User:Xenji/Redundancy: Difference between revisions
changed HTML lists into wiki-style lists, simplified some links |
fixed "overtone series" vs "harmonic series" |
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* [[harmony]] influenced by a theory of [[consonance]] | * [[harmony]] influenced by a theory of [[consonance]] | ||
** more than one pitch sounding together & their distinctness blurring | ** more than one pitch sounding together & their distinctness blurring | ||
** if pitch 'y' appears in the | ** if pitch 'y' appears in the harmonic series of pitch 'x', when pitch 'x' is sounding (on a harmonic instrument), pitch 'y' will also sound (although might not be identifiable as a distinct pitch) - so building a scale which contains both 'x' & 'y' is redundant | ||
* [[octave equivalence]] | * [[octave equivalence]] | ||
** B-flat considered equivalent to B-flat an octave higher... | ** B-flat considered equivalent to B-flat an octave higher... | ||
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** less redundant extensions: [[MOS Cradle]] or [[Second_Order_MOS|Second Order MOS]] | ** less redundant extensions: [[MOS Cradle]] or [[Second_Order_MOS|Second Order MOS]] | ||
* matching tuning to timbre | * matching tuning to timbre | ||
** eg. rational intonation - selecting pitches which are copied in the [[ | ** eg. rational intonation - selecting pitches which are copied in the [[harmonic series]] of other intervals | ||
** eg. Indonesian gamelan tuning - the scale is made to match the inharmonic pitches of the metals used in building the instruments | ** eg. Indonesian gamelan tuning - the scale is made to match the inharmonic pitches of the metals used in building the instruments | ||
** octaves in the high range of a piano are routinely stretched to fit with the "distorted" sound of the high-tension strings | ** octaves in the high range of a piano are routinely stretched to fit with the "distorted" sound of the high-tension strings | ||
* matching timbre to tuning | * matching timbre to tuning | ||
** the reverse of the above: making a timbre (usually with a computer) to "match" a stipulated tuning | ** the reverse of the above: making a timbre (usually with a computer) to "match" a stipulated tuning | ||