9/5: Difference between revisions

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[[Category:Minor seventh]]
[[Category:Minor seventh]]
[[Category:Over-5]]
[[Category:Over-5]]
[[Category:Pages with internal sound examples]]
{{todo|expand|review interval name}}
{{todo|expand|review interval name}}

Revision as of 23:47, 22 February 2022

Interval information
Ratio 9/5
Factorization 32 × 5-1
Monzo [0 2 -1
Size in cents 1017.596¢
Names just minor seventh,
classic minor seventh
Color name g7, gu 7th
FJS name [math]\displaystyle{ \text{m7}_{5} }[/math]
Special properties reduced
Tenney norm (log2 nd) 5.49185
Weil norm (log2 max(n, d)) 6.33985
Wilson norm (sopfr(nd)) 11

[sound info]
Open this interval in xen-calc
English Wikipedia has an article on:

9/5 is a treated as a consonance in 5-limit just intonation, forming a part of such chords such as the 1-6/5-3/2-9/5 minor seventh chord, and the supermajor tetrad, 1-9/7-3/2-9/5 in the 7-limit.

Coincidentally, the ratio between a common "alternative" tuning frequency (A432) and the most common AC electrical frequency (60hz) is exactly 36/5, two octaves above 9/5. This is notably a more consonant interval than the 11/6 formed by the more common tuning frequency of A440, which may lead to a noticeable improvement in consonance when electrically powered instruments or amplifiers are interfered with by AC power.

See also