Diaschisma: Difference between revisions
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== Example == | == Example == | ||
[http://micro.soonlabel.com/petr_parizek/pp_pump_examples/pump_1.ogg parizek1] A [[comma pump]] progression that assumes that the diaschisma is tempered out (i.e. equates two notes that are separated by a diaschisma). | [http://micro.soonlabel.com/petr_parizek/pp_pump_examples/pump_1.ogg parizek1] A [[comma pump]] progression that assumes that the diaschisma is tempered out (i.e. equates two notes that are separated by a diaschisma). | ||
In the progression, the bassline moves as follows: D-(up 5/4)-F#-(down 4/3)-C#-(down 4/3)-G#-(up 5/4)-C-(up 4/3)-G-(up 3/2)-D. If we ignore octaves, the first three steps (D-G#) moves us up by the tritone [[45/32]], and the last three steps (G#-D) are the same moves as the first three, thus it moves us up by the tritone 45/32 a second time. While in pure JI, 45/32 is flat of 600c, the fact that the D we come back to is exactly the same as the first D, indicates that two 45/32 tritones are equated to the octave 2/1. In temperament contexts, we see this as equivalent to saying that their difference, which is (2/1) / (45/32)^2 = 2048/2025 is tempered out. | |||
== See also == | == See also == | ||
Revision as of 10:39, 28 March 2021
| Interval information |
reduced subharmonic
2048/2025, the diaschisma, an interval of 19.553 cents, is the difference between four perfect fifths plus two major thirds and three octaves. Tempering it out leads to the diaschismic family of temperaments. It may also be defined as the difference between a Pythagorean minor seventh (16/9) and a just augmented sixth (225/128), as the difference between two classic diatonic semitones (16/15) and the major whole tone (9/8), that is, (9/8)/(16/15)2, or as the difference between the 5-limit tritone 45/32 and its enharmonic equivalent 64/45.
Example
parizek1 A comma pump progression that assumes that the diaschisma is tempered out (i.e. equates two notes that are separated by a diaschisma).
In the progression, the bassline moves as follows: D-(up 5/4)-F#-(down 4/3)-C#-(down 4/3)-G#-(up 5/4)-C-(up 4/3)-G-(up 3/2)-D. If we ignore octaves, the first three steps (D-G#) moves us up by the tritone 45/32, and the last three steps (G#-D) are the same moves as the first three, thus it moves us up by the tritone 45/32 a second time. While in pure JI, 45/32 is flat of 600c, the fact that the D we come back to is exactly the same as the first D, indicates that two 45/32 tritones are equated to the octave 2/1. In temperament contexts, we see this as equivalent to saying that their difference, which is (2/1) / (45/32)^2 = 2048/2025 is tempered out.