59049/32768: Difference between revisions
Jump to navigation
Jump to search
+obvious standard name; misc. style improvements |
m +link |
||
| Line 4: | Line 4: | ||
The '''Pythagorean augmented sixth''', otherwise known as the '''pentatone''', 59049/32768, is the interval found by stacking five [[9/8|(Pythagorean whole) tones (9/8)]]. The Medieval music theorist {{w|Jacobus of Liège}} described it along with the [[ditone]], [[tritone]], [[tetratone]], and [[hexatone]], and considered the pentatone to be highly discordant.<ref>''Pythagorean Tuning and Medieval Polyphony'', Margo Schulter, 10 June 1998</ref> | The '''Pythagorean augmented sixth''', otherwise known as the '''pentatone''', 59049/32768, is the interval found by stacking five [[9/8|(Pythagorean whole) tones (9/8)]]. The Medieval music theorist {{w|Jacobus of Liège}} described it along with the [[ditone]], [[tritone]], [[tetratone]], and [[hexatone]], and considered the pentatone to be highly discordant.<ref>''Pythagorean Tuning and Medieval Polyphony'', Margo Schulter, 10 June 1998</ref> | ||
== See also == | |||
* [[32768/19683]] – its twelfth complement | |||
== Notes == | == Notes == | ||
Revision as of 07:27, 23 July 2024
| Interval information |
pentatone
reduced harmonic
The Pythagorean augmented sixth, otherwise known as the pentatone, 59049/32768, is the interval found by stacking five (Pythagorean whole) tones (9/8). The Medieval music theorist Jacobus of Liège described it along with the ditone, tritone, tetratone, and hexatone, and considered the pentatone to be highly discordant.[1]
See also
- 32768/19683 – its twelfth complement
Notes
- ↑ Pythagorean Tuning and Medieval Polyphony, Margo Schulter, 10 June 1998