12:14:18:21: Difference between revisions

Latest revision as of 16:47, 20 January 2026

12:14:18:21, the subminor seventh chord or septimal minor seventh chord, is an anomalous saturated suspension in the 9-odd-limit.

Ratio	1/1	7/6	3/2	7/4
Cents	0.00	266.87	701.96	968.83
Sound [info]

Todo: research

This chord may be closely connected to 7-limit interpretations of the Blues scale.

@@ Line 1: / Line 1: @@
 {{Infobox Chord|ColorName=zo-7 or z7}}
-'''12:14:18:21''', a ''subminor seventh chord'' or ''septimal minor seventh chord'', is an [[anomalous saturated suspension]] in the [[9-odd-limit]].
+'''12:14:18:21''', the ''subminor seventh chord'' or ''septimal minor seventh chord'', is an [[anomalous saturated suspension]] in the [[9-odd-limit]].
-<!-- Note: This was at one point labeled a “Swiss tetrad”, seemingly due to a mistaken identification of the “Swiss sixth chord”. [[User:Bcmills]] doesn't see how it would actually relate to the Swiss sixth, which can be represented in 5-limit JI as [[256:320:375:450]] and seems closer to a dominant seventh than a subminor one. -->
+<!-- Note: This was at one point labeled a "Swiss tetrad", seemingly due to a mistaken identification of the "Swiss sixth chord". [[User:Bcmills]] doesn't see how it would actually relate to the Swiss sixth, which can be represented in 5-limit JI as [[256:320:375:450]] and seems closer to a dominant seventh than a subminor one. -->
 {| class="wikitable center-all" style="column-width:10em"
 ! Ratio
@@ Line 13: / Line 13: @@
 | colspan="4" | [[File:Swiss tetrad.mp3]]
 |}
+{{Todo|research|inline=1|text=This chord may be closely connected to 7-limit interpretations of the Blues scale.}}
-{{Todo|research|inline=1|text=This chord may be closely connected to 7-limit interpretations of the Blues scale.}}
 == See also ==
 * [[14:18:21:24]]