Half-diminished seventh chord: Difference between revisions

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== In temperaments ==
== In temperaments ==
In meantone (including [[12edo]]), on which traditional tonal harmony is built, the interval of a diminished fifth [[tempering together|tempers together]] [[36/25]]~[[64/45]]~[[1024/729]], and the minor seventh tempers together [[9/5]]~[[16/9]], giving a chord with an [[intervallic odd limit]] of 25:
* (Meantone) 1/1 ‒ [[6/5]] ‒ [[36/25]] ‒ [[9/5]]
In [[archytas]] temperament, which [[tempering out|tempers out]] [[64/63]], a ~[[16/9]] minor seventh is equated with ~[[7/4]], a ~36/25 diminished fifth is equated with ~[[7/5]], and the ratio between ~7/4 and ~6/5 is equated with a ~[[3/2]] perfect fifth, yielding a [[9-odd-limit]] [[essentially tempered chord]]:
* (Archytas) 1/1 ‒ 6/5 ‒ 7/5 ‒ 7/4, with steps 6/5, 6/5, 5/4


== In just intonation ==
== In just intonation ==
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In the [[7-limit]]:
In the [[7-limit]]:
* [[5:6:7:9]]
* [[5:6:7:9]]
* [[20:24:28:35]]


In the [[5-limit]]:
In the [[5-limit]]:

Revision as of 01:32, 10 September 2024

English Wikipedia has an article on:

A half-diminished seventh chord is a tetrad comprising a root, a minor third, a diminished fifth, and a minor seventh.

In temperaments

In meantone (including 12edo), on which traditional tonal harmony is built, the interval of a diminished fifth tempers together 36/25~64/45~1024/729, and the minor seventh tempers together 9/5~16/9, giving a chord with an intervallic odd limit of 25:

In archytas temperament, which tempers out 64/63, a ~16/9 minor seventh is equated with ~7/4, a ~36/25 diminished fifth is equated with ~7/5, and the ratio between ~7/4 and ~6/5 is equated with a ~3/2 perfect fifth, yielding a 9-odd-limit essentially tempered chord:

  • (Archytas) 1/1 ‒ 6/5 ‒ 7/5 ‒ 7/4, with steps 6/5, 6/5, 5/4

In just intonation

In the 7-limit:

In the 5-limit:

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