User:MissMagenta/EDKL: Difference between revisions
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|2edkl | |2edkl | ||
| | | colspan="2" rowspan="3" |N/A | ||
| | |||
|- | |- | ||
|3edkl | |3edkl | ||
|- | |- | ||
|4edkl | |4edkl | ||
|- | |- | ||
|5edkl | |5edkl | ||
| Line 45: | Line 40: | ||
|- | |- | ||
|11edkl | |11edkl | ||
| | |[[13edo]] | ||
| | | | ||
|- | |- | ||
Revision as of 01:12, 11 August 2024
Equal divisions of the Komornik–Loreti Seventh, or the Kleventh which has a step size of ~1005.2719677332628 cents. The Kleventh is the Komornik–Loreti constant used as a musical interval.
Correspondence of EDKL to EDO
| Tuning | Equivalent EDO | Comment |
|---|---|---|
| 2edkl | N/A | |
| 3edkl | ||
| 4edkl | ||
| 5edkl | 6edo | |
| 6edkl | 7edo | |
| 7edkl | ||
| 8edkl | ||
| 9edkl | ||
| 10edkl | 12edo | Has a good fifth (~0.1% off a just fifth) |
| 11edkl | 13edo | |
| 12edkl | 14edo | |
| 13edkl | 16edo | Has a phenomenal major third (~0.01% off a just major third) |
| 14edkl | ||
| 15edkl | 18edo | |
| 16edkl | ||
| 17edkl | 20edo | |
To see correspondences of EDKLs to other equal tunings go here.