9edo: Difference between revisions
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= Theory = | == Theory == | ||
The 9EDO scale, which divides the octave into nine equal parts each of 133+1/3 cents precisely, has the peculiar property of representing certain [[Harmonic_Limit|7-limit]] intervals almost exactly. A 7-limit version of 9EDO goes | The 9EDO scale, which divides the octave into nine equal parts each of 133+1/3 cents precisely, has the peculiar property of representing certain [[Harmonic_Limit|7-limit]] intervals almost exactly. A 7-limit version of 9EDO goes | ||
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Here the characterizations are taken from [http://en.wikipedia.org/wiki/Scala_%28program%29 Scala], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7 are therefore natural ones for 9EDO. The above scale generates the [[Just_intonation_subgroups|just intonation subgroup]] 2.27/25.7/3, which is closely related to 9EDO. | Here the characterizations are taken from [http://en.wikipedia.org/wiki/Scala_%28program%29 Scala], which also describes the scale itself as "Pelog Nawanada: Sunda". Chords such as 1/1 - 7/6 - 49/36 - 12/7 are therefore natural ones for 9EDO. The above scale generates the [[Just_intonation_subgroups|just intonation subgroup]] 2.27/25.7/3, which is closely related to 9EDO. | ||
=Notation= | == Notation == | ||
9edo can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the <u>melodic</u> meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5. | 9edo can be notated with conventional notation, including the staff, note names, relative notation, etc. in two ways. The first preserves the <u>melodic</u> meaning of sharp/flat, major/minor and aug/dim, in that sharp is higher pitched than flat, and major/aug is wider than minor/dim. The disadvantage to this approach is that conventional interval arithmetic no longer works. e.g. M2 + M2 isn't M3, and D + M2 isn't E. Chord names are different because C - E - G isn't P1 - M3 - P5. | ||
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The second approach preserves the <u>harmonic</u> meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 9edo "on the fly". | The second approach preserves the <u>harmonic</u> meaning of sharp/flat, major/minor and aug/dim, in that the former is always further fifthwards on the chain of fifths than the latter. Sharp is lower in pitch than flat, and major/aug is narrower than minor/dim. While this approach may seem bizarre at first, interval arithmetic and chord names work as usual. Furthermore, conventional 12edo music can be directly translated to 9edo "on the fly". | ||
{| class="wikitable" | {| class="wikitable center-all" | ||
! | ! [[degree]] | ||
! | ! [[cent]]s | ||
! | ! Approximate <br>Ratios | ||
! colspan="2 | ! colspan="2" | Melodic notation <br> Major wider than minor | ||
Major wider than minor | ! colspan="2" | Harmonic notation <br> Major narrower than minor | ||
! colspan="2 | |||
Major narrower than minor | |||
|- | |- | ||
| 0 | |||
| 0 | |||
| 1/1 | |||
| perfect unison | |||
| D | |||
| perfect unison | |||
| D | |||
|- | |- | ||
| 1 | |||
| 133 | |||
| 14/13, 13/12, 12/11 | |||
| minor 2nd | |||
| E | |||
| major 2nd | |||
| E | |||
|- | |- | ||
| 2 | |||
| 267 | |||
| 7/6 | |||
| major 2nd, minor 3rd | |||
| E#, Fb | |||
| minor 2nd, major 3rd | |||
| Eb, F# | |||
|- | |- | ||
| 3 | |||
| 400 | |||
| 5/4, 14/11, 9/7 | |||
| major 3rd | |||
| F | |||
| minor 3rd | |||
| F | |||
|- | |- | ||
| 4 | |||
| 533 | |||
| 4/3, 11/8 | |||
| perfect 4th | |||
| G | |||
| perfect 4th | |||
| G | |||
|- | |- | ||
| 5 | |||
| 667 | |||
| 16/11, 3/2 | |||
| perfect 5th | |||
| A | |||
| perfect 5th | |||
| A | |||
|- | |- | ||
| 6 | |||
| 800 | |||
| 14/9, 11/7, 8/5 | |||
| minor 6th | |||
| B | |||
| major 6th | |||
| B | |||
|- | |- | ||
| 7 | |||
| 933 | |||
| 12/7 | |||
| major 6th, minor 7th | |||
| B#, Cb | |||
| minor 6th, major 7th | |||
| Bb, C# | |||
|- | |- | ||
| 8 | |||
| 1067 | |||
| 11/6, 13/7 | |||
| major 7th | |||
| C | |||
| minor 7th | |||
| C | |||
|- | |- | ||
| 9 | |||
| 1200 | |||
| 2/1 | |||
| octave | |||
| D | |||
| octave | |||
| D | |||
|} | |} | ||
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[[:File:9ed2-001.svg|9ed2-001.svg]] | [[:File:9ed2-001.svg|9ed2-001.svg]] | ||
=Commas= | == Commas == | ||
9 EDO tempers out the following commas. (Note: This assumes val < 9 14 21 25 31 33 |.) | 9 EDO tempers out the following commas. (Note: This assumes val < 9 14 21 25 31 33 |.) | ||
{| class="wikitable" | {| class="wikitable centerl-all left-2 right-3" | ||
|- | |- | ||
! | ! [[Ratios|Ratio]] | ||
! | ! [[Monzo]] | ||
! | ! [[Cent]]s | ||
![[Color notation/Temperament Names|Color Name]] | ! [[Color notation/Temperament Names|Color Name]] | ||
! | ! Name 1 | ||
! | ! Name 2 | ||
! | ! Name 3 | ||
|- | |- | ||
| 27/25 | |||
| | | {{Monzo| 0 3 -2 }} | ||
| 133.24 | |||
| Gugu | |||
| Large Limma | |||
| Large Semitone | |||
| Bug Comma | |||
|- | |- | ||
| 135/128 | |||
| | | {{Monzo| -7 3 1 }} | ||
| 92.18 | |||
| Layobi | |||
| Major Chroma | |||
| Major Limma | |||
| Pelogic Comma | |||
|- | |- | ||
| 16875/16384 | |||
| | | {{Monzo| -14 3 4 }} | ||
| 51.12 | |||
| Laquadyo | |||
| Negri Comma | |||
| Double Augmentation Diesis | |||
| | |||
|- | |- | ||
| 128/125 | |||
| | | {{Monzo| 7 0 -3 }} | ||
| 41.06 | |||
| Trigu | |||
| Diesis | |||
| Augmented Comma | |||
| | |||
|- | |- | ||
| 2109375/2097152 | |||
| | | {{Monzo| -21 3 7 }} | ||
| 10.06 | |||
| Lasepyo | |||
| Semicomma | |||
| Fokker Comma | |||
| | |||
|- | |- | ||
| 36/35 | |||
| | | {{Monzo| 2 2 -1 -1 }} | ||
| 48.77 | |||
| Rugu | |||
| Septimal Quarter Tone | |||
| | |||
| | |||
|- | |- | ||
| 525/512 | |||
| | | {{Monzo| -9 1 2 1 }} | ||
| 43.41 | |||
| Lazoyoyo | |||
| Avicenna | |||
| Avicenna's Enharmonic Diesis | |||
| | |||
|- | |- | ||
| 49/48 | |||
| | | {{Monzo| -4 -1 0 2 }} | ||
| 35.70 | |||
| Zozo | |||
| Slendro Diesis | |||
| | |||
| | |||
|- | |- | ||
| 686/675 | |||
| | | {{Monzo| 1 -3 -2 3 }} | ||
| 27.99 | |||
| Trizo-agugu | |||
| Senga | |||
| | |||
| | |||
|- | |- | ||
| 2430/2401 | |||
| | | {{Monzo| 1 5 1 -4 }} | ||
| 20.79 | |||
| Quadru-ayo | |||
| Nuwell | |||
| | |||
| | |||
|- | |- | ||
| 1728/1715 | |||
| | | {{Monzo| 6 3 -1 -3 }} | ||
| 13.07 | |||
| Triru-agu | |||
| Orwellisma | |||
| Orwell Comma | |||
| | |||
|- | |- | ||
| 225/224 | |||
| | | {{Monzo| -5 2 2 -1 }} | ||
| 7.71 | |||
| Ruyoyo | |||
| Septimal Kleisma | |||
| Marvel Comma | |||
| | |||
|- | |- | ||
| 6144/6125 | |||
| | | {{Monzo| 11 1 -3 -2 }} | ||
| 5.36 | |||
| Sarurutrigu | |||
| Porwell | |||
| | |||
| | |||
|- | |- | ||
| 65625/65536 | |||
| | | {{Monzo| -16 1 5 1 }} | ||
| 2.35 | |||
| Lazoquinyo | |||
| Horwell | |||
| | |||
| | |||
|- | |- | ||
| 99/98 | |||
| | | {{Monzo| -1 2 0 -2 1 }} | ||
| 17.58 | |||
| Loruru | |||
| Mothwellsma | |||
| | |||
| | |||
|- | |- | ||
| 121/120 | |||
| | | {{Monzo| -3 -1 -1 0 2 }} | ||
| 14.37 | |||
| Lologu | |||
| Biyatisma | |||
| | |||
| | |||
|- | |- | ||
| 176/175 | |||
| | | {{Monzo| 4 0 -2 -1 1 }} | ||
| 9.86 | |||
| Lorugugu | |||
| Valinorsma | |||
| | |||
| | |||
|- | |- | ||
| 385/384 | |||
| | | {{Monzo| -7 -1 1 1 1 }} | ||
| 4.50 | |||
| Lozoyo | |||
| Keenanisma | |||
| | |||
| | |||
|- | |- | ||
| 540/539 | |||
| | | {{Monzo| 2 3 1 -2 -1 }} | ||
| 3.21 | |||
| Lururuyo | |||
| Swetisma | |||
| | |||
| | |||
|- | |- | ||
| 91/90 | |||
| | | {{Monzo| -1 -2 -1 1 0 1 }} | ||
| 19.13 | |||
| Thozogu | |||
| Superleap | |||
| | |||
| | |||
|- | |- | ||
| 676/675 | |||
| | | {{Monzo| 2 -3 -2 0 0 2 }} | ||
| 2.56 | |||
| Bithogu | |||
| Parizeksma | |||
| | |||
| | |||
|} | |} | ||
=Images= | == Images == | ||
[[File:9edo_wheel.png|alt=9edo wheel.png|385x385px|9edo wheel.png]] | [[File:9edo_wheel.png|alt=9edo wheel.png|385x385px|9edo wheel.png]] | ||
=Instruments= | == Instruments == | ||
[[File:IMG_2223-800x600.jpg|alt=IMG_2223-800x600.jpg|400px|IMG_2223-800x600.jpg]] | [[File:IMG_2223-800x600.jpg|alt=IMG_2223-800x600.jpg|400px|IMG_2223-800x600.jpg]] | ||
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Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte) | Ukulele (MicroUke 1.2) set to 9 EDO with 40 lb. test fishing line (by cenobyte) | ||
=Music= | == Music == | ||
<ul><li>[https://soundcloud.com/overtoneshock/tencaious-chorale-9-edo-studio-version Tenacious Chorale (only movement I is in 9-EDO)] by Stephen Weigel</li><li>[https://soundcloud.com/overtoneshock/in-our-own-little-worlds-9-edo Zones of Lasting Novelty] (Un12 2019) by Stephen Weigel; perf. Hans Gunter-Lock, Jacob Barton, and Stephen Weigel</li><li>[https://soundcloud.com/overtoneshock/gamelan-genesis-and-birth-9-edo Gamelan, Origin, Creation] by Stephen Weigel ([http://www.beostringquartet.com/ Beo String Quartet], dedicated to [[wikipedia:Lou_Harrison|Lou Harrison]]) | <ul><li>[https://soundcloud.com/overtoneshock/tencaious-chorale-9-edo-studio-version Tenacious Chorale (only movement I is in 9-EDO)] by Stephen Weigel</li><li>[https://soundcloud.com/overtoneshock/in-our-own-little-worlds-9-edo Zones of Lasting Novelty] (Un12 2019) by Stephen Weigel; perf. Hans Gunter-Lock, Jacob Barton, and Stephen Weigel</li><li>[https://soundcloud.com/overtoneshock/gamelan-genesis-and-birth-9-edo Gamelan, Origin, Creation] by Stephen Weigel ([http://www.beostringquartet.com/ Beo String Quartet], dedicated to [[wikipedia:Lou_Harrison|Lou Harrison]]) | ||
</li><li>Nocturne in 9tet by [http://home.snafu.de/djwolf/WorksDescriptive.htm Daniel Wolf]</li><li>''[http://www.h-pi.com/mp3/Prelude9ET.mp3 Prelude in 9ET]'' by [[Aaron_Andrew_Hunt|Aaron Andrew Hunt]]</li><li>''[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3 Improvisation for Electric Guitar in 9 edo]'' by [http://www.chrisvaisvil.com Chris Vaisvil]</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3 Comets Over Flatland 8] by [[Randy_Winchester|Randy Winchester]]</li><li>[http://www.youtube.com/watch?v=bDFCsCoaUO4 Nine tones per Octave (9-EDO / 9-TET)] by [[Ivor_Darreg|Ivor Darreg]]</li><li>[http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3 Gerbils at the Wheel of Government] by [http://chrisvaisvil.com/?p=1402 Chris Vaisvil] (in 9 and 18 edo simultaneously)</li><li>[http://www.seraph.it/dep/det/NewWorld.mp3 New World] by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html blog entry])</li><li>[https://soundcloud.com/santiagocosentino/interdimensional-train-ride Interdimensional Train Ride by Santiago Cosentino]</li></ul> | </li><li>Nocturne in 9tet by [http://home.snafu.de/djwolf/WorksDescriptive.htm Daniel Wolf]</li><li>''[http://www.h-pi.com/mp3/Prelude9ET.mp3 Prelude in 9ET]'' by [[Aaron_Andrew_Hunt|Aaron Andrew Hunt]]</li><li>''[http://micro.soonlabel.com/9-edo/daily20110629_fts_e_guit_9et.mp3 Improvisation for Electric Guitar in 9 edo]'' by [http://www.chrisvaisvil.com Chris Vaisvil]</li><li>[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/08%20-%208.%209%20octave.mp3 Comets Over Flatland 8] by [[Randy_Winchester|Randy Winchester]]</li><li>[http://www.youtube.com/watch?v=bDFCsCoaUO4 Nine tones per Octave (9-EDO / 9-TET)] by [[Ivor_Darreg|Ivor Darreg]]</li><li>[http://micro.soonlabel.com/9-edo/daily20111008b_gerbils_at_the_wheel_of_government.mp3 Gerbils at the Wheel of Government] by [http://chrisvaisvil.com/?p=1402 Chris Vaisvil] (in 9 and 18 edo simultaneously)</li><li>[http://www.seraph.it/dep/det/NewWorld.mp3 New World] by [[Carlo_Serafini|Carlo Serafini]] ([http://www.seraph.it/blog_files/f533be803cb9ed1efc23fc9e2db10c6f-167.html blog entry])</li><li>[https://soundcloud.com/santiagocosentino/interdimensional-train-ride Interdimensional Train Ride by Santiago Cosentino]</li></ul> | ||
=Ear Training= | == Ear Training == | ||
9 EDO ear-training exercises by Alex Ness available [https://drive.google.com/a/playgroundsessions.com/folderview?id=0BwsXD8q2VCYUamtVWEgyRFA5alU&usp=sharing#list here]. | 9 EDO ear-training exercises by Alex Ness available [https://drive.google.com/a/playgroundsessions.com/folderview?id=0BwsXD8q2VCYUamtVWEgyRFA5alU&usp=sharing#list here]. | ||
[[Category:9-tone]] | [[Category:9-tone]] | ||
[[Category:9edo]] | [[Category:9edo]] | ||
[[Category: | [[Category:Edo]] | ||
[[Category: | [[Category:Listen]] | ||
[[Category: | [[Category:Macrotonal]] | ||
[[Category:Todo:unify precision]] | |||
[[Category: | |||