Gallery of 12-tone just intonation scales: Difference between revisions

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Adding Wilson-middle-rank-12 to gallery. The scale is a subset of Wilson's 7-limit 22-enharmonic (marimba) scale.
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*[[12highschool1|12highschool1]] - first 12-note highschool scale
*[[wilson-middle-rank-12]] - Wilson 7-limit, 12-note middle rank of 22 marimba scale
*[[12highschool1]] - first 12-note highschool scale
*[[12highschool2|12highschool2]] - second 12-note highschool scale
*[[12highschool2|12highschool2]] - second 12-note highschool scale
*[[44_39-12|44_39-12]] - 12-note chromatic tuning with 352:351, 364:363 by Margo Schulter
*[[44_39-12|44_39-12]] - 12-note chromatic tuning with 352:351, 364:363 by Margo Schulter
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*[[bihexany|bihexany]] - hole around [0, 1/2, 1/2, 1/2]
*[[bihexany|bihexany]] - hole around [0, 1/2, 1/2, 1/2]
*[[blue-ji|blue-ji]] - John O'Sullivan and Carl Lumma
*[[blue-ji|blue-ji]] - John O'Sullivan and Carl Lumma
**[http://alonetone.com/vaisvil/tracks/sweeneys-agony-remix-by-johnny-pumphandle.mp3 Sweeney's Agony]
**[https://alonetone.com/vaisvil/tracks/sweeneys-agony-remix-by-johnny-pumphandle.mp3 Sweeney's Agony]
*[http://micro.soonlabel.com/blue-tuning/daily20110119-atonement-in-blue-JI.mp3 Atonement to a Centaur]
*[http://micro.soonlabel.com/blue-tuning/daily20110119-atonement-in-blue-JI.mp3 Atonement to a Centaur]
*[[bluesji|bluesji]] - Graham Breed's Blues scale in a 7-limit JI version
*[[bluesji|bluesji]] - Graham Breed's Blues scale in a 7-limit JI version
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*[[mdevelde|mdevelde]] - a 2.3.5.19 subgroup scale
*[[mdevelde|mdevelde]] - a 2.3.5.19 subgroup scale
*[[nofives|nofives]] - a 3 & 7 scale discovered by Gene Ward Smith
*[[nofives|nofives]] - a 3 & 7 scale discovered by Gene Ward Smith
**Aaron Krister Johnson, [http://www.youtube.com/watch?v=n7mxHWdkV04 piano improvisation]
**Aaron Krister Johnson, [https://www.youtube.com/watch?v=n7mxHWdkV04 piano improvisation]
*[[omaha|omaha]] - a 2.3.11 subgroup scale
*[[omaha|omaha]] - a 2.3.11 subgroup scale
*[[otones12-24|otones12-24]] - a.k.a. Mode 12 of the [[OverToneSeries|Harmonic Series]]
*[[otones12-24|otones12-24]] - a.k.a. Mode 12 of the [[OverToneSeries|Harmonic Series]]
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*[[Secor5_23TX|Secor5_23TX]] - George Secor's synchronous 5/23-comma temperament extraordinaire
*[[Secor5_23TX|Secor5_23TX]] - George Secor's synchronous 5/23-comma temperament extraordinaire
*[[serafini-11|serafini-11]] - Serafini's [http://electro-music.com/forum/topic-14631.html 11's chromatic scale], an 11-limit tuning discovered by [[Carlo_Serafini|Carlo Serafini]]
*[[serafini-11|serafini-11]] - Serafini's [http://electro-music.com/forum/topic-14631.html 11's chromatic scale], an 11-limit tuning discovered by [[Carlo_Serafini|Carlo Serafini]]
*[[Sevish (scale)|sevish]] - Sean "Sevish" Archibald's scale for [http://www.archive.org/download/FNet021/02.Sevish-Trapped_in_a_Cycle.mp3 Trapped in a Cycle]
*[[Sevish (scale)|sevish]] - Sean "Sevish" Archibald's scale for [https://www.archive.org/download/FNet021/02.Sevish-Trapped_in_a_Cycle.mp3 Trapped in a Cycle]
*[[simp12|simp12]] - Stiltner-Vaisvil 12 note 2.3.5.7.13 scale
*[[simp12|simp12]] - Stiltner-Vaisvil 12 note 2.3.5.7.13 scale
**[http://micro.soonlabel.com/just/JI/simpl10plus13.mp3 Simpl10plus13] by Chris Vaisvil
**[http://micro.soonlabel.com/just/JI/simpl10plus13.mp3 Simpl10plus13] by Chris Vaisvil

Revision as of 04:45, 29 December 2022

Just Intonation is an infinite universe. A justly-intoned pentatonic can be very effective in the hands of a sensitive composer, and in this electronic age that same composer on another day can use a scale with hundreds of notes in an octave.

One approach to making just intonation not only practical but easy is to map an octave-repeating 12-tone JI scale to a standard keyboard. This page collects some of these scales, and a companion page does the same for tempered scales.

Todo: cleanup

See also