Talk:70:90:105:126: Difference between revisions
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Created page with "== Name == This should be the subharmonic seventh chord, not 1/(7:6:5:4). 1/(7:6:5:4) is a half-diminished chord that doesn't even include a perfect fifth, and the term ''subharmonic'' alone isn't enough to signify that as the altering on the fifth should always be explicit. Also, the subharmonic ninth chord 1/(9:7:6:5:4) should extend the subharmonic seventh chord, so if 1/(7:6:5:4) is the subharmonic seventh chord, then 1/(9:7:6:5:4) can't be the subharmonic ninth chor..." |
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== Name == | == Name == | ||
This should be the subharmonic seventh chord, not 1/(7:6:5:4). 1/(7:6:5:4) is a half-diminished chord that doesn't even include a perfect fifth, and the term ''subharmonic'' alone isn't enough to signify that as the altering on the fifth should always be explicit. Also, the subharmonic ninth chord 1/(9:7:6:5:4) should extend the subharmonic seventh chord, so if 1/(7:6:5:4) is the subharmonic seventh chord, then 1/(9:7:6:5:4) can't be the subharmonic ninth chord. Finally, there's the neat symmetry that the harmonic sixth chord 6:7:9:10 inverts to the subharmonic seventh chord 1/(7:6:5:4) and the harmonic seventh chord 4:5:6:7 inverts to the subharmonic sixth chord 1/(12:10:8:7). —[[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 08:58, 11 March 2026 (UTC) | This should be the subharmonic seventh chord, not 1/(7:6:5:4). 1/(7:6:5:4) is a half-diminished chord that doesn't even include a perfect fifth, and the term ''subharmonic'' alone isn't enough to signify that as the altering on the fifth should always be explicit. Also, the subharmonic ninth chord 1/(9:7:6:5:4) should extend the subharmonic seventh chord, so if 1/(7:6:5:4) is the subharmonic seventh chord, then 1/(9:7:6:5:4) can't be the subharmonic ninth chord. Finally, there's the neat symmetry that the harmonic sixth chord 6:7:9:10 inverts to the subharmonic seventh chord 1/(7:6:5:4) and the harmonic seventh chord 4:5:6:7 inverts to the subharmonic sixth chord 1/(12:10:8:7). —[[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 08:58, 11 March 2026 (UTC) | ||
: Please see https://en.xen.wiki/w/Kite%27s_thoughts_on_harmonic_and_subharmonic_nomenclature. I believe it addresses all your objections. --[[User:TallKite|TallKite]] ([[User talk:TallKite|talk]]) 18:55, 20 March 2026 (UTC) | |||
Revision as of 18:55, 20 March 2026
Name
This should be the subharmonic seventh chord, not 1/(7:6:5:4). 1/(7:6:5:4) is a half-diminished chord that doesn't even include a perfect fifth, and the term subharmonic alone isn't enough to signify that as the altering on the fifth should always be explicit. Also, the subharmonic ninth chord 1/(9:7:6:5:4) should extend the subharmonic seventh chord, so if 1/(7:6:5:4) is the subharmonic seventh chord, then 1/(9:7:6:5:4) can't be the subharmonic ninth chord. Finally, there's the neat symmetry that the harmonic sixth chord 6:7:9:10 inverts to the subharmonic seventh chord 1/(7:6:5:4) and the harmonic seventh chord 4:5:6:7 inverts to the subharmonic sixth chord 1/(12:10:8:7). —FloraC (talk) 08:58, 11 March 2026 (UTC)
- Please see https://en.xen.wiki/w/Kite%27s_thoughts_on_harmonic_and_subharmonic_nomenclature. I believe it addresses all your objections. --TallKite (talk) 18:55, 20 March 2026 (UTC)