Interval of equivalence: Difference between revisions
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Equave is also a psychoacoustic concept that doesn't have to follow scale structure |
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{{Wikipedia|Pseudo-octave}} | {{Wikipedia|Pseudo-octave}} | ||
The '''equave''' (/ˈiːkwɪv/ ''EE-kwiv'' or /ˈiːkwəv/ ''EE-kwəv''), also called '''interval of equivalence''', '''equivalence interval''', '''formal octave'''<ref>Op de Coul, E.F. [https://www.huygens-fokker.org/scala/help.htm Scala help.]</ref> or '''pseudo-octave'''<ref>[https://help.ableton.com/hc/en-us/articles/10998372840220-ASCL-Specification ASCL Specification]. Ableton.</ref><ref group="note">The term ''pseudo-octave'' generally designates any kind of equave, although it is sometimes used specifically to designate a [[stretched tuning|stretched or compressed octave]].</ref>, is the interval such that pitches separated by it are considered [[equivalent]] and are elements of the same [[pitch class]]. | |||
Not all [[periodic scale]]s have equaves, but if they do, the equave is typically the same as the [[period]] or a multiple thereof. | |||
== Etymology == | == Etymology == | ||
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== Examples == | == Examples == | ||
* In octave- | * In octave-repeating scales, the equave is typically [[2/1]]. | ||
* In [[ | * In [[Bohlen–Pierce]], the equave may be taken as [[3/1]]. | ||
* In [[ | * In [[edf]]s, the equave may be taken as [[3/2]]. | ||
== See also == | == See also == | ||