Music of Georgia: Difference between revisions

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== Videos ==
== Videos ==
* [https://www.youtube.com/watch?v=TFncneafovI&pp=ygULVEZuY25lYWZvdkk%3D The empirical research of a Georgian sound scale" by Z. Tsereteli and L. Veshapidze]
* [https://www.youtube.com/watch?v=TFncneafovI&pp=ygULVEZuY25lYWZvdkk%3D The empirical research of a Georgian sound scale" by Z. Tsereteli and L. Veshapidze] (Video of a presentation from the IAML/IMS congress Music Research in the Digital Age, New York, 21-26 June 2015) (tuning essentially [[7edo]], but with occasional intentional pitch bending, called "shinfardi")
* [https://www.youtube.com/watch?v=FVxD6NB8-CI Georgian chant tuning (Malkhaz Erkvanidze demonstrates)]
* [https://www.youtube.com/watch?v=FVxD6NB8-CI Georgian chant tuning (Malkhaz Erkvanidze demonstrates)]
* [https://youtu.be/NWLbdwFeYrk Video on Georgian music theory] by [[Stephen Weigel]] (suggests the use of [[34edo]] notation)
* [https://youtu.be/NWLbdwFeYrk Video on Georgian music theory] by [[Stephen Weigel]] (suggests the use of [[34edo]] notation)

Revision as of 06:33, 22 June 2026

English Wikipedia has an article on:

Georgian folk music is well known for its traditional vocal polyphony. There is no clear consensus on the structure of the underlying scale or tuning system, except that it is heptatonic and close to equalized. It is sometimes claimed that their scales are based on equal divisions of the fifth, but this is hard to verify.

From a corpus analysis of field recordings by Scherbaum et al.[1], the following conclusions can be made:

  • Fourths and fifths are close to just.
  • Thirds tend to be neutral (around 350 ¢), as are sixths.
  • Harmonic seconds are close to 9/8, while the melodic seconds are smaller (between 150 ¢ and 180 ¢).

The field recordings are available online with videos and recordings of individual singers in each group.

Videos

Further reading

References

  1. Scherbaum, F., Mzhavanadze, N., Rosenzweig, S., & Müller, M. (2022). Tuning Systems of Traditional Georgian Singing Determined From a New Corpus of Field Recordings. Musicologist 2022. 6 (2): 142-168. DOI: 10.33906/musicologist.1068947