meantone pentatonic (5 3 5 3 3).
  • Altered diatonic I (3 4 3 1 3 4 1)
  • Altered diatonic II (3 4 3 1 4 3 1)
  • Altered diatonic III (4 3 3 1 4 3 1)
  • Altered diatonic IV (3 3 4 1 3 4 1)

It does not, however, contain the ordinary diatonic scale. Godzilla[9] thus expands on the pentatonic scale, but in a different way than diatonic scales do.

The four heptatonic subsets can be regarded as chromatic alterations of the diatonic scale, or alternatively as variants of Archytas' septimal diatonic scale, but with a greatly exaggerated difference between the two different whole tone sizes. All five of these subsets are very expressive melodically. Godzilla[9] combines all of these and is expressive in its own right; it could even be thought of as 19edo's answer to the well-loved supra[7] diatonic scale of 17edo, as both are improper and made up of whole-tones and third-tones.

Like supra[7], godzilla[9] is well stocked with subminor and supermajor triads; in this case they can be viewed as 6:7:9 and 10:13:15 since 19edo is a biome temperament. Godzilla[9] has only one each of the more stable 5-limit major and minor triads, which might be considered a drawback, but could also be considered a strength for helping to establish a clearer tonal center (since all triads other than the tonic have tension in them).

Music

Só no Contratempo by Roncevaux (Löis Lancaster)

O que a gente quer byRoncevaux

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