41edo chord names: Difference between revisions

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corrected minor-major7 chord names
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Various [[41edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
Various [[41edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
{| class="wikitable"
{| class="wikitable"
|+
|+
!
!
!vm3
! vm3
!m3
! m3
!^m3
! ^m3
!~3
! ~3
!vM3
! vM3
!M3
! M3
!^M3
! ^M3
!v4
! v4
!P4
! P4
!^4
! ^4
!~4
! ~4
|-
|-
!triad
! triad
|Cvm
| Cvm
|Cm
| Cm
|C^m
| C^m
|C~
| C~
|Cv
| Cv
|C
| C
|C^
| C^
|Cv4
| Cv4
|C4
| C4
|C^4
| C^4
|C~4
| C~4
|-
|-
!~6
! ~6
|Cvm~6
| Cvm~6
|Cm~6
| Cm~6
|C^m~6
| C^m~6
|C~6
| C~6
|Cv,~6
| Cv,~6
|C,~6
| C,~6
|C^,~6
| C^,~6
|Cv4~6
| Cv4~6
|C4~6
| C4~6
|C^4~6
| C^4~6
|C~4~6
| C~4~6
|-
|-
!vM6
! vM6
|Cvm6
| Cvm6
|Cmv6
| Cmv6
|C^mv6
| C^mv6
|C~v6
| C~v6
|Cv6
| Cv6
|C,v6
| C,v6
|C^v6
| C^v6
|Cv4v6
| Cv4v6
|C4v6
| C4v6
|C^4v6
| C^4v6
|C~4v6
| C~4v6
|-
|-
!M6
! M6
|Cvm,6
| Cvm,6
|Cm6
| Cm6
|C^m,6
| C^m,6
|C~,6
| C~,6
|Cv,6
| Cv,6
|C6
| C6
|C^,6
| C^,6
|Cv4,6
| Cv4,6
|C4,6
| C4,6
|C^4,6
| C^4,6
|C~4,6
| C~4,6
|-
|-
!^M6
! ^M6
|Cvm^6
| Cvm^6
|Cm^6
| Cm^6
|C^m6
| C^m6
|C~^6
| C~^6
|Cv^6
| Cv^6
|C,^6
| C,^6
|C^6
| C^6
|Cv4^6
| Cv4^6
|C4^6
| C4^6
|C^4^6
| C^4^6
|C~4^6
| C~4^6
|-
|-
!vm7
! vm7
|Cvm7
| Cvm7
|Cmv7
| Cmv7
|C^mv7
| C^mv7
|C~v7
| C~v7
|Cv7
| Cv7
|C,v7
| C,v7
|C^v7
| C^v7
|Cv4v7
| Cv4v7
|C4v7
| C4v7
|C^4v7
| C^4v7
|C~4v7
| C~4v7
|-
|-
!m7
! m7
|Cvm,7
| Cvm,7
|Cm7
| Cm7
|C^m,7
| C^m,7
|C~,7
| C~,7
|Cv,7
| Cv,7
|C7
| C7
|C^,7
| C^,7
|Cv4,7
| Cv4,7
|C4,7
| C4,7
|C^4,7
| C^4,7
|C~4,7
| C~4,7
|-
|-
!^m7
! ^m7
|Cvm^7
| Cvm^7
|Cm^7
| Cm^7
|C^m7
| C^m7
|C~^7
| C~^7
|Cv^7
| Cv^7
|C,^7
| C,^7
|C^7
| C^7
|Cv4^7
| Cv4^7
|C4^7
| C4^7
|C^4^7
| C^4^7
|C~4^7
| C~4^7
|-
|-
!~7
! ~7
|Cvm~7
| Cvm~7
|Cm~7
| Cm~7
|C^m~7
| C^m~7
|C~7
| C~7
|Cv,~7
| Cv,~7
|C,~7
| C,~7
|C^,~7
| C^,~7
|Cv4~7
| Cv4~7
|C4~7
| C4~7
|C^4~7
| C^4~7
|C~4~7
| C~4~7
|-
|-
!vM7
! vM7
|CvmM7
| CvmM7
|CmvM7
| CmvM7
|C^mvM7
| C^mvM7
|C~vM7
| C~vM7
|CvM7
| CvM7
|C,vM7
| C,vM7
|C^vM7
| C^vM7
|Cv4vM7
| Cv4vM7
|C4vM7
| C4vM7
|C^4vM7
| C^4vM7
|C~4vM7
| C~4vM7
|-
|-
!M7
! M7
|Cvm,M7
| Cvm,M7
|CmM7
| CmM7
|C^m,M7
| C^m,M7
|C~M7
| C~M7
|Cv,M7
| Cv,M7
|CM7
| CM7
|C^,M7
| C^,M7
|Cv4M7
| Cv4M7
|C4M7
| C4M7
|C^4M7
| C^4M7
|C~4M7
| C~4M7
|-
|-
!^M7
! ^M7
|Cvm^M7
| Cvm^M7
|Cm^M7
| Cm^M7
|C^mM7
| C^mM7
|C~^M7
| C~^M7
|Cv^M7
| Cv^M7
|C,^M7
| C,^M7
|C^M7
| C^M7
|Cv4^M7
| Cv4^M7
|C4^M7
| C4^M7
|C^4^M7
| C^4^M7
|C~4^M7
| C~4^M7
|}
|}
A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 41edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a [[Kite guitar]] by bending the upminor 3rd up slightly more than half a fret.
A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 41edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a [[Kite guitar]] by bending the upminor 3rd up slightly more than half a fret.