26edt: Difference between revisions
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== Intervals == | == Intervals == | ||
{| class="wikitable center-1 right-2 right-3" | {| class="wikitable center-1 right-2 right-3" | ||
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|} | |} | ||
It is a weird coincidence how 26edt intones | {| class="wikitable center-1 right-2 right-3" | ||
|- | |||
! Steps | |||
! [[Cent]]s | |||
! [[Hekt]]s | |||
! BP enneatonic degree | |||
! Corresponding 3.5.7 subgroup intervals | |||
! Comments | |||
! Generator for... | |||
! [[4L 5s (3/1-equivalent)#Notation|BPS enneatonic notation]] (J = 1/1) | |||
|- | |||
| 0 | |||
| 0 | |||
| 0 | |||
| P1 | |||
| 1/1 | |||
| | |||
| | |||
| J | |||
|- | |||
| 1 | |||
| 146.3 | |||
| 100 | |||
| A1/m2 | |||
| [[27/25]], [[49/45]] | |||
| BP "semitone" | |||
| [[Procyon]] | |||
| K | |||
|- | |||
| 2 | |||
| 292.6 | |||
| 200 | |||
| M2/d3 | |||
| [[25/21]] | |||
| BP "wholetone" | |||
| [[Sirius]] | |||
| K#, Lb | |||
|- | |||
| 3 | |||
| 438.9 | |||
| 300 | |||
| A2/P3/d4 | |||
| [[9/7]] | |||
| | |||
| [[Bohlen-Pierce-Stearns|Linear BP]] | |||
| L | |||
|- | |||
| 4 | |||
| 585.2 | |||
| 400 | |||
| A3/m4/d5 | |||
| [[7/5]] | |||
| | |||
| [[Canopus]] | |||
| M | |||
|- | |||
| 5 | |||
| 731.5 | |||
| 500 | |||
| M4/m5 | |||
| [[75/49]] | |||
| false 3/2 | |||
| false Father | |||
| M#, Nb | |||
|- | |||
| 6 | |||
| 877.8 | |||
| 600 | |||
| A4/M5 | |||
| [[5/3]] | |||
| | |||
| [[Arcturus]] | |||
| N | |||
|- | |||
| 7 | |||
| 1024.1 | |||
| 700 | |||
| A5/m6/d7 | |||
| [[9/5]] | |||
| | |||
| Arcturus | |||
| O | |||
|- | |||
| 8 | |||
| 1170.4 | |||
| 800 | |||
| M6/m7 | |||
| [[49/25]] | |||
| false 2/1 | |||
| false Father | |||
| O#, Pb | |||
|- | |||
| 9 | |||
| 1316.7 | |||
| 900 | |||
| A6/M7/d8 | |||
| [[15/7]] | |||
| | |||
| Canopus | |||
| P | |||
|- | |||
| 10 | |||
| 1463.0 | |||
| 1000 | |||
| P8/d9 | |||
| [[7/3]] | |||
| | |||
| Linear BP | |||
| Q | |||
|- | |||
| 11 | |||
| 1609.3 | |||
| 1100 | |||
| A8/m9 | |||
| [[63/25]] | |||
| | |||
| Sirius | |||
| Q#, Rb | |||
|- | |||
| 12 | |||
| 1755.7 | |||
| 1200 | |||
| M9/d10 | |||
| [[25/9]], [[135/49]] | |||
| | |||
| Procyon | |||
| R | |||
|- | |||
| 13 | |||
| 1902.0 | |||
| 1300 | |||
| A9/P10 | |||
| [[3/1]] | |||
| Tritave | |||
| | |||
| J | |||
|} | |||
=== Connection to 26edo === | |||
It is a weird coincidence how 26edt intones many [[26edo]] intervals within plus or minus 6.5 cents when it is supposed to have nothing to do with this other tuning: | |||
{| class="wikitable right-all" | {| class="wikitable right-all" |
Revision as of 18:39, 2 October 2024
← 25edt | 26edt | 27edt → |
26edt divides the tritave (3/1) into 26 equal parts of 73.152 cents each, corresponding to 16.404edo. It is contorted in the 7-limit, tempering out the same commas, 245/243 and 3125/3087, as 13edt. In the 11-limit it tempers out 125/121 and 3087/3025, in the 13-limit 175/169, 147/143, and 847/845, and in the 17-limit 119/117. It is the seventh zeta peak tritave division.
A reason to double 13edt to 26edt is to approximate the 8th, 13th, 17th, 20th, and 22nd harmonics particularly well [citation needed]. Moreover, it has an exaggerated diatonic scale with 11:16:21 supermajor triads, though only the 16:11 is particularly just due to its best 16 still being 28.04 cents sharp, or just about as bad as the 25 of 12edo (which is 27.373 cents sharp, an essentially just 100:63).
Theory
While retaining 13edt's mapping of primes 3, 5, and 7, 26edt adds an accurate prime 17 to the mix, tempering out 2025/2023 to split the BPS generator of 9/7 into two intervals of 17/15. This 17/15 generates Dubhe temperament and a 8L 1s MOS scale that can be used as a simple traversal of 26edt.
Harmonic | 2 | 3 | 5 | 7 | 11 | 13 | 17 | 19 | 23 | 29 | 31 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | -29.6 | +0.0 | -6.5 | -3.8 | +18.4 | +21.8 | -3.8 | +23.1 | -15.0 | +22.6 | -19.7 |
Relative (%) | -40.4 | +0.0 | -8.9 | -5.2 | +25.1 | +29.7 | -5.1 | +31.6 | -20.5 | +30.9 | -26.9 | |
Steps (reduced) |
16 (16) |
26 (0) |
38 (12) |
46 (20) |
57 (5) |
61 (9) |
67 (15) |
70 (18) |
74 (22) |
80 (2) |
81 (3) |
Intervals
Steps | Cents | Hekts | BP nonatonic degree | Diatonic degree | Corresponding JI intervals | Comments | Generator for... |
---|---|---|---|---|---|---|---|
1 | 73.2 | 50 | Sa1/sd2 | A1/dd2 | 25/24 | ||
2 | 146.3 | 100 | A1/m2 | AA1/sm2 | 27/25~49/45 | ||
3 | 219.5 | 150 | N2 | m2 | 9/8~312/275 | ||
4 | 292.6 | 200 | M2/d3 | M2 | 25/21~13/11 | ||
5 | 365.8 | 250 | Sa2/sd3 | SM2/dd3 | 5/4~243/196 | False 11/9 | |
6 | 438.9 | 300 | A2/P3/d4 | AA2/sm3 | 9/7 | ||
7 | 512.1 | 350 | Sa3/sd4 | m3 | 27/20 | False 21/16 | |
8 | 585.2 | 400 | A3/m4/d5 | M3 | 7/5 | ||
9 | 658.4 | 450 | N4/sd5 | SM3/dd4 | 16/11 | False 13/9 | |
10 | 731.5 | 500 | M4/m5 | AA3/d4 | 75/49 | False 3/2 | |
11 | 804.7 | 550 | Sa4/N5 | P4 | 8/5 | False 11/7 | |
12 | 877.8 | 600 | A4/M5/d6 | A4 | 5/3 | False 27/16 | |
13 | 951.0 | 650 | Sa5/sd6 | AA4/dd5 | 125/72 | ||
14 | 1024.1 | 700 | A5/m6/d7 | d5 | 9/5 | False 16/9 | |
15 | 1097.3 | 750 | N6/sd7 | P5 | 15/8 | False 21/11 | |
16 | 1170.4 | 800 | M6/m7 | A5/dd6 | 49/25 | False 2/1 | |
17 | 1243.6 | 850 | Sa6/N7 | AA5/sm6 | 33/16 | False 27/13 | |
18 | 1316.7 | 900 | A6/M7/d8 | m6 | 15/7 | ||
19 | 1389.9 | 950 | Sa7/sd8 | M6 | 20/9 | False 16/7 | |
20 | 1463.0 | 1000 | A7/P8/d9 | SM6/dd7 | 7/3 | ||
21 | 1536.2 | 1050 | Sa8/sd9 | AA6/sm7 | 12/5~196/81 | False 27/11 | |
22 | 1609.3 | 1100 | A8/m9 | m7 | 63/25~33/13 | ||
23 | 1682.5 | 1150 | N9 | M7 | 8/3~275/104 | ||
24 | 1755.7 | 1200 | M9/d10 | SM7/dd8 | 25/9~135/49 | ||
25 | 1828.8 | 1250 | Sa9/sd10 | A7/d8 | 72/25 | ||
26 | 1902.0 | 1300 | A9/P10 | P8 | 3/1 | Tritave |
Steps | Cents | Hekts | BP enneatonic degree | Corresponding 3.5.7 subgroup intervals | Comments | Generator for... | BPS enneatonic notation (J = 1/1) |
---|---|---|---|---|---|---|---|
0 | 0 | 0 | P1 | 1/1 | J | ||
1 | 146.3 | 100 | A1/m2 | 27/25, 49/45 | BP "semitone" | Procyon | K |
2 | 292.6 | 200 | M2/d3 | 25/21 | BP "wholetone" | Sirius | K#, Lb |
3 | 438.9 | 300 | A2/P3/d4 | 9/7 | Linear BP | L | |
4 | 585.2 | 400 | A3/m4/d5 | 7/5 | Canopus | M | |
5 | 731.5 | 500 | M4/m5 | 75/49 | false 3/2 | false Father | M#, Nb |
6 | 877.8 | 600 | A4/M5 | 5/3 | Arcturus | N | |
7 | 1024.1 | 700 | A5/m6/d7 | 9/5 | Arcturus | O | |
8 | 1170.4 | 800 | M6/m7 | 49/25 | false 2/1 | false Father | O#, Pb |
9 | 1316.7 | 900 | A6/M7/d8 | 15/7 | Canopus | P | |
10 | 1463.0 | 1000 | P8/d9 | 7/3 | Linear BP | Q | |
11 | 1609.3 | 1100 | A8/m9 | 63/25 | Sirius | Q#, Rb | |
12 | 1755.7 | 1200 | M9/d10 | 25/9, 135/49 | Procyon | R | |
13 | 1902.0 | 1300 | A9/P10 | 3/1 | Tritave | J |
Connection to 26edo
It is a weird coincidence how 26edt intones many 26edo intervals within plus or minus 6.5 cents when it is supposed to have nothing to do with this other tuning:
26edt | 26edo | Delta |
---|---|---|
365.761 | 369.231 | -3.470 |
512.065 | 507.692 | +4.373 |
877.825 | 876.923 | +0.902 |
1243.586 | 1246.154 | -2.168 |
1389.890 | 1384.615 | +5.275 |
1755.651 | 1753.846 | +1.805 |
2121.411 | 2123.077 | -1.666 |
2633.476 | 2630.769 | +2.647 |
etc.